Publication Cover
Performance Research
A Journal of the Performing Arts
Volume 28, 2023 - Issue 3: On Invasion
65
Views
0
CrossRef citations to date
0
Altmetric
Research Article

Invasion, Replacement and Colonial Anxiety in The War of the Worlds

REFERENCES

  • Bakhtin, Mikhail (1981) The Dialogic Imagination: Four essays, ed. Michael Holquist, trans. Caryl Emerson and Michael Holquist, Austin, TX: University of Texas Press.
  • Banks, Daniel (2019) ‘The Welcome Table: Casting for an integrated society’, in Claire Syler and Daniel Banks (eds) Casting a Movement: The welcome table initiative, London and New York, NY: Routledge, pp. 12–35.
  • Brown, Jocelyn A. (2012) ‘Color blind casting: To be or not to be’, paper presented at Black Theatre Network, Atlanta, 29 July 2012.
  • Case, Sue-Ellen (2009) Feminist and Queer Performance: Critical strategies, New York, NY: Palgrave Macmillan.
  • Cervera, Felipe (2017) Planetary Performance Theory, doctoral thesis, Department of English Language and Literature, National University of Singapore.
  • Cima, Gay Gibson (1993) ‘Strategies for subverting the canon’, in Ellen Donkin and Susan Clement (eds) Upstaging Big Daddy: Directing theater as if gender and race matter, Ann Arbor, MI: University of Michigan Press, pp. 91–105.
  • de Bergerac, Cyrano (1899 [1656]) A Voyage to the Moon, trans Archibald Lovell, NY: Doubleday & McClure Co.
  • Dolan, Jill (2012 [1988]) The Feminist Spectator as Critic, Ann Arbor, MI: University of Michigan.
  • Donkin, Ellen and Clement, Susan, eds (1993a) Upstaging Big Daddy: Directing theater as if gender and race matter, Ann Arbor, MI: University of Michigan.
  • Gruber, Fiona (2020) ‘War of the Worlds: The pioneering work of science fiction inspired by Australian brutality’, Guardian, 13 July, https://bit.ly/3PEZTZA, accessed 28 January 2023.
  • Kondo, Dorinne (2018) Worldmaking: Race, performance, and the work of creativity, Durham, NC: Duke University Press.
  • Pennycook, Gordon, Cannon, Tyrone D. and Rand, David G. (2018) ‘Prior exposure increases perceived accuracy of fake news’. Journal of Experimental Psychology 147(12): 1,865–80. doi: 10.1037/xge0000465
  • Price, William (2014) Extinct No More: Discourses on Tasmanian Aboriginal heritage, doctoral thesis, Department of Geography, University of Kansas.
  • Reiss, Tom (2005) ‘Imagining the worst: How a literary genre anticipated the modern world’, The New Yorker, 20 November, pp. 106–14.
  • Tonguette, Peter (2018) ‘The fake news of Orson Welles: The War of the Worlds at 80’, Humanities 39(3), https://bit.ly/3Q41U30, accessed 28 January 2023.
  • Verne, Jules (1874 [1865]) From the Earth to the Moon Direct in Ninety-seven Hours and Twenty Minutes, and a Trip Round It, trans Louis Mercier and Eleanor E. King, NY: Scribner, Armstrong and Co.
  • Wells, Herbert George. (1901) The First Men in the Moon, London: George Newnes.
  • Wells, Herbert George (1988 [1897]) The War of the Worlds, New York, NY: Simon and Schuster.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.