Luxury After the Terror, by Iris Moon

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Notes

1 Amy Freund, Portraiture and Politics in Revolutionary France (University Park, PA: Penn State University Press, 2014); Richard Taws, The Politics of the Provisional: Art and Ephemera in Revolutionary France (University Park, PA: Penn State University Press, 2013); Susan Siegfried, “The Visual Culture of Fashion and the Classical Ideal in Post-Revolutionary France,” Art Bulletin 97, no. 1 (2015): 77–99.

2 Mimi Hellman, “The Joy of Sets,” in Furnishing the Eighteenth Century: What Furniture Can Tell Us about the European and American Past, eds. Dena Goodman and Kathryn Norberg (New York: Routledge, 2011), 129–53.

3 Formally known as the Académie royale de peinture et de sculpture.

4 John Fleming and Hugh Honour, Dictionary of the Decorative Arts (New York: Harper and Row, 1977), 7. For more on this divide see, Deborah L. Krohn, “Beyond Terminology, or, the Limits of ‘Decorative Arts,’” Journal of Art Historiography 11 (2014): https://arthistoriography.files.wordpress.com/2014/11/krohn.pdf

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Notes on contributors

Katie Hornstein

KATIE HORNSTEIN is associate professor of art history at Dartmouth College [6033 Carpenter Hall, Hanover, NH 03755].