Hear Me Now: The Black Potters of Old Edgefield, South Carolina

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No potential conflict of interest was reported by the author(s).

Notes

1 Jori Finkel, “The Enslaved Artist Whose Pottery Was an Act of Resistance,” The New York Times (June 17, 2021). https://www.nytimes.com/2021/06/17/arts/design/-enslaved-potter-david-drake-museum.html (accessed January 27, 2024).

2 Adrienne Spinozzi, “Confronting, Collecting, and Celebrating Edgefield Stoneware,” Hear Me Now: The Black Potters of Old Edgefield, South Carolina (New York: Metropolitan Museum of Art, 2022), 44.

3 Philip Wingard, “From Baltimore to the South Carolina Backcountry: Thomas Chandler’s Influence on 19^th-Century Stoneware,” Ceramics in America 2013, Chipstone Foundation. https://www.chipstone.org/article.php/538/Ceramics-in-America-2013/From-Baltimore-to-the-South-Carolina-Backcountry:-Thomas-Chandler’s-Influence-on-19th-Century-Stoneware (accessed October 10, 2023).

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Sara Clugage

Sara Clugage is the editor-in-chief of Dilettante Army, an online magazine for visual culture and critical theory. Her art and writing practices focus on issues of political economy in craft and food.