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Book Reviews

Present-day “mise-en-sonore”: hearing our digitally mediated milieu

The auditory setting: environmental sounds in film and media arts, by Budhaditya Chattopadhyay, Edinburgh, Edinburgh University Press, 2021, 224 pp., £19.99 (pb); £90.00 (hb); £90.00 (ePub); £90.00 (PDF), ISBN 9781474474399 (pb); 9781474474382 (hb); 9781474474412 (ePub); 9781474474405 (PDF)

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References

  • Altman, Rick, McGraw Jones, and Sonia Tatroe. 2000. “Inventing the Cinema Soundtrack: Hollywood’s Multiplane Sound System.” In Music and Cinema, edited by James Buhler, Caryl Flinn, and David Neumeyer, 339–359. Hanover, NH and London: Wesleyan University Press and University Press of New England.
  • Biancorosso, Giorgio. 2009. “Sound.” In The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, 260–267. London and New York, NY: Routledge.
  • Branigan, Edward. 1997. “Sound, Epistemology, Film.” In Film Theory and Philosophy, edited by Richard Allen and Murray Smith, 95–125. Oxford and New York, NY: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780198159216.003.0005.
  • Cascone, Kim. 2000. “The Aesthetics of Failure: ‘Post-digital’ Tendencies in Contemporary Computer Music.” Computer Music Journal 24 (4): 12–18. https://doi.org/10.1162/014892600559489.
  • Deleuze, Gilles, and Félix Guattari. 1972. Anti-Oedipus. translated by Robert Hurley, Mark Seem, and Helen R. Lane. London and New York, NY: Continuum.
  • Dyson, Frances. 2009. Sounding New Media: Immersion and Embodiment in the Arts and Culture. Berkeley,CA and Los Angeles, CA: University of California Press.
  • Gorbman, Claudia. 1987. Unheard Melodies: Narrative Film Music. Bloomington, IN and London: Indiana University Press and BFI Publishing.
  • Kania, Andrew. 2009. “Realism.” In The Routledge Companion to Philosophy and Film, edited by Paisley Livingston and Carl Plantinga, 237–247. London and New York, NY: Routledge.
  • Kassabian, Anahid. 2013. “The End of Diegesis as We Know It?” In The Oxford Handbook of New Audiovisual Aesthetics, edited by John Richardson, Claudia Gorbman, and Carol Vernallis, 89–106. Oxford and New York, NY: Oxford University Press.
  • Kerins, Mark. 2011. Beyond Dolby (Stereo): Cinema in the Digital Sound Age. Bloomington, IN and Indianapolis, IN: Indiana University Press.
  • Morton, Timothy. 2009. Ecology without Nature: Rethinking Environmental Aesthetics. Cambridge, MA and London: Harvard University Press.
  • Schafer, R. Murray. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Rochester, NY: Destiny Books.

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