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1 Two recent studies include Jeanice Brooks, The Musical Work of Nadia Boulanger: Performing Past and Future between the Wars (Cambridge: Cambridge University Press, 2013); and Kimberly A. Francis, Teaching Stravinsky: Nadia Boulanger and the Consecration of a Modernist Icon (Oxford and New York: Oxford University Press, 2015).
2 For an overview of the Boulanger archive, see Jeanice Brooks, ‘The Fonds Boulanger at the Bibliotheque Nationale’, Notes 51, no. 4 (1995), 1227–37.
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