Narrative strategies of transrealism: the interplay of satire, fantasy, and science in American dystopian fiction

ABSTRACT

The rise of transrealism in the second half of the twentieth century embellished the literary landscape in America with a new mode of expression that offered new understanding of time, space, identity, and social values and norms. This study situates the American novelist Kurt Vonnegut’s Player Piano within this literary context to map out the qualities that distinguish it as a transrealistic fiction. We argue that through innovative coalescence of fantasy and realism, this postmodern novel provides a satirical commentary against the incongruities of the contemporary American society. To analyse the novel, we employ Rudy Rucker’s theorisations of the movement that delineates the transrealist manifesto as a union of realism, fantasy, and science-fiction. The findings reveal that through a satirical representation of the current advancements in technology and their inevitably negative impact on human life and society, the novel provides a dystopian picture of modern life in America. This apocalyptic sentiment is reinforced through a creative convergence of the surreal features of science-fiction, the tropes of naturalistic realism, and the elements of satire that together help to accentuate the deficiencies and ironies of the modern American society as well as the rampant misuse of technology by both individuals and authorities.

KEYWORDS:

• Transrealism
• fantasy
• science-fiction
• America
• dystopia

Acknowledgement

The authors extend their sincere thanks to the journal's editors and anonymous reviewers, whose insightful comments and suggestions have greatly improved the quality of this article. Additionally, the authors are grateful to Dr. Abdolbaqi Rezaei Talarposhti and Dofaslnameye Ravayatshenasi for their valuable feedback on the earlier Persian draft of this paper.

Disclosure statement

No potential conflict of interest was reported by the author(s).