“He Doesn’t Belong in This House”: The Uncanny Cousin in Two Mid-Century Gothic Novels

ABSTRACT

While the family unit in the Gothic novel has been widely discussed, the figure of the Gothic cousin has largely been relegated to the periphery of critical scholarship. This paper contends that the cousin occupies a particularly unheimlich position in the family unit: a cousin might be of the same age, or so distant in age that they are almost a stranger; they might be entirely unfamiliar, or raised from childhood with their cousins; they might be an acceptable romantic interest or an entirely taboo one. While clearly a flexible, shifting figure within the family unit, in many Gothic novels the arrival of a cousin causes significant upheaval – either immediate or generational – that undermines, dismantles, or enacts a renegotiation of the domestic order. The intrusions of Charles in Shirley Jackson’s We Have Always Lived in the Castle and Rachel in Daphne du Maurier’s My Cousin Rachel both reflect and reinforce this trajectory. In this paper, we consider the ways in which Rachel and Charles support our interpretation of the cousin as a disruptive figure within Gothic texts.

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Notes on contributors

Ella Jeffery

Ella Jeffery is a Lecturer in Creative Writing in the School of Humanities, Languages, and Social Science at Griffith University. Her research explores representations of unstable, uncanny, and insecure dwelling in 20th and 21st century fiction and poetry. Her debut collection of poems, Dead Bolt, won the Puncher & Wattman Prize for a First Book of Poems, the Anne Elder Award, and was shortlisted for the Mary Gilmore Award.

Alex Philp

Alex Philp has a PhD in creative writing from Queensland University of Technology, where she currently teaches and researches. She researches representations of sister relationships in fiction. Her short fiction has appeared in Overland, The Review of Australian Fiction, Westerly, and is forthcoming in Griffith Review.