References
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- Brantlinger, Patrick. 1988. Rule of Darkness: British Literature and Imperialism, 1830–1914. Ithaca, NY: Cornell University Press.
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- Gardner, Nigel. 1980. “Introduction to the Music.” In Henry Irving and “The Bells”: Irving’s Personal Script of the Play, edited and introduced by David Mayer, 108–117. Manchester: Manchester University Press.
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- Gilfillan, Robert, and Peter McLeod. 1895. “Oh! Why Left I My Hame?” In The Minstrelsy of Scotland: 200 Scottish Songs, Adapted to Their Traditional Airs, 153. London: Augener & Co. National Library of Scotland. https://digital.nls.uk/special-collections-of-printed-music/archive/91380194.
- Gould, Marty. 2011. Nineteenth-Century Theatre and the Imperial Encounter. Routledge Advances in Theatre and Performance Studies. Abingdon, Oxon: Routledge. https://search-ebscohost-com.subr.idm.oclc.org/login.aspx?direct=true&db=nlebk&AN=366362&site=ehost-live.
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- Mayer, David, and Matthew Scott. 1983. Four Bars of ‘Agit’: Incidental Music for Victorian and Edwardian Melodrama. New York: Samuel French.
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- Mukharji, Projit Bihari. 2013. “‘O’er the Cruel Roll of War Drums’: The Politicisation of Legends in the Age of Mechanical Reproduction.” In Mutiny at the Margins: New Perspectives on the Indian Uprising of 1857: Volume 3: Global Perspectives, edited by Marina Carter and Crispin Bates, 36–66. Los Angeles: Sage Publications.
- One Hundred Songs of Scotland: Music and Words. 1858. Boston: Oliver Ditson & Co. HathiTrust. https://catalog.hathitrust.org/Record/100165992.
- Singla, Etienne. 1980. “‘The Music.’ Transcribed by Nigel Gardner.” In Henry Irving and “The Bells”: Irving’s Personal Script of the Play, edited and introduced by David Mayer, 118–131. Manchester: Manchester University Press.
- Smith, Lawrence. 2014. “Spectacular Remedies to Colonial Conflicts: Tableaux Vivants, Proto-Cinema and Global Performance in Dion Boucicault’s Jessie Brown.” Nineteenth Century Theatre and Film 41 (2): 29–49. https://doi.org/10.7227/NCTF.41.2.3.
- Thomson, Peter, ed. 1984. Plays by Dion Boucicault. Cambridge: Cambridge University Press.
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