198
Views
0
CrossRef citations to date
0
Altmetric
Articles

Rewriting the queer potential of She’s Gotta Have It

ORCID Icon
Pages 454-473 | Received 16 Aug 2023, Accepted 21 Aug 2023, Published online: 04 Oct 2023

References

  • Barboza, C., November 20, 2017. Spike Lee Talks ‘Black Klansman’ Movie and Why He Regrets the Rape Scene in ‘She’s Gotta Have It’ Film. The Hollywood Reporter. Available from: https://www.hollywoodreporter.com/movies/movie-features/spike-lee-talks-black-klansman-movie-why-he-regrets-rape-scene-shes-gotta-have-it-1059729/ [Accessed November 26, 2021].
  • Cohen, C., 2019. The radical potential of queer? Twenty years later. GLQ: A journal of lesbian and Gay studies, 25 (1), 140–144. doi:10.1215/10642684-7275334.
  • Fleming, M., Jr, May 13, 2014. No Cannes Do: Why Spike Lee Nixed ‘Do the Right Thing’ Silver Anniversary for Black Fest Fete. Deadline. Available from: https://deadline.com/2014/05/no-cannes-do-why-spike-lee-nixed-do-the-right-thing-silver-anni-for-black-fest-fete-729355/ [Accessed November 26, 2021].
  • Giorgis, H., May 29, 2019. ‘The Messy Politics of Spike Lee’s She’s Gotta Have It.’ The Atlantic. Available from: https://www.theatlantic.com/entertainment/archive/2019/05/shes-gotta-have-it-season-2-spike-lees-messy-satire/590350/ [Accessed November 26, 2021].
  • Harris, J.O., 2021. Discussion with and presentation of the American perspectives award for outstanding achievement in cinema to writer Jeremy O. Harris. Charlottesville, VA: Lecture, University of Virginia. October 31, 2021.
  • Harris, H.E., and Moffit, K.R., 2009. A critical exploration of African American women through the ‘Spiked lens’. In: Janice D. Hamlet, and Robin R. Means Coleman, eds. Fight the power! The spike Lee reader. Pieterlen and Bern: Peter Lang, 303–320.
  • Hayfield, N., and Krizova, K., 2021. It’s like bisexuality but It isn’t: pansexual and panromantic people’s understandings of their identities and experiences of becoming educated about gender and sexuality. Journal of bisexuality, 21 (2), 167–193. doi:10.1080/15299716.2021.1911015.
  • Jackson, Z.I., 2016. Sense of things. Catalyst: feminism, theory, technoscience, 2 (2), 1–48.
  • Keeling, K., 2007. The witch’s flight: the cinematic, the black femme, and the image of common sense. Durham and London: Duke University Press.
  • Klesse, C., 2011. Shady characters, untrustworthy partners, and promiscuous sluts: creating bisexual intimacies in the face of heteronormativity and biphobia. Journal of bisexuality, 11 (2–3), 227–244. doi:10.1080/15299716.2011.571987.
  • Lee, S., director, 1986. She’s Gotta Have It. 40 Acres and a Mule Filmworks. 1 hr., 24 min. https://www.netflix.com/watch/60034929.
  • Lorde, A., 1984. Learning from the 60s. In: Sister outsider: essays and speeches. Berkeley: Crossing Press, 134–144.
  • Ndegeocello, M., 1999. Faithful. Track 3 on Bitter. Maverick Recording Company, digital stream.
  • Parkerson, M., 2018. Birth of a notion: toward black, Gay, and lesbian imagery in film and video. In: Yvonne Welbon, and Alexandra Juhasz, eds. Sisters in the life: A history of out African American lesbian media-making, 21–25. Durham and London: Duke University Press.
  • Perry, I., 2018. Vexy thing: on gender and liberation. Durham and London: Duke University Press.
  • Pikaart, H., 2017. ‘Meet the Brooklyn Artist Who Lent Art-World Cred to Netflix ‘She’s Gotta Have It’ Reboot.’ Artnet. Accessed November 26, 2021. https://news.artnet.com/art-world/brooklyn-artist-shes-gotta-have-it-1163225.
  • She’s Gotta Have It, 2017a. #DaJumpoff (DOCTRINE). Netflix video, 38:15. November 23. https://www.netflix.com/watch/80129567.
  • She’s Gotta Have It, 2017b. #Lbd (LITTLE BLACK DRESS). Netflix video, 32:41. November 23.
  • She’s Gotta Have It, 2017c. #LuvIzLuv (SEXUALITY IS FLUID). Netflix video, 34:14. November 23.
  • She’s Gotta Have It, 2017d. #HeGotItAllMixedUp (DYSLEXIA).’ Netflix video, 36:15. November 23.
  • She’s Gotta Have It, 2017e. #ChangeGonCome (GENTRIFICATION).’ Netflix video, 37:37. November 23.
  • She’s Gotta Have It, 2017f. #NolasChoice (3 DA HARD WAY).’ Netflix video, 31:58. November 23.
  • Wimbley, K.D., 2018. Stereotypy, mammy, and recovery in Cheryl Dunye’s The watermelon woman. In: Yvonne Welbon, and Alexandra Juhasz, eds. Sisters in the life: A history of out African American lesbian media-making. Durham and London: Duke University Press, 143–159.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.