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The Speculative City: Art, Real Estate, and the Making of Global Los Angeles, by Susanna Phillips Newbury

Minneapolis and London: University of Minnesota Press, 2021. 328 pp.; 21 color ills., 89 b/w. $35.00 paper

 

Notes

1 For example, Rachel Armstrong, “Speculative Science,” Architectural League of New York, February 24, 2014, https://archleague.org/article/speculative-science/; Frank Palmeri, “In Praise of Speculative History,” Chronicle of Higher Education, July 10, 2016, https://www.chronicle.com/article/in-praise-of-speculative-history/; Giovanni Aloi, Speculative Taxidermy: Natural History, Animal Surfaces, and Art in the Anthropocene (New York: Columbia University Press, 2018).

2 Nizan Shaked, Museums and Wealth: The Politics of Contemporary Art Collections (London: Bloomsbury, 2022); Sam Lefebvre, A Generous Grift: Museums, Finance Capital, and the Clash of Cultural Workers and Collector-Trustees (San Francisco: The Lab, 2022) https://www.thelab.org/a-generous-grift-museums-finance-cultural-workers.

3 Samuel Stein, Capital City: Gentrification and the Real Estate State (London: Verso, 2019).

4 Cecilia L. Chu and Shenjing He, eds., The Speculative City: Emergent Forms and Norms of the Built Environment (Toronto: University of Toronto Press, 2022).

5 Mike Davis, City of Quartz: Excavating the Future in Los Angeles (London: Verso, 1990); Eric Avila, Popular Culture in the Age of White Flight: Fear and Fantasy in Suburban Los Angeles (Berkeley: University of California Press, 2004); Edward Soja, Postmodern Geographies: The Reassertion of Space in Critical Social Theory (London: Verso, 1989). On the Los Angeles School, see Michael J. Dear and Steven Flusty, “Postmodern Urbanism,” Annals of the Association of American Geographers. 90, no. 1: 50–72.

6 David Joselit, Feedback: Television against Democracy (Cambridge, MA: MIT Press, 2007).

7 On remediation, Newbury cites Jay Bolter and Richard Grusin, Remediation: Understanding New Media (Cambridge, MA: MIT Press, 1999).

8 Eyal Weizman, Forensic Architecture: Violence at the Threshold of Detectability (New York: Zone Books, 2017).

9 See FORENSIS, an exhibition and conference organized by Forensic Architecture and held at the Haus der Kulturen der Welt in 2014, https://forensic-architecture.org/programme/exhibitions/forensis.

Additional information

Notes on contributors

Patricia A. Morton

PATRICIA A. MORTON is president of the Society of Architectural Historians and associate professor of architectural history at the University of California, Riverside [900 University Avenue, University of California, Riverside, CA 92521].

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