REFERENCES
- Adams, Katherine H. and Keene, Michael L. (2012) Women of the American Circus, 1880-1940, Jefferson, NC: McFarland.
- Austin, J. L. (2009) How to Do Things with Words, Cambridge, MA: Harvard University Press.
- Bakhtin, Mikhail (1984) Rabelais and his World, Bloomington, IN: Indiana University Press.
- Baudelaire, Charles (1976) ‘De l’essence du rire’ (On the essence of laughter), in Claude Pichois (ed.) Oeuvres Complètes. V. 2, Paris: Gallimard: 525–543.
- Bergson, Henri (2014) Laughter: An essay on the meaning of the comic, Mansfield Centre, CT: Martino Publishing.
- Berlant, Lauren and Ngai, Sianne (2017) ‘Comedy has issues’, Critical Inquiry 43: 233–49. doi: 10.1086/689666
- Bottoms, Stephen (2003) ‘The efficacy/effeminacy braid: Unpacking the performance studies/Theatre studies dichotomy’, Theatre Topics 13: 173–87. doi: 10.1353/tt.2003.0029
- Brecht, Bertolt (1992) Brecht on Theatre: The development of an aesthetic, New York, NY: Hill and Wang.
- Butler, Judith (2006) Gender Trouble: Feminism and the subversion of identity, New York, NY: Routledge.
- Carriger, Michelle Liu (2021) ‘Of affects, effects, acts, and X’, Journal of Dramatic Theory and Criticism 35: 9–11. doi: 10.1353/dtc.2021.0001
- Derrida, Jacques (1980) ‘Signature event context’, in Alan Bass (trans.) Margins of Philosophy, Chicago, IL: University of Chicago: 309–30.
- Felman, Shoshana (2003) The Scandal of the Speaking Body: Don Juan with J. L. Austin, or seduction in two languages, Stanford, CA: Stanford University Press.
- Freud, Sigmund (1989) Jokes and their Relation to the Unconscious, New York, NY: Norton, New York.
- Johnson, Barbara (2020) ‘Nothing fails like success’, in The Barbara Johnson Reader, Durham, NC: Duke University Press, pp. 327–33.
- King, Stephen (2019) It, New York, NY: Scribner.
- Newmark, Kevin (1991) ‘Traumatic Poetry: Charles Baudelaire and the shock of laughter’, American Imago, 48(4): 515–38, www.jstor.org/stable/26303926.
- Oxford English Dictionary (2023) ‘Clown’ and ‘Entertainment’, in Oxford English Dictionary online, www.oed.com, accessed 21 November 2023.
- Parker, Andrew and Sedgwick, Eve Kosofsky (1995) Performativity and Performance: Essays from the English Institute, New York, NY: Routledge.
- Post, Tina (2023) Deadpan: The aesthetics of black inexpression, New York, NY: NYU Press.
- Schneider, Rebecca (2011) Performing Remains: Art and war in times of theatrical reenactment, New York, NY: Routledge.
- Shakespeare, William (2016) Hamlet, New York, NY: Penguin Books.
- Thomas, Aaron C. (2021) ‘Infelicities’, Journal of Dramatic Theory and Criticism 35: 13–25. doi: 10.1353/dtc.2021.0002
- Weitz, Eric (2012) ‘Failure as success: On clowns and laughing bodies’, Performance Research 17(1), 79–87. doi: 10.1080/13528165.2012.651867
- Yapp, Hentyle (2018) ‘To punk, yield, and flail’, GLQ: A journal of lesbian and gay studies 24: 113–38. doi: 10.1215/10642684-4254522
- Zupančič, Alenka (2008) The Odd One In: On comedy, Cambridge, MA: MIT Press.