Notes
1 Examples are Cormac Newark and William Weber eds., The Oxford Handbook of the Operatic Canon (New York: Oxford University Press, 2020); Martin Nedbal, Mozart’s Operas and National Politics: Canon Formation in Prague from 1791 to the Present (Cambridge: Cambridge University Press, 2023); William Weber, Canonic Repertories and the French Musical Press: Lully to Wagner (Rochester: University of Rochester Press, 2021); Randi Margarete Selvik, Anabella Skagen, and Svein Gladsø, eds., Relevance and Marginalization in Scandinavian and European Performing Arts 1770–1860: Questioning Canons (New York: Routledge, 2021); Klaus Pietschmann and Melanie Wald-Fuhrmann, eds., Der Kanon der Musik: Theorie und Geschichte: Ein Handbuch (Munich: Text + Kritik, 2013).