References
- Bass, Chloë. 2018. “How Adrian Piper Challenges Us to Change the Ways We Live.” Hyperallergic. April 23, 2018. http://hyperallergic.com/439255/adrian-piper-museum-of-modern-art-retrospective/.
- Brooks, Daphne A. 2021. Liner Notes for the Revolution: The Intellectual Life of Black Feminist Sound. Cambridge and London: Belknap Press.
- Campt, Tina. 2017. Listening to Images. Durham and London: Duke University Press.
- Capetola, Christine. 2020. “‘Gimme a Beat’: Janet Jackson, Hyperaurality, and Affective Feminism.” Journal of Popular Music Studies 32 (4): 95–117.
- Capetola, Christine. 2021. “Finding a Home in House: Tracing Vibrations of Black Queer Femmeness from Camille to Robin S. to FKA Twigs.” In Oxford Handbook of Electronic Dance Music, edited by Luis-Manuel Garcia, and Robin James. Oxford and New York: Oxford University Press.
- Cherix, Christopher. 2018. “Who Calls The Tune? In and Out of The Humming Room.” In Adrian Piper: A Synthesis of Intuitions, edited by Christopher Cherix, Cornelia Butler, and David Platzker. New York: Museum of Modern Art.
- Chiang, James. 2016. “Fader Fort SXSW 2016 Lineup Announced Ft. Tory Lanez -.” Mxdwn Music (blog). March 10, 2016. https://music.mxdwn.com/2016/03/10/news/fader-fort-sxsw-2016-lineup-announced-ft-tory-lanez/.
- Cliff, Aimee. 2014. “FKA Twigs Is Right, ‘Alternative R&B’ Must Die.” The FADER. September 12, 2014. https://www.thefader.com/2014/09/12/popping-off-fka-twigs-beyonce-alt-r-and-b.
- Cohen, Cathy J. 1997. “Punks, Bulldaggers, and Welfare Queens: The Radical Potential of Queer Politics?” GLQ: A Journal of Gay and Lesbian Studies 3 (4): 437–465.
- Coney, John, dir. 1974. Space Is the Place. DVD. North American Star System.
- Crawley, Ashon T. 2017. Blackpentecostal Breath: The Aesthetics of Possibility. New York: Fordham University Press.
- Deleuze, Gilles, and Félix Guattari. 1987. “1837: Of The Refrain.” In A Thousand Plateaus: Capitalism and Schizophrenia, translated by Brian Massumi. Minneapolis and London: University of Minnesota Press.
- DiPiero, Dan. 2022. “‘Best in the West’ Drum Notation.”.
- Dozier, Ayanna. 2020. Janet Jackson’s The Velvet Rope. New York: Bloomsbury.
- Joshi, Tara. 2017. “A Quietus Interview | Power In Vulnerability: An Interview With Kelela.” The Quietus. October 10, 2017. https://thequietus.com/articles/23351-kelela-interview.
- Keeling, Kara. 2019. Queer Times, Black Futures. New York: New York University Press.
- King, Jason. 2017. “Kelela’s Philosophy of Love.” Pitchfork. August 9, 2017. https://pitchfork.com/features/interview/kelelas-philosophy-of-love/.
- Lefebvre, Henri. 2004. Rhythmanalysis: Space, Time, Everyday Life. Translated by Stuart Elden and Gerald Moore. New York and London: Continuum.
- Lhooq, Michelle. 2015. “Listen to ‘Rewind,’ the Spiritual Centerpiece of Kelela’s ‘Hallucinogen’ EP.” September 2, 2015. https://www.vice.com/en/article/nzmmwx/listen-to-rewind-the-spiritual-centerpiece-of-kelelas-hallucinogen-ep.
- Lippard, Lucy, and Adrian Piper. 1972. “An Interview with Adrian Piper.” The Drama Review: TDR 16 (1): 76–78.
- Lorde, Audre. 1984. “The Uses of the Erotic: The Erotic as Power.” In Sister Outsider, 53–59. Berkeley: Crossing Press.
- McKittrick, Katherine, and Alexander G. Weheliye. 2017. “808s & Heartbreak.” Propter Nos 2 (1): 13–42.
- McMillan, Uri. 2015. Embodied Avatars: Genealogies of Black Feminist Art and Performance. New York and London: New York University Press.
- Mosley, William. 2022. “On the Lateness of Pandemic Time.” Presented at the American Studies Association Annual Meeting, New Orleans, LA, November 4.
- Moten, Fred. 2003. In the Break: The Aesthetics of the Black Radical Tradition. Minneapolis and London: University of Minnesota Press.
- Moten, Fred. 2018. Universal Machine. Durham and London: Duke University Press.
- Myers, Owen. 2016. “Kelela: ‘America Hasn’t Ever Dealt With Whiteness.’” The FADER. March 23, 2016. https://www.thefader.com/2016/03/23/kelela-sxsw-interview.
- Piper, Adrian. 1996. “Notes on Funk, I-IV.” In Out of Order, Out of Sight: Volume 1: Selected Writings in Meta-Art, 1968-1992, 195–216. Cambridge and London: MIT Press.
- Piper, Adrian. 2007. “Adrian Moves to Berlin.” Adrian Piper Research Archive Foundation Berlin. 2007. http://www.adrianpiper.com/vs/video_am.shtml.
- Rancière, Jacques. 2005. The Politics of Aesthetics: The Distribution of the Sensible. Translated by Gabriel Rockhill. London, New Delhi, New York, and Sydney: Bloomsbury.
- Rivera, Adina, dir. 2017. Adrian Piper, Mythic Being 1973. https://www.youtube.com/watch?v=jVcXb8En_Tw.
- Samore, Sam, dir. 1983. Funk Lessons. University of California at Berkeley.
- Smith, Cherise. 2011. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith. Durham and London: Duke University Press.
- Stallings, L. H. 2015. Funk the Erotic: Transaesthetics and Black Sexual Cultures. Urbana, Chicago, and Springfield: University of Illinois Press.
- Starling, Lakin. 2017. “Kelela Is Ready for You Now.” The FADER. October 2017. https://www.thefader.com/2017/10/03/kelela-cover-story-take-me-apart-interview.
- Tinsley, Omise’eke Natasha. 2022. The Color Pynk: Black Femme Art for Survival. Austin: University of Texas Press.
- Truax, Raegan. 2022. “Durational Performance and Queer Refrain.” Platform 16 (1): 52–77.
- Waleczek, Agata. 2018. “‘I Still Do Believe They Want Me Dead’: An Interview With Adrian Piper.” Frieze (blog). September 10, 2018. https://www.frieze.com/article/i-still-do-believe-they-want-me-dead-interview-adrian-piper.
- Weheliye, Alexander G. 2017. “Rhythms of Relation: Black Popular Music and Mobile Technologies.” Current Musicology 99-100: 107–127.
- Weheliye, Alexander G. 2018. “R&B as Sonic Sanctuary in the Age of #BlackLivesMatter.” New York University, January 25, 2018.
- Williams, James Gordon. 2021. Crossing Bar Lines: The Politics and Practices of Black Musical Space. Jackson: University Press of Mississippi.
Sound Recordings
- BBC Music, dir. 2021. Kelela - LMK (Later Archive 2017). https://www.youtube.com/watch?v=51Y9m69FPYE.
- iHeartRadio, dir. 2017. Kelela “Take Me Apart” | Track by Track. https://www.youtube.com/watch?v=tWPDww10aic.
- The FADER, dir. 2016. Kelela - “Rewind” - Live at The FADER Fort Presented By Converse (7). https://www.youtube.com/watch?v=JypMOSNK4fs.