Actions and digital empathy in the interactive storytelling of serious games: a multimodal discourse approach

References

• Anable, A. 2018. Playing with Feelings: Video Games and Affect. Minneapolis: University of Minnesota Press.
   Google Scholar
• Belman, J., and M. Flanagan. 2010. “Designing Games to Foster Empathy.” International Journal of Cognitive Technology 14: 5–15.
   Google Scholar
• Bogost, I. 2006. Unit Operations: An Approach to Videogame Criticism. Cambridge, MA: The MIT Press.
   Google Scholar
• Bogost, I. 2007. Persuasive Games: The Expressive Power of Videogames. Cambridge, MA and London, England: MIT Press.
   Google Scholar
• Bogost, I. 2017. “Video Games Are Better Without Stories Film, Television, and Literature All Tell Them Better. So Why Are Games Still Obsessed with Narrative?” The Atlantic. https://www.theatlantic.com/technology/archive/2017/04/video–games–stories/524148/.
   Google Scholar
• Braddock, K., and J. P. Dillard. 2016. “Meta-analytic Evidence for the Persuasive Effect of Narratives on Beliefs, Attitudes, Intentions, and Behaviors.” Communication Monographs 83 (4): 446–467. doi:10.1080/03637751.2015.1128555.
   Web of Science ®Google Scholar
• Dahlstrom, M. F., and D. A. Scheufele. 2018. “(Escaping) the Paradox of Scientific Storytelling.” PLOS Biology 16 (10): e2006720. doi:10.1371/journal.pbio.2006720.
   PubMed Web of Science ®Google Scholar
• Ensslin, A. 2011. The Language of Gaming. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Green, M. C., J. J. Strange, and T. C. Brock. 2002. Narrative Impact: Social and Cognitive Foundations. New York: Taylor & Francis.
   Google Scholar
• Halliday, M. A. K., and C. M. I. M. Matthiessen. 2013. Halliday’s Introduction to Functional Grammar. 4th ed. London and New York: Routledge.
   Google Scholar
• Hartung, F., M. Burke, P. Hagoort, and R. Willems. 2016. “Taking Perspective: Personal Pronouns Affect Experiential Aspects of Literary Reading.” PLoS One 11: e0157285.
   PubMed Web of Science ®Google Scholar
• Isbister, K. 2017. How Games Move Us (Playful Thinking): Emotions By Design. Cambridge, MA: The MIT Press.
   Google Scholar
• Keogh, B. 2018. A Play of Bodies: How We Perceive Videogames. Cambridge, MA: The MIT Press.
   Google Scholar
• Kress, G., and T. van Leeuwen. 2006. Reading Images: The Grammar of Visual Design. 2nd ed. London and New York: Routledge.
   Google Scholar
• Mital, P. K., T. J. Smith, R. L. Hill, and J. M. Henderson. 2011. “Clustering of Gaze During Dynamic Scene Viewing is Predicted by Motion.” Cognitive Computation 3 (1): 5–24. doi:10.1007/s12559-010-9074-z.
   Web of Science ®Google Scholar
• Muriel, D., and G. Crawford. 2018. Video Games as Culture. London: Routledge.
   Google Scholar
• Peng, W., M. Lee, and C. Heeter. 2010. “The Effects of a Serious Game on Role-Taking and Willingness to Help.” Journal of Communication 60 (4): 723–742. doi:10.1111/j.1460-2466.2010.01511.x.
   Web of Science ®Google Scholar
• Phillips, A., G. Smith, M. Cook, and T. Short. 2016. “Feminism and Procedural Content Generation: Toward a Collaborative Politics of Computational Creativity.” Digital Creativity 27 (1): 82–97. doi:10.1080/14626268.2016.1147469.
   Web of Science ®Google Scholar
• Sisler, V. 2017. “Procedural Religion: Methodological Reflections on Studying Religion in Video Games.” New Media & Society 19 (1): 126–141. doi:10.1177/1461444816649923.
   Web of Science ®Google Scholar
• Smith, M. 1995. Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Oxford University Press.
   Google Scholar
• Taylor, T. 2009. “The Assemblage of Play.” Games and Culture 4 (4): 331–339. doi:10.1177/1555412009343576.
   Web of Science ®Google Scholar
• Tseng, C. 2013a. Cohesion in Film: Tracking Film Elements. Basingstoke: Palgrave Macmillan.
   Google Scholar
• Tseng, C. 2013b. “Analyzing Characters’ Actions in Filmic Text: A Functional-Semiotic Approach.” Social Semiotics 23 (5): 587–605. doi:10.1080/10350330.2012.752158.
   Web of Science ®Google Scholar
• Tseng, C., J. Laubrock, and J. A. Bateman. 2021. “The Impact of Multimodal Cohesion on Attention and Interpretation in Film.” Discourse, Context & Media 44: 100544. doi:10.1016/j.dcm.2021.100544.
   Web of Science ®Google Scholar
• van Nuenen, T. 2015. “Playing the Panopticon: Procedural Surveillance in Dark Souls.” Games and Culture 11 (5): 510–527. doi:10.1177/1555412015570967.
   Web of Science ®Google Scholar
• Visch, V. 2007. “Looking for Genres. The Effect of Film Figure Movement on Genre Recognition.” PhD Thesis. Vrije Universiteit Amsterdam, Amsterdam.
   Google Scholar