Contemporary Theatre Review, Volume 26, Issue 1 (2016)

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Contemporary Theatre Review, Volume 26, Issue 1 (2016)

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David Greig: Dramaturgies of Encounter and Engagement

Miscellany

Notes on Contributors
Pages: 1-2
Published online: 03 Mar 2016
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Editorials

Editorial
Introduction
Jacqueline Bolton & James Hudson
Pages: 3-8
Published online: 03 Mar 2016
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articles

Article
Local Hero: The Places of David Greig
Dan Rebellato
Pages: 9-18
Published online: 03 Mar 2016
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Article
Dissolving into Scotland: National Identity in Dunsinane and The Strange Undoing of Prudencia Hart
David Pattie
Pages: 19-30
Published online: 03 Mar 2016
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Article
Yes and No? Dissensus and David Greig’s Recent Work
Clare Wallace
Pages: 31-38
Published online: 03 Mar 2016
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Article
David Greig’s Other Heading
Mark Robson
Pages: 39-48
Published online: 03 Mar 2016
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Article
‘Look at the Ground and Imagine its Past’: David Greig’s History Plays
Paola Botham
Pages: 49-59
Published online: 03 Mar 2016
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Article
Teenage Dreams: Power and Imagination in David Greig’s Yellow Moon and The Monster in the Hall
Trish Reid
Pages: 60-70
Published online: 03 Mar 2016
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Article
‘I Am a Blankness Out of Which Emerges Only Darkness’: Impressions and Aporias of Multiculturalism in The Events
Marilena Zaroulia
Pages: 71-81
Published online: 03 Mar 2016
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documents

Solidarity and Moral Imagination in David Greig’s The Events: Ethics in Conversation with Performance
Anna Abram
Pages: 82-87
Published online: 03 Mar 2016
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Zāhir and Bātin: An Interview with David Greig
Verónica Rodríguez
Pages: 88-96
Published online: 03 Mar 2016
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reviews

Book Review
Performance, Madness and Psychiatry: Isolated Acts edited by Anna Harpin and Juliet Foster
Gianna Bouchard
Pages: 97-98
Published online: 03 Mar 2016
CitationforPerformance, Madness and Psychiatry: Isolated Acts edited by Anna Harpin and Juliet Foster | Full Text | PDF (70.1 KB)
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Book Review
Translating the Theatre of the Spanish Golden Age by David Johnston
Simon Breden
Pages: 98-99
Published online: 03 Mar 2016
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Book Review
Žižek and Performance edited by Broderick Chow and Alex Mangold
Liz Tomlin
Pages: 99-101
Published online: 03 Mar 2016
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Book Review
Critical Live Art: Contemporary Histories of Performance in the UK edited by Dominic Johnson
T. Nikki Cesare Schotzko
Pages: 101-102
Published online: 03 Mar 2016
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Book Review
Clowns: In Conversation with Modern Masters by Ezra LeBank and David Bridel
Lucy Amsden
Pages: 102-103
Published online: 03 Mar 2016
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Book Review
A History of the Berliner Ensemble by David Barnett
Vera S. Stegmann
Pages: 103-105
Published online: 03 Mar 2016
CitationforA History of the Berliner Ensemble by David Barnett | Full Text | PDF (50.8 KB)
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Book Review
The Grammar of Politics and Performance edited by Shirin M. Rai and Janelle Reinelt
Grant Tyler Peterson
Pages: 105-106
Published online: 03 Mar 2016
CitationforThe Grammar of Politics and Performance edited by Shirin M. Rai and Janelle Reinelt | Full Text | PDF (58.2 KB)
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Book Review
Humanitarian Performance: From Disaster Tragedies to Spectacles of War by James Thompson
Emma Brodzinski
Pages: 106-107
Published online: 03 Mar 2016
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Book Review
How It Feels to Be Free: Black Women Entertainers and the Civil Rights Movement by Ruth Feldstein
Julie Burrell
Pages: 107-109
Published online: 03 Mar 2016
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backpages

Backpages 26.1
Pages: 110-123
Published online: 03 Mar 2016
AbstractforBackpages 26.1 | Full Text | PDF (153.7 KB)
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Abstracts

Abstracts
Zoe Taylor
Pages: 124-127
Published online: 03 Mar 2016
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