Bidriware: An examination of the Indian metalware’s origins

Abstract

This research article compares the metalworking technique of Bidriware in the Indian subcontinent from the 17th to 19th century with that of the Mosul School of Mesopotamia in Iraq during the 13th century. Although the literature contains vague accounts of how Bidriware emerged in India, there is a significant lack of research highlighting its similarity to and potential origin from the Mosul School of metalwork art. Texts on Bidriware and the Mosul School are used alongside images of diverse works of art from reputable world museums in an attempt to make this initial connection. The paper highlights how political exchange from the 12th and 13th centuries onwards between Mesopotamia and the Indian subcontinent led to the passage of many motifs, rituals and cultural elements that can clearly be seen in the production of Bidriware centuries later.

Keywords:

• inlay metalworking
• Bidriware
• Mosul school of metalwork
• political patronage

Disclosure statement

No potential conflict of interest was reported by the author.

Additional information

Notes on contributors

Khadeeja Althagafi

Khadeeja Althagafi is a designer, metalwork artist and academic. She is an Assistant Professor of Visual Arts at the Visual Arts Department, College of Design & Arts, Umm Al-Qura University, Saudi Arabia. She holds a double major B.A. degree in Art Education and Home Economics from the Makkah Teachers’ College, Saudi Arabia (1999), a Master of Studio Art degree from the Sydney College of the Arts, University of Sydney, Australia (2006), and Ph.D. degree in Art & Design from the School Art & Design (Gold & Silversmithing Workshop), the Australian National University, Australia (2018). She has been involved in metalwork design and making for more than twenty years. Her research interests include art history, jewellery work and contemporary art.