87
Views
0
CrossRef citations to date
0
Altmetric
Articles

Sincere Intimacy, Genre and Heterotopology of a Confessional Public

ORCID Icon
Pages 122-140 | Received 27 Mar 2021, Accepted 16 Jun 2023, Published online: 16 Oct 2023

References

  • Adenekan, Shola. 2021. African Literature in the Digital Age. Suffolk: James Currey.
  • Adeosun, Adams, and Damilare Bello, eds. 2019. Thursday’s Children. Amazon: Amazon Publishing.
  • Adeosun, Adams, Damilare Bello, and Tshepo Phokoje. 2019. ‘The Relevance in our Story: A Dialogue with Adams Adeosun and Damilare Bello’. Africa in Dialogue.
  • Adesokan, Akin. 2012. ‘New African Writing and the Question of Audience’. Research in African Literatures 43 (3): 1–20. doi: https://doi.org/10.2979/reseafrilite.43.3.1.
  • Ahmed, Sarah. 2004. ‘Affective Economies’. Social Text 22 (2): 117-139.
  • Aigbokhaevbolo, Oris. 2019. ‘Trauma and a Victim Complex in Nigerian Writing’. Brittle Paper, 26 July.
  • Barber, Karin. 1987. ‘Popular Art in Africa’. African Studies Review 30 (3): 1–78. doi: https://doi.org/10.2307/524538.
  • Bascom, Tim. 2013. ‘Picturing the Personal Essay: A Visual Guide’. Creative Nonfiction 49.
  • Berlant, Lauren. 2008. The Female Complaint: The Unfinished Business of Sentimentality in American Culture. Duke: Duke University Press.
  • D’Cruz, Glenn. 2016. ‘The Beach Beneath the Street: Art and Counterpublics’. In Contemporary Counterpublics, edited by David Marshall, Glenn D’Cruz, Sharyn McDonald and Katja Lee, 17–26. London: Palgrave Macmillan.
  • Ekeh, Peter P. 1975. ‘Colonialism and the Two Publics in Africa: A Theoretical Statement’. Comparative Studies in Society and History 17 (1): 91–112.
  • Foucault, Michel. 1984. ‘Of Other Spaces: Utopias and Heterotopias’. Diacritics 16 (1): 22–27.
  • Foucault, Michel. 1966. The Order of Things. Andover: Tavistock.
  • Fraser, Nancy. 1995. ‘Politics, Culture and the Public Sphere: Toward a Postmodern Conception’. In Social Postmodernism: Beyond Identity Politics, edited by Linda Nicolson and Steven Seldman, 287–314. Cambridge MA: Cambridge University Press.
  • Gibbons, Alison. 2014. ‘“Take that you intellectuals!” and “KaPoW!”: Adam Thirlwell and the Metamodernist Future of Style’. Studia Neophhilologica 87: 29–43. doi: http://doi.org/10.1080/00393274.2014.981959
  • Harvey, David. 2009. Spaces of Hope. Edinburgh: Edinburgh University Press.
  • Hetherington, Kevin. 1997. The Badlands of Modernity: Heterotopia and Social Ordering. London: Routledge.
  • Hitchcock, Peter. 2003. ‘The Genre of Postcoloniality’. New Literary History 34: 299–330.
  • Jaji, Tsitsi. 2020. ‘Our Readers Write: Mediating African Poetry’s Audiences’. Research in African Literatures 51 (1): 70–93. doi: https://doi.org/10.2979/reseafrilite.51.1.05.
  • Jaji, Tsitsi, and Lily Smith, eds. 2017. ‘Introduction: Genre in Africa’. The Cambridge Journal of Postcolonial Inquiry: Special Issue on Genre in Africa 4 (2): 151–158. doi: https://doi.org/10.1017/pli.2017.17.
  • Johnson, Peter. 2013. ‘The Geographies of Heterotopia’. Geography Compass 7 (1): 790–803. doi: https://doi.org/10.1111/gec3.12079.
  • Knight, Kelvin. 2016. ‘Placeless places: resolving the paradox of Foucault’s heterotopia’. Textual Practice 31 (1): 141–158. doi: https://doi.org/10.1080/0950236X.2016.1156151.
  • Kroker, Arthur, Marilouise Kroker, and David Cook. 1990. ‘Panic USA: Hypermodernism as America’s Postmodernism’. Social Problems 37 (4): 443–459. doi: https://doi.org/10.2307/800575.
  • Lee, Katja. 2016a. ‘Making Cents of Contemporary Intimacies: The Private in the Public’. In Contemporary Publics: Shifting Boundaries in New Media, Technology and Culture, edited by David Marshall, Glenn D’Cruz, Sharyn McDonald and Katja Lee, 221–227. London: Palgrave Macmillan.
  • Lee, Katja. 2016b. ‘The Intimate Publics of Popular Music Memoirs: Strategies of Feeling in Celebrity Self-Representation’. In Contemporary Publics: Shifting Boundaries in New Media, Technology and Culture, edited by David Marshall, Glenn D’Cruz, Sharyn McDonald and Katja Lee, 267–280. London: Palgrave Macmillan.
  • Lefebvre, Henri. 1974. The Production of Space. Hoboken: Wiley.
  • Levine, Caroline. 2015. Forms: Whole, Hierarchy, Rhythm, Network. Princeton: Princeton University Press.
  • Lipovetsky, Gilles. 2005. Hypermodern Times. Cambridge: Polity Press.
  • Marshall, David. 2016. ‘Introduction: The Plurality of Publics’. In Contemporary Publics: Shifting Boundaries in New Media, Technology and Culture, edited by David Marshall, Glenn D’Cruz, Sharyn McDonald and Katja Lee, 1–13. London: Palgrave Macmillan.
  • Ngai, Sianne. 2005. Ugly Feelings. Cambridge: Harvard University Press.
  • Nihinlola, IfeOluwa. 2019. ‘We Write These Things to Make Our Joy Complete: Thoughts on the Appeal of Writing About Trauma’. Medium, 9 February.
  • Obi-Young, Otosirieze. 2018. ‘The Confessional Generation’. Brittle Paper, 26 January.
  • Radchenko, Simon. 2020. ‘Metamodern Gaming: Literary Analysis of The Last of Us’. Interliteraria 25 (1): 246–259. doi: https://doi.org/10.12697/IL.2020.25.1.20.
  • Rosenthal, Macha Louis. 1959. ‘Poetry as Confession’. The Nation, 19 September.
  • Saldanha, Arun. 2008. ‘Heterotopia and Structuralism’. Environment and Planning 40 (9): 2080-2096. doi: https://doi.org/10.1068/a39336.
  • Serpell, Namwali. 2014. Seven Modes of Uncertainty. Cambridge: Harvard University Press.
  • Soja, Edward. 1989. Postmodern Geographies: The Reassertion of Space in Critical Social Theory. London: Verso.
  • Vermeulen, Timotheus, and Robin van den Akker. 2010. ‘Notes on Metamodernism’. Journal of Aesthetics and Culture 2 (1): 1–15. doi: https://doi.org/10.3402/jac.v2i0.5677.
  • Warner, Michael. 2002. Publics and Counterpublics. New York: Zone Books.
  • Yeku, James. 2019. ‘Chinua Achebe’s There was a Country and the Digital Publics of African Literature’. Digital Scholarship in the Humanities 36 (1): 209–223. doi: https://doi.org/10.1093/llc/fqz084
  • Yeku, James. 2020. ‘Deference to Paper: Textuality, Materiality, and Literary Digital Humanities in Africa’. Digital Studies/Le champ numérique 10 (1): 1–27. doi: http://doi.org/10.16995/dscn.357.
  • Yeku, James. 2022. Cultural Netizenship: Social Media, Popular Culture, and Performance in Nigeria. Indiana: Indiana University Press.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.