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Research Article

The Limits of Language and the Fragmentation of the Western Mind in John Burnside’s the Dumb House

Works cited

  • Adorno, Theodor W., and Max Horkheimer. Dialectic of Enlightenment: Philosophical Fragments. Translated by Edmund Jephcott. Edited by Gunzelin Schmid Noerr, Stanford UP, 2002.
  • Borthwick, David. “‘The Tilt from One parish/into Another’: Estrangement, Continuity and Connection in the Poetry of John Burnside, Kathleen Jamie and Robin Robertson.” Scottish Literary Review, vol. 3, no. 2, 2011, pp. 133–48.
  • Bracke, Astrid. “Solitaries, Outcasts and Doubles: The Fictional Oeuvre of John Burnside.” English Studies, vol. 95, no. 4, 2014, pp. 421–40. doi:10.1080/0013838X.2014.908036.
  • Bradford, Richard. The Novel Now: Contemporary British Fiction. Blackwell, 2007.
  • Burnside, John. “A Science of Belonging: Poetry as Ecology.” Contemporary Poetry and Contemporary Science, edited by Robert Crawford, Oxford UP, 2006, pp. 91–106.
  • Burnside, John. The Dumb House. Vintage, 2015. Abbreviated DH.
  • Burnside, John. The Music of Time: Poetry in the Twentieth Century. Profile Books Ltd, 2019.
  • Coetzee, J. M. Foe. Penguin, 2010.
  • Edwards, Caroline. “Rethinking the Arcadian Revenge: Metachronous Times in the Fiction of Sam Taylor.” Modern Fiction Studies, vol. 58, no. 3, 2012, pp. 477–502. doi:10.1353/mfs.2012.0051.
  • James, David. “John Burnside’s Ecologies of Solace: Regional Environmentalism and the Consolations of Description.” Modern Fiction Studies, vol. 58, no. 3, 2012, pp. 599–615. doi:10.1353/mfs.2012.0048.
  • McEwan, Ian. Atonement. Vintage, 2005.

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