62
Views
0
CrossRef citations to date
0
Altmetric
Articles

The implications of rural praxes legacies in Majorcan urban dance tradition

ORCID Icon &
Pages 229-252 | Received 28 Oct 2022, Accepted 26 Aug 2023, Published online: 14 Sep 2023

References

  • Adrover Artigues, Maria, and Càndid Trujillo. 2010. “Un poc d’història de les mateixes i els copeos: Entrevista a l’amo en Miquel Vent i Es Revetlers” [The Story of Mateixes and Copeos: Interview with Miquel Vent and Es Revetlelers]. Caramella: revista de música i cultura popular 22: 88–91.
  • Artigues, Antoni. 1981. “Del ball de bot al ball d’aferrat. Esbós per a un estudi de cultura popular i poder” [From Ball de bot to Close Dance. Essay of a Study on pop Culture]. Revista Maina 4: 60.
  • Artigues, Antoni. 1982. Festa, balls, músiques. Cent anys d’història de les Balears [Festivities Dances, Musics, 100 Years of Balearic History]. Navarra: Salvat editores: 60.
  • Avery, Leanne M. 2016. Reimagining Rural: Urbanormative Portrayals of Rural Life. Lexington: Books.
  • Bakka, Egil, and Gediminas Karoblis. 2010. “Writing ‘A Dance’: Epistemology for Dance Research.” Yearbook for Traditional Music 42: 167–193. https://doi.org/10.1017/S0740155800012704.
  • Balaguer, Eduard. 2009. “Dossier de Ball de Bot.” El Mirall 202: 5–13.
  • Benson, Etienne. 2003. “Beyond ‘Urbancentrism’.” Monitor on Psychology 34 (6): 54–55.
  • Bibiloni, Antoni. 2010. “Els balls populars a Mallorca: Una evolució insòlita a la Mediterrània” [Popular Dances in Majoca: An Unusual Evolution in the Mediterranean].” Revista Caramella 22: 84.
  • Boyer, Pascal. 1990. Tradition as Truth and Communication: A Cognitive Description of Traditional Discourse. Cambridge: Cambridge University Press.
  • Burnim, Mellonee. 1985. “Culture Bearer and Tradition Bearer: An Ethnomusicologist’s Research on Gospel Music.” Ethnomusicology 29 (3): 432–447. https://doi.org/10.2307/851798.
  • Campbell, Donna. 2011. “American Literary Naturalism: Critical Perspectives.” Literature Compass 8: 499–513. https://doi.org/10.1111/j.1741-4113.2011.00819.x.
  • Carbonell, Xavier. 1990. “Balls i danses populars i tradicionals als arxius mallorquins” [Dances and Popular Dances in Majorcan Archives].” Panorama Musical: Informatiu/Divulgatiu del fet Musical a les Balears 1-2: 8–11.
  • Castro, Maria, Lleonard Plaza, and Juli Serrano. 1995. Les danses rituals de Mallorca [Ritual dances in Majorca]. Palma: Govern Balear, Conselleria de Cultura, Educació i Esports.
  • Claval, Paul. 2022. Histoire de la géographie. [Hystory of the Geography]. Paris: Que sais-je.
  • Cloke, Paul. 1997. Contested Countryside Cultures: Otherness, Marginalisation, and Rurality. London: Psychology Press.
  • Dankworth, Linda. 2013. “Embodying Mallorquinness Through Performativity and Narration of Mallorquin Dance.” Journal of Tourism Consumption 5 (1): 34.
  • Dankworth, Linda, and Ann R. David. 2014. “Introduction: Global Perspectives in Ethnographic Fieldwork, Theory, and the Representation of Traditional Dance.” In Dance Ethnography and Global Perspectives, edited by Dankworth Linda Ann R. David, 1–10. London: Palgrave Macmillan.
  • Darío, Rubén. 2016. Danzas Gymnesianas. In Obras completas. Madrid: Verbum.
  • Desmond, Jane C. 1993. “Embodying Difference: Issues in Dance and Cultural Studies.” Cultural Critique 26: 33–63. https://doi.org/10.2307/1354455.
  • D’haen, Theo. 1994. Liminal Postmodernisms: The Postmodern, the (Post-) Colonial, and the (Post-) Feminist. Atlanta: Rodopi.
  • Domènech, Francesc Xavier. 1990. “Història i Manual per Aprendre els Balls Mallorquins” [History and Handbook to Learn Majorcan Dances]. In Quaderns d’educació d’adults i participació ciutadana. Ajuntament de Palma, 1–20. Palma: Ajuntament de Palma.
  • Dunbar-Hall, Peter. 2001. “Culture, Tourism and Cultural Tourism: Boundaries and Frontiers in Performances of Balinese Music and Dance.” Journal of Intercultural Studies 22 (2): 185.
  • Duran, Eulàlia. 1982. “Aspectes ideològics de les Germanies” [Ideological Aspects in Germanies]. Pedralbes: Revista d’historia moderna 1: 53–67.
  • Ensenyat, Biel. 1975. Folklore de Mallorca. Danzas, música, ritos y costumbres [Mallorca’s Folklore. Dances, Music, Rituals and Habits]. Palma: Escuela de Música y Danzas de Mallorca.
  • Evens, Terry T.T., and Don Handelman. 2006. The Manchester School: Practice and Ethnographic Praxis in Anthropology. New York: Berghahn Books.
  • Ferrer, Antoni. 1965. Folklore Balear. Palma: Ediciones Cort.
  • Fischer, Michael M. 2009. Fieldwork is not What it Used to be: Learning Anthropology’s. Ithaca: Cornell University Press.
  • Galmés, Antoni. 1950. Mallorca, Menorca, Ibiza. Folklore: danzas, costumbres, canciones [Mallorca, Menorca, Ibiza. Folklore: Dances, Habits and Songs]. Palma: Ayuntamiento de Palma de Mallorca.
  • Grau, Andrée, and Georgiana Wierre-Gore eds. 2005. Anthropologie de la danse. Genèse et construction d’une discipline [Anthropology of Dance. The Origins and Building of a Subjet]. Paris: Centre National de la danse.
  • Gregson, Nicki, and Gilian Rose. 2000. “Taking Butler Elsewhere: Performativities, Spatialities and Subjectivities.” Environment and Planning D: Society and Space 18: 433. https://doi.org/10.1068/d232.
  • Gwyndaf, Robin. 2000. “Memory in Action: Narration, Communication and the Repertoire of a Passive Tradition-Bearer.” Folk Life 39 (1): 49–65. https://doi.org/10.1179/flk.2000.39.1.49.
  • Hall, Stuart. 1990. “Cultural Identity and Diaspora.” In Identity: Community, Culture, Difference, edited by Rutherford Jonathan, 222–237. London: Lawrence and Wishart.
  • Horton, John, and Peter Kraftl. 2013. Cultural Geographies: An Introduction. UK: Routledge.
  • Hufford, Mary. 2002. “Interrupting the Monologue: Folklore, Ethnography, and Critical Regionalism.” Journal of Appalachian Studies 8 (1): 62–78.
  • Kelber, Wener H. 1997. The Oral and the Written Gospel: The Hermeneutics of Speaking and Writing in the Synoptic Tradition, Mark, Paul, and Q. Bloomington: Indiana University Press.
  • Kidd, Sean A., and Michael J. Kral. 2005. “Practicing Participatory Action Research.” Journal of Counseling Psychology 52 (2): 187. https://doi.org/10.1037/0022-0167.52.2.187.
  • Kindon, Sara, Rachel Pain, and Mike Kesby. 2008. “Participatory Action Research.” In International Encyclopaedia of Human Geography. Elsevier 90.
  • Larrey, Lydia E. 2015. “40 años d’Escola” [40 years of Escola de Palma], Ultima hora https://www.ultimahora.es/noticias/sociedad/2015/11/08/166441/anos-escola.html.
  • Loh, Lucienne. 2016. “Comparative Postcolonial Ruralities and English Heritage: Julian Barnes’s England, England and Kiran Desai’s The Inheritance of Loss.” The Journal of Commonwealth Literature 51 (2): 302–315. https://doi.org/10.1177/0021989415627315.
  • Martorell, Antoni. 1998. “La dansa popular balear contemporània, rebrot de l’art forà peninsular” [Present Popular Dance in Balearic Islands, the Rebirth of Rural Tradition]. Bolletí de la Societat Arqueològica Lul·liana: Revista d’estudis històrics 54: 219–230.
  • McCormack, Derek P. 2008. “Geographies for Moving Bodies: Thinking, Dancing, Spaces.” Geography Compass 2 (6): 1822. https://doi.org/10.1111/j.1749-8198.2008.00159.x.
  • McDonald, Sharon. 1997. A People’s Story: Heritage, Identity and Authenticity, Directed by Chris Rojek and John Urry. Touring Cultures: Transformations of Travel and Theory. London: Routledge.
  • McIntyre, Alice. 2007. Participatory Action Research. Sage Publications, XII.
  • Melhuus, Marit Jon Mitchell, and Helena Wulff. eds. 2010. Ethnographic Practice in the Present. New York: Berghahn Books.
  • Mulet, Antoni. 1956. Cuartillas humildes de Turismo y Folklore [Simple Notes for Tourism and Folklore]. Palma: Imprenta Mossèn Alcover.
  • Nahachewsky, A. 1995. “Participatory and Presentational Dance as Ethnochoreological Categories.” Dance Research Journal 27 (1): 1–15. https://doi.org/10.2307/1478426.
  • Nash, Catherine. 2002. “Cultural Geography: Postcolonial Cultural Geographies.” Progress in Human Geography 26 (2): 219–230. https://doi.org/10.1191/0309132502ph365pr.
  • Núñez, Xosé-Manoel. 2001. “The Region as Essence of the Fatherland:Regionalist Variants of Spanish Nationalism(1840–1936).” European History Quarterly 31 (4): 483–518. https://doi.org/10.1177/026569140103100401.
  • Palmer Lladó, Catalina, and Miquel Bezares. 1990. “Entrevista a Guillem Bernat, de l’Agrupació de Ball Aires Sollerics” [Interview to Guillem Bernat from Aires Sollerics]. Revista Lluc. Revista de cultura i d’idees 759: 29.
  • Pandey, Vikash N. 2003. “Re-presenting Rural: From Definition to Discourse.” Sociological Bulletin 52 (1): 32–52. https://doi.org/10.1177/0038022920030102.
  • Pekkilä, Erkki. 1994. “Nationalism, Regionalism, Leftism, and Individualism.” Ethnomusicology 38 (3): 405–408. https://doi.org/10.2307/852103.
  • Pons, Daniel. 2005. Els deu primers anys d’Al-Mayurqa. [The Tenth’s Anniversary of Al-Mayurca’s Band]. Madrid: Ministerio de Instrucción Pública y de Bellas Artes.
  • Pujol, Mateu. 1992. Mateixes.[Mateixes dance] Ball de Pagès. (inedit).
  • Quigley, Colin. 2014. “The Hungarian Dance House Movement and Revival of Transylvanian String Band Music.” The Oxford Handbook of Music Revival 1: 182–202.
  • Raibaud, Y. 2015. “Jalons pour une géographie de la danse.” Géographie et cultures 96: 5–24. https://doi.org/10.4000/gc.4156.
  • Rico Osés, Lara. 2012. “De las ceremonias de los bailes” [Ceremonies in the dances]. Bulletin Hispanique 114 (2), https://doi.org/10.4000/bulletinhispanique.1391.
  • Sachs, C. 1933. Eine weltgeschichte des tanzes. Berlin: D. Reimer/E. Vohsen.
  • Seale, Elizabeth. 2013. Studies in Urbanormativity: Rural Community in Urban Society. Lexington: Books.
  • Selener, Julio Daniel. 1992. Participatory Action Research and Social Change: Approaches and Critique. Ithaca: Cornell University Press.
  • Slater, David. 1998. “Post-Colonial Questions for Global Times.” Review of International Political Economy 5 (5): 647–678. https://doi.org/10.1080/096922998347417.
  • Soja Edward, W. 2010. “Cities and States in Geohistory.” Theory and Society 39 (3–4): 361–376. https://doi.org/10.1007/s11186-010-9113-5.
  • Staszak, Jean-François. 2008. “Danse exotique, danse érotique. Perspectives géographiques sur la mise en scène du corps de l’Autre (XVIIIe-XXIe siècles)” [Exotic Dance, erotic dance. Geographical perspectives on body’s scenification and the otherness (18th-21st centrury)]. In Annales de géographie. Vol. 1-2, 129–153.
  • Storm, Eric. 2003. “Regionalism in History, 1890–1945: The Cultural Approach.” European History Quarterly 33 (2): 251–265. https://doi.org/10.1177/02656914030332005.
  • Thomas, Jim. 1993. Doing Critical Ethnography. Thousand Oaks: Sage.
  • Thomas, Alexander R. 2011. Critical Rural Theory. Blue Ridge Summit: Lexington Books.
  • Veblen, Kari K. 1996. “Truth, Perceptions, and Cultural Constructs in Ethnographic Research: Music Teaching and Learning in Ireland.” Bulletin of the Council for Research in Music Education 129: 37–52.
  • Westlund, Hans. 2018. “Urban-rural Relations in the Post-Urban World.” In The Post-Urban World: Emergent Transformation of Cities and Regions in the Innovative Global Economy, edited by Tigran Haas, and Hans Westlund, 70–81. London: Routledge.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.