413
Views
0
CrossRef citations to date
0
Altmetric
Articles

Engaging creatively with a traditional soundscape: goat bells—from landscape to performance

ORCID Icon

References

  • Allen, Aaron S. 2011. ‘Ecomusicology: Ecocriticism and Musicology’. Journal of the American Musicological Society 64 (2): 391–94.
  • Caporaletti, Vincenzo. 2005. I Processi Improvvisativi Nella Musica. Un Approccio Globale. Lucca: LIM.
  • Coutts-Smith, Kenneth. 2002. ‘Cultural Colonialism’. Third Text 16 (1): 1–14.
  • Feld, Steven. 1984. ‘Sound Structure as Social Structure’. Ethnomusicology 28 (3): 383–409.
  • Feld, Steven, dir. 1991. Voices of the Rainforest. Rykodisc.
  • Feld, Steven. 1994. ‘From Ethnomusicology to Echo-Muse-Ecology. Reading R. Murray Schafer in the Papua New Guinea Rainforest’. The Soundscape Newsletter, no. 8.
  • Feld, Steven, dir. 2004a. The Time of Bells, 1. VoxLox.
  • Feld, Steven, dir. 2004b. The Time of Bells, 2. VoxLox.
  • Feld, Steven, dir. 2005. The Time of Bells, 3. VoxLox.
  • Feld, Steven, dir. 2007. The Time of Bells, 4. VoxLox.
  • Feld, Steven. 2012a. Sound and Sentiment. Birds, Weeping, Poetics, and Song in Kaluli Expression. 3rd ed. Durham, N.C: Duke University Press.
  • Feld, Steven, dir. 2012b. The Time of Bells, 5. VoxLox.
  • Feld, Steven. 2015. ‘Acoustemology’. In Keywords in Sound, edited by David Novak 12–21. Durham NC: Duke University Press Books.
  • Feld, Steven and Donald Brenneis. 2004. ‘Doing Anthropology in Sound’. American Ethnologist 31 (4): 461–74.
  • Ferlaino, Christian. 2019. ‘Generative Principles of Dance Music in Central Calabria’. Analytical Approaches to World Music 7 (1): 1–31.
  • Ferro Gay, Federico. 1974. ‘Cultural Colonialism’. The Southwestern Journal of Philosophy 5 (1): 153–59.
  • Geertz, Clifford. 1983. Local Knowledge. Further Essays in Interpretative Anthropology. New York: Basic Books.
  • Gelbart, Matthew. 2007. The Invention of Folk Music and Art Music. Emerging Categories from Ossian to Wagner. Cambridge: Cambridge University Press.
  • Gottschalk, Jennie. 2016. Experimental Music Since 1970. New York, NY: Bloomsbury.
  • Granade, S. Andrew. 2014. Harry Partch, Hobo Composer. Rochester, NY: University of Rochester Press.
  • Griffiths, Paul. 2010. Modern Music and After. New York, NY: Oxford University Press.
  • Gurevich, Aron Jakovlevich. 1985. Categories of Medieval Culture. London: Routledge.
  • Haring, Christa. 2012. ‘Anthony Braxton’s Ghost Trance Music. 9 Compositions (Iridium) 2006’. Filigrane. Musique, Esthétique, Sciences, Société. https://revues.mshparisnord.fr:443/filigrane/index.php?id=353.
  • Johns, Julia, Antonia Patt and Edna Hillmann. 2015. ‘Effects of Sounds of Different Quality on the Behaviour and Heart Beat Parameters of Goats’. Applied Animal Behaviour Science 165 (April): 72–80.
  • Kriengwatana, Buddhamas P., Richard Mott and Carel ten Cate. 2022. ‘Music for Animal Welfare: A Critical Review & Conceptual Framework’. Applied Animal Behaviour Science 251 (June): 105641.
  • La Vena, Vincenzo. 1986. ‘La zampogna nella Calabria settentrionale’. Università degli Studi Dipartimento di Musica e Spettacolo.
  • La Vena, Vincenzo. 1996. Strumenti giocattolo e strumenti da suono a Terranova da Sibari. Soveria Mannelli: Rubbettino.
  • Lomax, Alan, dir. 1999. Calabria. Vol. 1 sound disc: digital; 4 3/4 in. Rounder.
  • Marano, Francesco. 2013. L’etnografo Come Artista. Intrecci Fra Antropologia e Arte. Rome: CISU.
  • McLuhan, Marshall. 1994. Understanding Media. Cambridge: Mass.: MIT Press.
  • Morello, Mimmo and Antonello Ricci. 2018. Suono Di Famiglia. Memoria e Musica in Un Paese Della Calabria Grecanica. Udine: Nota.
  • Nyman, Michael. 1999. Experimental Music. Cambridge: Cambridge University Press.
  • Ong, Walter J. 2002. Orality And Literacy. The Technologizing Of The Word. London: Routledge.
  • Panopoulos, Panayotis. 2003. ‘Animal Bells as Symbols. Sound and Hearing in a Greek Island Village’. Journal of the Royal Anthropological Institute 9 (4): 639–56.
  • Pedelty, Mark. 2012. Ecomusicology : Rock, Folk, and the Environment. Philadelphia, Pa: Temple University Press.
  • Ricci, Antonello. 1996. Ascoltare Il Mondo. Roma: Il Trovatore.
  • Ricci, Antonello. 2012. Il Paese Dei Suoni. Antropologia Dell’ascolto a Mesoraca, 1991-2011. Roma: Squilibri.
  • Ricci, Antonello. 2016. Il Secondo Senso. Milano: Franco Angeli.
  • Ricci, Antonello and Roberta Tucci. 1988. ‘Folk Musical Instruments in Calabria’. The Galpin Society Journal 41: 37–58.
  • Ricci, Antonello and Roberta Tucci 2004. La Capra Che Suona. Immagini e Suoni Della Musica Popolare in Calabria. Roma: Squilibri.
  • Robair, Gino. 2006. ‘In the Time of Bells With Steven Feld’.
  • Rochester, Marc. 2016. ‘Tan Dun’. Gramophone 94 (1134): 96–97.
  • Scaldaferri, Nicola. 1994. ‘Appunti Analitici Sulla Zampogna in Calabria’. In Fra Oralità e Scrittura: Studi Sulla Musica Calabrese, edited by Ignazio Macchiarella, 237–51. Lamezia Terme: A.M.A. Calabria.
  • Scaldaferri, Nicola. 2005. Santi Animali e Suoni. Udine: Nota.
  • Scaldaferri, Nicola. 2009. ‘I “Campanacci Organizzati” Di San Mauro Forte, Fra Tradizione Epatrimonializzazione’. Archivio Di Etnografia IV (1–2): 59–68.
  • Scaldaferri, Nicola. 2016. ‘Audiovisual Ethnography: New Paths for Research and Representation in Ethnomusicology’. In Musical Listening in the Age of Technological Reproduction, edited by Gianmario Borio, 373–92. London: Taylor and Francis.
  • Scaldaferri, Nicola. 2017. ‘(Absent) Authors, Texts and Technologies. Ethnographic Pathways and Compositional Practices’. In Live Electronic Music. Composition, Performance, Study, edited by Friedemann Sallis, Valentina Bertolani, Jan Burle and Laura Zattra, 217–29. London: Routledge.
  • Scaldaferri, Nicola and Steven Feld. 2012. I Suoni Dell’albero. Il Maggio Di San Giuliano Ad Accettura. Udine: Nota.
  • Schafer, R. Murray. 1994. The Soundscape. Our Sonic Environment and the Tuning of the World. Rochester, Vt.: Destiny Books.
  • Schiffer, Brigitte. 1978. ‘Xenakis’s ‘Polytope de Mycenae’’. Tempo 127: 44–45.
  • Schneider, Arnd and Christopher Wright, eds. 2021. Between Art and Anthropology. Contemporary Ethnographic Practice. 1st ed. London: Routledge.
  • Shaw, Chih-Suei. 2015. ‘Identity and Cultural Translation in the Music of Chinese American Composer Chen Yi’. Chinese America: History and Perspectives, 3–16.
  • Silvers, Michael. 2020. ‘Attending to the Nightingale: On a Multispecies Ethnomusicology’. Ethnomusicology 64 (2): 199–224.
  • Turchi, Dolores. 2011. Maschere, Miti e Feste Della Sardegna. Roma: Newton Compton.
  • Van der Merwe, Peter. 2004. Roots of the Classical. The Popular Origins of Western Music. Oxford: Oxford University Press.