98
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Holding the Pen: Visions and Revisions of the American South in Sherley Anne Williams’s Dessa Rose

ORCID Icon

Works Cited

  • Aptheker, Herbert. American Negro Slave Revolts. Columbia UP, 1943.
  • Basu, Biman. “Hybrid Embodiment and an Ethics of Masochism: Nella Larsen’s Passing and Sherley Anne Williams’s Dessa Rose.” African American Review, vol. 36, no. 3, 2002, pp. 383–401. doi:10.2307/1512203.
  • Bensedik, Ahmed N. “Sherley Anne Williams’s Dessa Rose: An American Sisterhood in Black and White.” Journal of International Women’s Studies, vol. 21, no. 2, 2020, pp. 17–27. https://vc.bridgew.edu/jiws/vol21/iss2/3/.
  • Burns, Ken, et al. The Civil War. PBS, 1990.
  • Burns, Phyllis Lynne. “‘I Kill White Mens … Cause I Can’: The Rewriting of Liberation and Mastery in Dessa Rose.” Criticism, vol. 55, no. 1, 2013, pp.119–45. doi:10.13110/criticism.55.1.0119.
  • Byerman, Keith. Remembering the Past in Contemporary African American Fiction. U North Carolina P, 2006.
  • Clarke, John H., ed. William Styron’s Nat Turner: Black Writers Respond. Beacon P, 1968.
  • Collins, Patricia Hill. Black Sexual Politics: African Americans, Gender, and the New Racism. Routledge, 2004.
  • Davis, Angela Y. “Reflections on the Black Woman’s Role in the Community of Slaves.” The Black Scholar, vol. 3, no. 4, 1971, pp.2–15. doi:10.1080/00064246.1971.11431201.
  • Douglass, Frederick. Narrative of the Life of Frederick Douglass, an American Slave. Anti-Slavery Office, 1845.
  • Faulkner, William. “That Evening Sun.” Selected Short Stories of William Faulkner, Modern Library edition, Modern Library pp. 76–98. 2012.
  • Ferreira, Patricia. “What’s Wrong with Miss Anne: Whiteness, Women, and Power in Meridian and Dessa Rose.” Sage, vol. 8, 1991, pp. 15–20.
  • Fleming, Victor, director. Gone with the Wind. Selznick International Pictures and Metro-Goldwyn-Mayer, 1939.
  • Gates, Henry Louis. The Signifying Monkey: A Theory of Afro-American Literary Criticism. Oxford UP, 1990.
  • Goldman, Anne E. “‘I Made the Ink’: (Literary) Production and Reproduction in Dessa Rose and Beloved.” Feminist Studies, vol. 16, no. 2, 1990, pp.313–30. doi:10.2307/3177852.
  • Goldstein, Philip. “Reading Pudd’nhead Wilson: Criticism and Commentary from the Gilded Age to the Modern, Online Era.” Reception: Texts, Readers, Audiences, History, vol. 9, no. 1, 2017, pp. 4–22. doi:10.5325/reception.9.1.0004.
  • Gorra, Michael Edward. The Saddest Words: William Faulkner’s Civil War. Liveright, 2020.
  • Griffiths, Jennifer L. Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance. U of Virginia P, 2009.
  • Hartman, Saidiya V. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Century America. Oxford UP, 1997.
  • Henderson, Mae. “(W)riting the Work and Working the Rites.” Black American Literature Forum, vol. 23, no. 4, 1989, pp.631–60. doi:10.2307/2904094.
  • Williams, Sherley Anne. Speaking in Tongues and Dancing Diaspora: Black Women Writing and Performing. Oxford UP, 2014.
  • Howe, Lawrence. “Race, Genealogy, and Genre in Mark Twain’s Pudd’nhead Wilson.” Nineteenth-Century Literature, vol. 46, no. 4, 1992, pp. 495–516. doi:10.2307/2933804.
  • Jordan-Zachery, Julia S. Black Women, Cultural Images, and Social Policy. Routledge, 2009.
  • King, Nicole R. “Meditations and Mediations: Issues of History and Fiction in Dessa Rose.” Soundings: An Interdisciplinary Journal, vol. 76, no. 2/3, 1993, pp. 351–68. http://www.jstor.org/stable/41179217.
  • Lyman, John Andrew. Pudd’nhead Wilson, Ambiguity, and Enslavement by Language. 1997. William & Mary, MA thesis. doi:10.21220/s2-0zs0-fm69.
  • McKible, Adam. “‘These are the Facts of the Darky’s History’: Thinking History and Reading Names in Four African American Texts.” African American Review, vol. 28, no. 2, 1994, pp.223–35. doi:10.2307/3041995.
  • McPherson, Tara. Reconstructing Dixie: Race, Gender, and Nostalgia in the Imagined South. Duke UP, 2003.
  • Meese, Elizabeth A. (Ex)tensions: Re-Figuring Feminist Criticism. U of Illinois P, 1990.
  • Mitchell, Angelyn. The Freedom to Remember: Narrative, Slavery, and Gender in Contemporary Black Women’s Fiction. Rutgers UP, 2002.
  • Mitchell, Margaret. Gone with the Wind. Macmillan, 1936.
  • Morgan, Jennifer L. “Partus Sequitur Ventrem: Law, Race, and Reproduction in Colonial Slavery.” Small Axe, vol. 22, no. 1, 2018, pp. 1–17. https://muse.jhu.edu/article/689365.
  • Morrison, Toni. Beloved. Knopf, 1987.
  • Moynihan, Sinéad. “History Repeating Itself: Passing, Pudd’nhead Wilson, and The President’s Daughter.” Callaloo, vol. 32, no. 3, 2009, pp. 809–21. http://www.jstor.org/stable/27743055.
  • Porter, Nancy. “Women’s Interracial Friendships and Visions of Community in Meridian, The Salt Eaters, Civil Wars, and Dessa Rose.” In Tradition and the Talents of Women, edited by Florence Howe, U of Illinois P, 1991, pp. 265–83
  • Robinson, Angelo Rich. “‘Mammy Ain’t Nobody name’: The Subject of Mammy Revisited in Shirley Anne Williams’s Dessa Rose.” Southern Quarterly, vol. 49, no. 1, 2011, pp. 50–68. https://www.proquest.com/scholarly-journals/mammy-aint-nobody-name-subject-revisited-shirley/docview/927950881/se-2.
  • Rushdy, Ashraf H. A. “Reading Mammy: The Subject of Relation in Sherley Anne Williams’ Dessa Rose.” African American Review, vol. 27, no. 3, 1993, pp.365–89. doi:10.2307/3041929.
  • Rushdy, Ashraf H. A. Neo-Slave Narratives: Studies in the Social Logic of a Literary Form. Oxford UP, 1999.
  • Ryan, Tim A. Yoknapatawpha Blues: Faulkner’s Fiction and Southern Roots Music. Louisiana State UP, 2015.
  • Sayre, Gordon M. “Slave Narrative and Captivity Narrative: American Genres.” In A Companion to American Literature and Culture, edited by Paul Lauter, Wiley-Blackwell, 2010, pp. 179–91
  • Sekora, John. “Black Message/White Envelope: Genre, Authenticity, and Authority in the Antebellum Slave Narrative.” Callaloo, vol. 32, 1987, pp. 482–515. doi:10.2307/2930465.
  • Seliger, Mary A. “Dessa’s Blues: Reimagining the Master’s Narrative in Sherley Anne Williams’s Dessa Rose.” The Western Journal of Black Studies, vol. 36, 2012, pp. 314–24.
  • Stanton, Elizabeth Cady, et al., ed. History of Woman Suffrage, vol. 1, Susan B. Anthony (Charles Mann Press), 1881.
  • Styron, William. The Confessions of Nat Turner. Random House, 1967.
  • Taj Mahal. “Cajun Waltz.” Mo’ Roots, Sony BMG, Spotify, 1974.
  • Turner, Nat. The Confessions of Nat Turner, the Leader of the Late Insurrection in Southampton, Virginia. Thomas R. Gray, 1831.
  • Twain, Mark. Pudd’nhead Wilson. 1964. Signet, 1894.
  • Wallace-Sanders, Kimberly. Mammy: A Century of Race Gender and Southern Memory. Michigan UP, 2008.
  • Wilderson, Frank B. Red, White and Black: Cinema and the Structure of US Antagonisms. Duke UP, 2010.
  • Williams, Sherley Anne. Author’s Note to Dessa Rose, by Williams. Harper Collins, 1986, pp. 5–6.
  • Williams, Sherley Anne. Dessa Rose. Harper Collins, 1986.
  • Williams, Sherley Anne. “Meditations on History.” In Black-Eyed Susans, Midnight Birds: Stories by and About Black Women, edited by Mary Helen Washington, Anchor Books, 1990, pp. 230–77
  • Williams, Sherley Anne. “The Lion’s History: The Ghetto Writes B[l]ack.” Soundings: An Interdisciplinary Journal, vol. 76, no. 263, 1993, pp. 245–66. http://www.jstor.org/stable/41179213.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.