https://orcid.org/0000-0003-1117-3903
References
- Choron-Baix, Catherine. 2009. “Le vrai voyage. L’art de Dinh Q. Lê entre exil et retour.” Revue européenne des migrations internationales 25 (2): 51–68. doi:10.4000/remi.4948.
- Gardner, Colin. 2015. “Probeheads of Resistance and the Heterotopic Mirror: Tiffany Chung and Dinh Q. Lê’s Stratigraphic Cartographies.” In Arts, Pedagogy and Cultural Resistance: New Materialisms, edited by Anna Hickey-Moody and Tara Page, 41–58. London: Rowman and Littlefields International.
- Ingold, Tim. 2010. “The Textility of Making.” Cambridge Journal of Economics 34 (1): 91–102. doi:10.1093/cje/bep042.
- Karsenty, Eric, and Finley Cutts. 2022. “Dinh Q Lê, le tisseur de mémoires.” In Fisheye Magazine. 53 (May), Special insert “Dinh Q Lê, le fil de la mémoire et autres photographies, Musée du Quai Branly.”
- Lê, Viet. 2021. Return Engagements: Contemporary Art’s Traumas of Modernity and History in Sài Gòn and Phnom Penh. Durham: Duke University Press.
- Ly, Boreth. 2004. “Remembering from a Crossroads: The Archaeology of Photography, Memory and Vision in the Art of Dinh Q. Lê.” Udaya (5): 99–114.
- Morelli, Naima. 2022. “Weaving Memory: A Conversation with Dinh Q. Lê.” COBO Social, March 12. https://www.cobosocial.com/dossiers/art/weaving-memory-a-conversation-with-dinh-q-le/