82
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

Arab women’s transnational cinema’s ‘flips’: The Man Who Sold His Skin (Ben Hania, 2021)

References

  • Agamben, G. 1998. “Biopolitics and the Right of Man.” In Homo Sacer: Sovereign Power and Bare Life, edited by D. Heller-Roazen. Stanford: Stanford University Press.
  • Butler, J. 2009. “Bodily Inscriptions, Performative Subversions.” In Feminism Redux: An Anthology of Literary Theory and Criticism, edited by R. Warhol-Down and H. D. Price, 465–475. New Brunswick: Rutgers University Press.
  • Caillé, P., and C. Forrest. 2018. “Coopérations Sud-Sud : Cinéastes maghrébines à l’œuvre.” Langues, Cultures, Communication L2C 2 (1) January-June: 51–69.
  • Colvin, J. B. 2017. “The Other Side of Frontality: Dorsality in European Art Cinema.” New Review of Film & Television Studies 15 (2): 191–210. https://doi.org/10.1080/17400309.2017.1312794.
  • Dahl, R. “Skin”, New Yorker, May 17, 1952: 31 et sequentiae.
  • Foucault, M. 1976. “Histoire de la sexualité.” In La Volonté de savoir. Vol. 1. Paris: Gallimard.
  • Grewal, I., and C. Kaplan, eds. 1994. Scattered Hegemonies: Postmodernity and Transnational Feminist Practices. Minneapolis: University of Minnesota Press.
  • Higbee, W., F. Martin, and J. Bahmad. 2020. Moroccan Cinema Uncut: Decentred Voices, Transnational Perspectives. Edinburgh: Edinburgh University Press.
  • Hjort, M. 2010. “On the Plurality of Cinematic Transnationalism.” In World Cinemas, Transnational Perspectives, edited by N. Durovicova and K. Newman, 12–33. New York & London: Routledge.
  • Jameson, F. 1983. “Postmodernism and Consumer Society.” In The Anti-Aesthetic: Essays on Postmodern Culture, edited by H. Foster, 111–127. Port Townsend, WA: Bay Press.
  • Marks, L. U. 2000. The Skin of Film: Intercultural Cinema, Embodiment, and the Senses. Durham: Duke University Press. https://doi.org/10.2307/j.ctv1198x4c.
  • Martin, F. 2016. “Cinéma-monde: De-orbiting Maghrebi cinema.” Contemporary French Civilization 41 (3–4): 461–476. https://doi.org/10.3828/cfc.2016.31.
  • Martin, F., and P. Caillé. 2017. “Reel Bad Maghrebi Women.” In Bad Girls in the Arab World, N. Yaqub, R. Qawas, eds, 167–184. University of Texas Press. https://doi.org/10.7560/313350-014.
  • Ponzanesi, S. 2011. “Transnational Feminism in Film and Media.” Third Text 25 (3): 353–356. https://doi.org/10.1080/09528822.2011.573325.
  • Shohat, E., edited by 1998. Talking Visions: Multicultural Feminism in a Transnational Age. Cambridge: MIT Press.
  • Williams, L. 1991. “Film Bodies: Gender, Genre and Excess Film Quaterly.” Film Quarterly 44 (4): 2–13. https://doi.org/10.2307/1212758.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.