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Research Article

Making dolia and dolium makers

Received 12 Apr 2023, Accepted 17 Oct 2023, Published online: 02 Feb 2024

Figures & data

Figure 1. David Drake, 1857, made for Lewis J. Miles Pottery, large alkaline glazed stoneware vessel, with couplet ‘I made this jar for cash/though it is called lucre trash’. Museum of Fine Arts, Boston. 1997.10. Harriet Otis Cruft Fund and Otis Norcross Fund. Photograph by Garth Clark.

Figure 1. David Drake, 1857, made for Lewis J. Miles Pottery, large alkaline glazed stoneware vessel, with couplet ‘I made this jar for cash/though it is called lucre trash’. Museum of Fine Arts, Boston. 1997.10. Harriet Otis Cruft Fund and Otis Norcross Fund. Photograph by Garth Clark.

Figure 2. Dolia at Ostia Antica. Photograph by AlMare. https://commons.wikimedia.org/wiki/File:Ostia_Antica_Dolia.jpg

Figure 2. Dolia at Ostia Antica. Photograph by AlMare. https://commons.wikimedia.org/wiki/File:Ostia_Antica_Dolia.jpg

Figure 3. Gina Tibbott with a mid-sized dolium at the House of Stabianus (I.22) in Pompeii. Courtesy of the Ministry of Culture—Archaeological Park of Pompeii. Reproduction or duplication by any means is forbidden.

Figure 3. Gina Tibbott with a mid-sized dolium at the House of Stabianus (I.22) in Pompeii. Courtesy of the Ministry of Culture—Archaeological Park of Pompeii. Reproduction or duplication by any means is forbidden.

Figure 4. Stamps on dolium rim (III.14.3 no. 1, Ostia): PYRAMI ENCOLPI/AVG DISP°ARCARI (left-hand side) and AMPLIATVS°VIC°F (right-hand side). Courtesy of the Photographic Archive of the Archaeological Park of Ostia Antica.

Figure 4. Stamps on dolium rim (III.14.3 no. 1, Ostia): PYRAMI ENCOLPI/AVG DISP°ARCARI (left-hand side) and AMPLIATVS°VIC°F (right-hand side). Courtesy of the Photographic Archive of the Archaeological Park of Ostia Antica.

Figure 5. Production and repair of dolia; (1)–(3) show evidence of producing dolia (coil building); (4)–(7) show evidence of dolium repair: (4) lead fills, (5) double dovetail tenons, (6) staples, and (7) hybrid repairs. Illustrated by Gina Tibbott.

Figure 5. Production and repair of dolia; (1)–(3) show evidence of producing dolia (coil building); (4)–(7) show evidence of dolium repair: (4) lead fills, (5) double dovetail tenons, (6) staples, and (7) hybrid repairs. Illustrated by Gina Tibbott.

Table 1. Dolium production sites in central Italy (Bergamini Citation2007; Olcese Citation2012; Tol and Borgers Citation2016).

Table 2. Opus doliare workshops producing dolia and other terracotta (Lazzeretti and Pallecchi Citation2005).

Figure 6. A funerary altar for a doliarius. Illustrated by Gina Tibbott after Zimmer (Citation1982).

Figure 6. A funerary altar for a doliarius. Illustrated by Gina Tibbott after Zimmer (Citation1982).