Publication Cover
Journal of Israeli History
Politics, Society, Culture
Volume 40, 2022 - Issue 2
987
Views
0
CrossRef citations to date
0
Altmetric
Research Article

The rock musical and the beginnings of rock music in Israel in the early 70s

ORCID Icon & ORCID Icon

Bibliography

  • Burstyn, Shai. “‘Shira hadasha-atika’: Moreshet Avraham Zvi Idelsohn ve-zimrei ‘shorashim’ [‘Old-New song’: The Legacy of Abraham Zvi Idelsohn and ‘Roots’ Songs].” Cathedra 128 (2008): 113–144.
  • Cohen, Boaz. U-khshe-eftah et ha-delet [And When I Open the Door]. Tel Aviv: Marom Tarbut Yisraelit, 2017.
  • Cojocaru, Ziv. “Jestot ha-accordion ke-elementim signoniyim be-shirat ‘Ha-Tarnegolim’ [Accordion Gestures as Stylistic Elements in ‘Ha-Tarnegolim’ Vocal Performance].” Ph.D. diss., Bar-Ilan University, 2017.
  • Figueroa, M A. “Aesthetics of Ambivalence: Dan Almagor and Rock Ideology in Israeli Musical Theatre.” Ethnomusicology Forum 25, no. 3 (2016): 261–282. doi:10.1080/17411912.2016.1242375.
  • Flam, Gila. “Pe’ulata ha-musikalit shel Bracha Zefira bi-shnot ha-30 ve-ha-40 be-Eretz Yisrael [The Musical Activity of Bracha Zefira during the ’30s and ’40s in Eretz Israel].” MA thesis, The Hebrew University, 1982.
  • Frankel, Oz. “What’s in a Name? The Black Panthers in Israel.” The Sixties: A Journal of History, Politics, and Culture 1, no. 1 (2008): 9–26. doi:10.1080/17541320802063554.
  • Frankel, Oz. “‘Your Part in the Phantom’: American Technology, National Identity, and the War of Attrition.” Israel Studies 24, no. 1 (2019): 174–199. doi:10.2979/israelstudies.24.1.08.
  • Geffen, Yehonatan. Rock be-veit ha-sohar [Jailhouse Rock]. Tel Aviv: Sifriyat Ma’ariv, 1988.
  • Harzion, Nachumi. “Dorot u-tmorot ba-zemer ha-ivri: Shnat Tarpaz (1927) – tzir shel mifne [Generations and Changes in the Hebrew Song: 1927 as a Turning Point].” Bikoret u-farshanut 44 (2012): 137–156.
  • Heilbronner, Oded. “Tzrima: Tarbuyot mishne, muzika u-mehaat tze’irim yisraelim: Mi-tarbut ha-hevra ha-salonit shel shnot ha-hamishim ve-ad tarbut ha-fanzinim shel shnot ha-tish’im [Dissonance: Resistance and Urban Subcultures of Israeli Youth from the Salon Culture of the 1950s to the Fanzines Culture of the 1990s].” In Iyunim Bitkumat Israel 8: Muzika Be-Yisrael [Studies in the Establishment of Israel 8: Music in Israel], edited by T. Friling, G. Katz, and M. Wolpe, 50–81. Beer Sheva: Ben-Gurion University Press, 2014.
  • Katorza, Ari. “Hashpa’at ha-rock ha-psikhadeli al poozy ve-shabloul [Psychedelic Rock and Its Influence on Poozy and Shabloul].” In Iyunim Bitkumat Israel 8: Muzika Be-Yisrael [Studies in the Establishment of Israel 8: Music in Israel], edited by T. Friling, G. Katz, and M. Wolpe, 82–110. Beer Sheva: Ben-Gurion University Press, 2014.
  • Manor, Ehud. Ein li eretz aheret: Shirim ke-biografia [ I Have No Other Land: Songs as an Autobiography]. Bnei Brak: Daniella De-Nur & Ha-Kibbutz Ha-Meuhad, 2003.
  • Poliker, Yehuda. Ha-tzel sheli va-ani [My Shadow and I]. Tel Aviv: Sifrei Aliyat Ha-Gag, 2019.
  • Ram, Uri. The Globalization of Israel: McWorld in Tel Aviv, Jihad in Jerusalem. New York: Routledge, 2007.
  • Regev, Motti, and Edwin Seroussi. Popular Music and National Culture in Israel. Oakland, CA: University of California Press, 2004.
  • Sagee-Keren, Alona. “Hishtarshut ha-Jazz be-Israel [How Jazz Was Established in Israel].” In Iyunim Bitkumat Israel 8: Muzika Be-Yisrael [Studies in the Establishment of Israel 8: Music in Israel], edited by T. Friling, G. Katz, and M. Wolpe, 136–187. Beer Sheva: Ben-Gurion University Press, 2014.
  • Schab, Alon. “Ancient Modes in the Modern Classroom: Obsolete Scales or Assets of Cultural Diversity?” Finnish Journal of Music Education 23, no. 1 and 2 (2020): 8–21.
  • Segev, Tom. Elvis in Jerusalem: Post-Zionism and the Americanization of Israel. New York: Henry Holt, 2002.
  • Shuker, Roy. Popular Music: The Key Concepts. 2nd ed. London; New York: Routledge, 2005.
  • Tolnai-Torkan, Lilach. “Bracha Zefira - halutzat ha-zemer ha-ivri: Analiza le-kolashel zameret ha-mitmaseret la-shira ve-le-shimura shel ha-masoret ha-yehudit [Bracha Zefira - Pioneer of Hebrew Song: Analysis of Her Vocal Technique].” MA thesis, University of Haifa, 2021.
  • Topelberg, Carmela. “Ha-Muzika ha-popularit be-Tel Aviv, 1930–1956 [The Popular Music of Tel-Aviv, 1930–1956].” Ph.D. diss., Bar-Ilan University, 2001.
  • Wagner, Naphtali. “Lehakat Ha-Halonot Ha-Gvohim al kav ha-tefer bein zemer ivri le-rock yisraeli [The High Windows Between Hebrew Song and Israeli Rock].” In Eikh omrim modernism be-ivrit? [How Does One Say Modernism in Hebrew?], edited by and , 253–278. Tel Aviv: Resling, 2010.
  • Waksman, Steve. Instruments of Desire: The Electric Guitar and the Shaping of Musical Experience. Cambridge, MA: Harvard University Press, 1999.
  • Warfield, Scott. “From Hair to Rent and Beyond: Has ‘Rock’ Ever Been a Four-Letter Word on Broadway?” In The Cambridge Companion to the Musical, edited by W. A. Everett and P. R. Laird, 281–300. 3rd ed. Cambridge: Cambridge University Press, 2017.