https://orcid.org/0000-0001-6814-0403
Works Cited
- Bishop, Claire. Artificial Hells: Participatory Art and the Politics of Spectatorship. London: Verso, 2012.
- Dennis, Rea, Kate Hunter, and Magda Miranda. “‘I Forget Who I am While I Remember Who I was So I Can Perform Who I am’: Memory, Embodied Practice, and Thing-Power in Theater-Making.” Text and Performance Quarterly 41.1 (2022): 17–33. doi:10.1080/10462937.2021.1962961.
- Pelias, Ronald J., and Tracy Stephenson Shaffer. Performance Studies: The Interpretation of Aesthetic Texts. Dubuque, IA: Kendall Hunt Publishing Company, 2007.
- Shineman, Kirt A. “The Performance of Last Words: A Play of Relational Aesthetics.” Text and Performance Quarterly (2022).