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Exhibition

Review

Embodying Oceanic Relationality: An Introspective of the 2022 Hawai‘i Triennial

 

Notes

1 Henry R. Luce, ‘The American Century’, Life, 17 February 1941, 61–65.

2 Brandy Nālani McDougall, ‘What the Island Provides: Island Sustainability and Island-Human Relationality’, Journal of Transnational American Studies 10, no. 1 (2019): 201, https://doi.org/10.5070/T8101044135.

3 Noelani Goodyear-Ka‘ōpua, ‘Indigenous Oceanic Futures: Challenging Settler Colonialisms and Militarization’, in Indigenous and Decolonizing Studies in Education: Mapping the Long View, ed. Linda Tuhiwai Smith, Eve Tuck, and K. Wayne Yang (New York: Routledge, 2019), 95.

4 Ibid.

6 ‘Dan Taulapapa McMullin’, Hawaii Contemporary, accessed September 23, 2023, https://hawaiicontemporary.org/artist-dan-taulapapa-mcmullin.

7 See Teresia Teaiwa, ‘Reading Paul Gauguin’s Noa Noa and Epeli Hau’ofa’s Kisses in the Nederends: Militourism, Feminism, and the “Polynesian” Body’, in Inside Out: Literature, Cultural Politics and Identity in the New Pacific, ed. Vilsoni Hereniko & Rob Wilson (Lanham, MD: Rowman & Littlefield, 1999), 249–263.

8 Ibid.

9 Stephen Gilchrist and Henry Skerritt, ‘Awakening Objects and Indigenizing the Museum: Stephen Gilchrist in Conversation with Henry F. Skerritt’, Contemporaneity: Historical Presence in Visual Culture 5, no. 1 (2016): 111, doi:10.5195/CONTEMP.2016.183.

10 Ibid, 112.

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