Urban ambiguity: modernist descriptions in Kajii Motojirō

References

• Benjamin, Walter. 1999. The Arcades Project. Translated by Howard Eiland and Kevin McLaughlin. Cambridge: Belknap Press.
   Google Scholar
• Breen, John. 2020. “Performing History: Festivals and Pageants in the Making of Modern Kyoto.” In Kyoto’s Renaissance: Ancient Capital for Modern Japan, edited by John Breen, Maruyama Hiroshi, and Takagi Hiroshi, 33–64. Folkestone: Renaissance Books.
   Google Scholar
• Brumann, Christoph. 2012. Tradition, Democracy and the Townscape of Kyoto: Claiming a Right to the Past. Abingdon; Oxon; New York: Routledge.
   Google Scholar
• De Certeau, Michel. 1984. The Practice of Everyday Life. Translated by Steven Rendall. Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Dodd, Stephen. 2014. The Youth of Things: Life and Death in the Age of Kajii Motojirō. Honolulu: University of Hawai‘i Press.
   Google Scholar
• Dodd, Stephen. 2011. “Modernism and Its Endings: Kajii Motojirō as Transitional Writer.” In Rethinking Japanese Modernism, edited by Roy Starrs, 188–200. Leiden and Boston: Brill.
   Google Scholar
• Goldberg, Vicki. 2003. “Ingres’s Nude May Be Lost, But Her Afterimage Lingers.” New York Times, September 21. Accessed 21 December, 2022. https://www.nytimes.com/2003/09/21/arts/art-ingres-s-nude-may-be-lost-but-her-afterimage-lingers.html
   Google Scholar
• Golley, Gregory. 2008. When Our Eyes No Longer See: Realism, Science, and Ecology in Japanese Literary Modernism. Cambridge: Harvard University Asia Center.
   Google Scholar
• Greenberg, Clement. (1960) 1982. “Modernist Painting.” In Modern Art and Modernism: A Critical Anthology, edited by Francis Frascina and Charles Harrison, 5–10. Reprint, London: Harper and Row.
   Google Scholar
• Freedman, Alisa. 2011. Tokyo in Transit: Japanese Culture on the Rails and Road. Stanford: Stanford University Press.
   Google Scholar
• Fujitani, Takashi. 1996. Splendid Monarchy: Power and Pageantry in Modern Japan. Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Hibi, Yoshitaka. 2002. Jiko hyōshō’ no bungakushi: Jibun o kaku shōsetsu no tōjō. Tokyo: Kanrin Shobō.
   Google Scholar
• Hibi, Yoshitaka. 2016. Bungaku no rekishi o dō kakinaosu no ka: Nijusseiki Nihon no shōsetsu, kūkan, media. Tokyo: Kasama Shoin.
   Google Scholar
• Honda, Michiaki. 1994. “Maboroshi no machi: Kajii Motojirō ‘Remon’ ron.” Bungaku 5 (4): 104–112.
   Google Scholar
• Hockney, David. 2001. Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters. New York: Viking Studio.
   Google Scholar
• Imaizumi, Yasuhiro. 2002. “Tokeijikake no remon: Kajii Motojirō to eigateki sōzōryoku.” Hōsei Daigaku Daigakuin kiyō 48: 124–140.
   Google Scholar
• Ito, Yukio. 2018. “Dai Kyoto” no tanjō: Toshi kaizō to kōkyōsei no jidai 1895–1931. Tokyo: Mineruva Shobō.
   Google Scholar
• Kajii, Motojirō. 1925. “Remon.” Aozora 1: 1–8.
   Google Scholar
• Kajii, Motojirō. (1925) 1966a. “Remon.” In Vol. 1 of Kajii Motojirō zenshū, 7–13. Reprint, Tokyo: Chikuma Shobō.
   Google Scholar
• Kajii, Motojirō. 1966b. “Shokan.” In Vol. 3 of Kajii Motojirō zenshū, 5–129. Tokyo: Chikuma Shobō.
   Google Scholar
• Kanda, Yumiko. 1995. “Kajii Motojirō ‘Remon’ no Maruzen.” Kokugo tenbō 97: 17–19.
   Google Scholar
• Kaneko, Tsutomu. 2008. “Biwako sosui no modanitei: Shoki denki jigyō ni okeru senkensei.” In Kansai modanizumu saikō, edited by Takemura Tamio and Suzuki Sadami, 66–97. Kyoto: Shibunkaku Shuppan.
   Google Scholar
• Kashiwakura, Yasuo. 2010. Hyōden Kajii Motojirō: Mirukoto, sore wa mō nanika na no da. Tokyo: Sayūsha.
   Google Scholar
• Katō, Norihiro. 2002. “Kajii Motojirō: Ganbutsu sōshi no michi.” In Kajii Motojirō “Remon” sakuhin ronshū, edited by Suzuki Sadami, 185–231. Tokyo: Kuresu Shuppan.
   Google Scholar
• Kobayashi, Hideo. (1932) 1967. “Kajii Motojirō to Kamura Isota.” In Vol. 1 of Kobayashi Hideo zenshū, 323–330. Reprint, Tokyo: Shinchōsha.
   Google Scholar
• Komatsu, Hiroshi. 1996. “The Lumière Cinématographe and the Production of the Cinema in Japan in the Earliest Period.” Film History 8 (4): 431–438.
   Google Scholar
• Lippit, Seiji. 2002. Topographies of Japanese Modernism. New York: Columbia University Press.
   Google Scholar
• Nakagawa, Osamu. 2020. “The Modern Reorganization of Urban Space and Kyoto’s Historicity.” In Kyoto’s Renaissance: Ancient Capital for Modern Japan, edited by John Breen, Maruyama Hiroshi, Takagi Hiroshi, 95–122. Folkestone: Renaissance Books.
   Google Scholar
• Nakagawa, Yoshihiro. 2008. “Kajii Motojirō ‘Remon’ ni miru Taishō matsu modan Kyoto.” In Kansai modanizumu saikō, edited by Takemura Tamio and Suzuki Sadami, 200–221. Kyoto: Shibunkaku Shuppan.
   Google Scholar
• Nishio, Taiki. 2017. “Remon’ no juyōron: Kyōkasho keisai o shiza to shite.” Riterashīshi Kenkyū 10: 1–10.
   Google Scholar
• Ōtani, Kōichi. 1978. Hyōden Kajii Motojirō. Tokyo: Kawade Shobō Shinsha.
   Google Scholar
• Ri, Takanori. 1996. Hyōshō kūkan no kindai: Meiji “Nihon” no media hensei. Tokyo: Shin’yōsha.
   Google Scholar
• Röpke, Ian. 1999. Historical Dictionary of Osaka and Kyoto. Lanham and London: Scarecrow Press.
   Google Scholar
• Schivelbusch, Wolfgang. (1977) 2014. The Railway Journey: The Industrialization of Time and Space in the Nineteenth Century. Reprint, Oakland: University of California Press.
   Google Scholar
• Simmel, Georg. (1903) 1969. “The Metropolis and Mental Life.” In Classic Essays on the Culture of Cities, edited by Richard Sennett, 47–60. Reprint, New York: Appleton-Century-Crofts.
   Google Scholar
• Singer, Ben. 1995. “Modernity, Hyperstimulus, and the Rise of Popular Sensationalism.” In Cinema and the Invention of Modern Life, edited by Leo Charney and Vanessa R. Schwartz, 72–99. Berkeley and Los Angeles: University of California Press.
   Google Scholar
• Starrs, Roy. 2011. “Japanese Modernism Reconsidered.” In Rethinking Japanese Modernism, edited by Roy Starrs, 3–36. Leiden and Boston: Brill.
   Google Scholar
• Stavros, Matthew. 2014. Kyoto: An Urban History of Japan’s Premodern Capital. Honolulu: University of Hawai‘i Press.
   Google Scholar
• Suzuki, Sadami. 2011. “Rewriting the Literary History of Japanese Modernism.” In Rethinking Japanese Modernism, edited by Roy Starrs, 37–61. Leiden and Boston: Brill.
   Google Scholar
• Suzuki, Sadami. 2001. Kajii Motojirō no sekai. Tokyo: Sakuhinsha.
   Google Scholar
• Tseng, Alice. 2008. The Imperial Museums of Meiji Japan: Architecture and the Art of the Nation. Seattle: University of Washington Press.
   Google Scholar
• Tseng, Alice. 2018. Modern Kyoto: Building for Ceremony and Commemoration, 1868–1940. Honolulu: University of Hawai‘i Press.
   Google Scholar
• Tyler, William, ed. and trans. 2008. “The Lemon.” In Modanizumu: Modernist Fiction from Japan, 1913–1938, 334–339. Honolulu: University of Hawai‘i Press.
   Google Scholar
• Uchida, Teruko. 1993. Hyōden hyōron: Kajii Motojirō. Tokyo: Makino Shuppan.
   Google Scholar
• Unno, Hiroshi. 2002. “Remon no machi: Kyōto modan shiti kikō.” In Kajii Motojirō “Remon” sakuhin ronshū, edited by Suzuki Sadami, 280–289. Tokyo: Kuresu Shuppan.
   Google Scholar
• Yodono, Ryūzō, and Takao Nakatani. 1966a. “Nenpu.” In Vol. 3 of Kajii Motojirō zenshū, 577–589. Tokyo: Chikuma Shobō.
   Google Scholar
• Yodono, Ryūzō, and Takao Nakatani. 1966b. “Shoshi.” In Vol. 3 of Kajii Motojirō zenshū, 590–600. Tokyo: Chikuma Shobō.
   Google Scholar
• Yokomitsu, Riichi. (1924) 1981. “Atama narabini hara.” In Vol. 1 of Teihon: Yokomitsu Riichi zenshū, 396–403. Reprint, Tokyo: Kawade Shobō Shinsha.
   Google Scholar