References
- Borenstein, Eliot. 2005. “Stripping the Nation Bare: Russian Pornography and the Insistence on Meaning.” In International Exposure: Perspectives on Modern European Pornography, 1800–2000, edited by Lisa Z. Sigel, 232–254. New Brunswick, NJ: Rutgers University Press.
- Bunn, Matthew. 2015. “Reimagining Repression: New Censorship Theory and After.” History and Theory 54 (1): 25–44. https://doi.org/10.1111/hith.10739
- Fernández-Galeano, Javier. 2024. Queer Obscenity: Erotic Archives in Dictatorial Spain. Stanford, CA: Stanford University Press.
- Flores-Villalobos, Joan. 2019. “‘Freak Letters’: Tracing Gender, Race, and Diaspora in the Panama Canal Archive.” Small Axe: A Caribbean Journal of Criticism 23 (2): 34–56. https://doi.org/10.1215/07990537-7703266
- Hunt, Lynn. 1993. “Introduction: Obscenity and the Origins of Modernity, 1500–1800.” In The Invention of Pornography: Obscenity and the Origins of Modernity, 1500–1800. New York: Zone Books.
- Leonard, Sarah L. 2014. Fragile Minds and Vulnerable Souls: The Matter of Obscenity in Nineteenth-Century Germany. Philadelphia: University of Pennsylvania Press.
- Preciado, Paul B. 2019. Pornotopia: An Essay on Playboy’s Architecture and Biopolitics. New York: Zone Books.
- Schaefer, Eric. 2014. “Introduction. Sex Seen: 1968 and Rise of ‘Public’ Sex.” In Sex Scene: Media and the Sexual Revolution, edited by Eric Schaefer, 1–22. Durham, NC: Duke University Press.
- Sigel, Lisa Z. 2002. Governing Pleasures: Pornography and Social Change in England, 1815–1914. New Brunswick, NJ: Rutgers University Press.
- Vargas, Deborah R. 2014. “Ruminations on lo Sucio as a Latino Queer Analytic.” American Quarterly 66 (3): 715–726. https://doi.org/10.1353/aq.2014.0046
- Williams, Linda, ed. 2004. Porn Studies. Durham, NC: Duke University Press.
- Tortorici, Zeb. 2020. “Circulating Erotica: Flea Markets, Collections, and Archives in Mexico.” The Journal of Popular Culture 53 (6): 1335–1357. https://doi.org/10.1111/jpcu.12976
- Zubiaurre, Maite. 2012. Cultures of the Erotic in Spain, 1898–1939. Nashville: Vanderbilt University Press.