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Research Article

The Multiple Meanings of the Ear Metaphor in Hamlet

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Works cited

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  • Fabiny, Tibor. “The Ear as a Metaphor: Aural Imagery in Shakespeare’s Great Tragedies and Its Relation to Music and Time in Cymbeline and Pericles.” Hungarian Journal of English and American Studies, vol. 11, no. 1, 2005, pp. 189–201.
  • Frye, Northrop. A Natural Perspective: The Development of Shakespearean Comedy and Romance. New York: Harcourt, 1965.
  • Green, Reina. “Open Ears, Appetite, and Adultery in A Woman Killed with Kindness.” English Studies in Canada, vol. 31, no. 4, 2005, pp. 53–74. doi:10.1353/esc.2007.0044.
  • Green, Reina. “Poisoned Ears and Parental Advice in Hamlet.” Early Modern Literary Studies, vol. 11, no. 3, 2006, pp. 1–31.
  • Hamamra, Bilal Tawfiq. “The Gendering of the Ear in Early Modern England.” ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, vol. 32, no. 4, 2019, pp. 1–2.
  • Jardine, Lisa. “Afterword: What Happens in Hamlet?” Shakespeare and Gender: A History. Edited by Deborah Barker and Ivo Kamps, Verso, 1995, pp. 316–26.
  • Pollard, Tanya. Drugs and Theater in Early Modern England. New York: Oxford UP, 2005. .
  • Primaudaye, Peter de la. The French Academie. 1586. New York: Georg Olms, 1972.
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  • Titus Lucretius Carus. T. Lucretius Carus. The Epicurean Philosopher, His Six Books de Natura Rerum: Done into English Verse, with Notes. L. Lichfield, 1683.
  • Wall, John N. “Shakespeare’s Aural Art: The Metaphor of the Ear in Othello.” Shakespeare Quarterly, vol. 30, no. 3, 1979, pp. 358–66. doi:10.2307/2869471.

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