Figures & data
Figure 1. Clarence H. White, ‘Morning, 1905’, © The Metropolitan Museum of Art / Art Resource / Scala, Florence.
Research Article
‘The outside after all must be right there beside me’: Claire-Louise Bennett’s Pond and post-critical perspective
Stephen BensonSchool of Literature, Drama and Creative Writing, University of East Anglia, Norwich, UKCorrespondence[email protected]
https://orcid.org/0000-0001-7175-9979
https://orcid.org/0000-0001-7175-9979