Works cited
- Baraka, Imamu Amiri. Black Magic: Sabotage, Target Study, Black Art: Collected Poetry 1961 1967. Indianapolis: Bobbs-Merrill, 1969.
- Baraka, Imamu Amiri. “The Revolutionary Theatre.” The Norton Anthology of African American Literature, edited by Henry Louis Gates Jr. and Nellie Y. McKay. W. W. Norton and Company, 2004, pp. 1960–63.
- Bascom, William. “The Forms of Folklore: Prose Narratives.” The Journal of American Folklore, vol. 78, no. 307, 1965, pp. 3–20. doi:10.2307/538099.
- Jones, LeRoi. Dutchman and the Slave. William Morrow and Company, 1964.
- Kumar, Nita N. “The Logic of Retribution: Amiri Baraka’s Dutchman.” African American Review, vol. 37, no. 2/3, 2003, pp. 271–79. doi:10.2307/1512313.
- Nelson, Hugh. “LeRoi Jones‘ ”Dutchman”: A Brief Ride on A Doomed Ship.” Educational Theatre Journal, vol. 20, no. 1, 1968, pp. 53–59. doi:10.2307/3204875.
- Peavy, Charles D . “Myth, Magic, and Manhood in LeRoi Jones’ Madheart.” Imamu Amiri Baraka (Leroi Jones): A Collection of Critical Essays, edited by Kimberly W. Benston, Prentice-Hall, Inc., 1970, pp. 12–20.
- Tudor, Henry. Political Myth. Praeger, 1972.
- Williams, Sherley Anne. “The Search for Identity in Baraka’s Dutchman.” Imamu Amiri Baraka (LeRoi Jones): A Collection of Critical Essays, Edited by Kimberly W. Benston, Prentice-Hall, Inc., 1978, pp. 135–140.