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Research Article

Tactile technologies of the self: connection, hapticscape and self-development narratives in Cape Town’s Afro-Latin dance scene

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Abstract

Drawing on ethnographic research within the salsa, bachata and kizomba (SBK) scene of Cape Town, this article examines the values and narratives of personal development that Cape Town’s adepts of Afro-Latin dance elaborate around the emic notion of “connection.” I describe how this multisensory experience is informed by an ethic of personal development and self-transformation, which at the same time reflects the influence of global neoliberal entrepreneurial paradigms — together with the hopes, values and hampered dreams of Cape Town’s post-apartheid middle classes. Narratives and descriptions of the hapticscape and multisensory knowledge built through the search for connection highlight how these encounters give shape to intimate spaces where salsa amateurs can imagine, materialise and embody the multiple injunctions they navigate and can reconfigure the boundaries of intimacy, identity and otherness in the post-apartheid city.

Com base em pesquisa etnográfica na cena da salsa, bachata e kizomba (SBK) da Cidade do Cabo, este artigo examina os valores e as narrativas de desenvolvimento pessoal que os adeptos da dança afro-latina na Cidade do Cabo elaboram em torno da noção êmica de “conexão”. Descrevo como essa experiência multissensorial é informada por uma ética do desenvolvimento pessoal e da autotransformação, que ao mesmo tempo reflete a influência dos paradigmas de empreendedorismo neoliberais globais — junto com as esperanças, valores e sonhos tolhidos das classes médias pós-apartheid da Cidade do Cabo. As narrativas e descrições da paisagem tátil e o conhecimento multissensorial construído através da busca por conexão destacam como esses encontros dão forma a espaços íntimos onde dançarinos de salsa amadores podem imaginar, materializar e incorporar as múltiplas pressões com as quais lidam e podem reconfigurar as fronteiras da intimidade, identidade e alteridade na cidade pós-apartheid.

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