Sound art before sound art

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Notes

1. See, for example, the Museum of Modern Art’s 2013 exhibition Soundings: A Contemporary Score, also curated by London.

2. An influential text on this topic is the 1988 edited volume Vision and Visuality. See Hal Foster ed., Vision and Visuality (Seattle: Bay Press, 1988).

Additional information

Notes on contributors

Christian de Mouilpied Sancto

Christian de Mouilpied Sancto is a PhD candidate in Visual and Cultural Studies at the University of Rochester, where he researches environmental aesthetics in post-1945 art, design, and performance. He has degrees in Media and Performance Studies from Utrecht University and music composition from Goldsmiths, University of London. His writing has appeared in Afterimage, ASAP/Journal, PAJ, Resonance, and Film-Philosophy.