Skin Crafts: Affect, Violence, and Materiality in Global Contemporary Art

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Notes

1 Sara Ahmed and Jackie Stacey, “Introduction: Dermographies”, in Thinking through the Skin, ed. Sara Ahmed and Jackie Stacey (London: Routledge, 2001).

2 Tom Slevin, “The Wound and the First World War: ‘Cartesian’ Surgeries to Embodied Being in Psychoanalysis, Electrification and Skin Grafting,” Body and Society, 14 (June 2008): 39–61.

3 Sayak Valencia, Gore Capitalism. Translated by John Pluecker (Cambridge: Semiotext[e], 2018), 19–20; Marcela Lagarde y de los Ros, “Preface: FEMINIST KEYS for Understanding Feminicide: Theoretical, Political, and Legal Construction,” in Terrorizing Women: Feminicide in the Americas (Durham, NC: Duke University Press, 2010), ix–xxvii.

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Notes on contributors

Sarah Parrish

Dr. Sarah Parrish is Associate Professor of Art History at Plymouth State University in New Hampshire, USA, as well as a curator and researcher specializing in contemporary fiber art.