References
- African National Congress Statement to the Truth and Reconciliation Commission”I n Brooks, Roy L. (1999). When sorry isn’t enough: The controversy over apologies and reparations for human injustice. New York University Press.
- Baldwin, J. (1985). The evidence of things not seen (1st ed.). Holt, Rinehart and Winston.
- Barad, K. M. (2007). Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Duke University Press.
- Bernstein, H. (1978). No. 46 Steve Biko. International Defence and Aid Fund.
- Biko, S. (1978/2004). I write what I like. Picador Africa Press.
- Bucher, J. W. (2010). Arguing Biko: Evidence of the body in the politics of history, 1977 to the present. ProQuest Dissertations Publishing.
- Cheng, A. A. (2001). The melancholy of race: Psychoanalysis, assimilation, and hidden grief. New Oxford University Press.
- Daley, S. (1997). Apartheid inquiry is told details of Biko killing: Inquiry is told of how Biko was beaten to death. New York Times (1923-).
- “Denigrate.” Oxford English Dictionary. Retrieved May 22, 2020, from https://www-oed-com.turing.library.northwestern.edu/view/Entry/49972?redirectedFrom=denigrate#eid
- Derrida, J., & Kamuf, P. (1985). Racism’s last word. Critical Inquiry, 12(1), 290–299. https://doi.org/10.1086/448331
- Fanon, F. (1952/1986). Black skin, white masks. Liberation Classics. Pluto.
- Fleetwood, N. R. (2015). On racial icons: Blackness and the public imagination. Rutgers University Press.
- Hartman, S. (1997). Scenes of subjection: Terror, slavery, and self-making in nineteenth century America. Oxford University Press.
- Hartman, S. (2008). Venus in two acts. Small Axe, 12(2), 1–14. https://doi.org/10.1215/-12-2-1
- Hill, S. L. (2015). Biko’s ghost: The iconography of Black consciousness. University of Minnesota Press.
- Hook, D. (2013). (Post)apartheid conditions: Psychoanalysis and social formation. Palgrave Macmillan.
- Jackson, Z. I. (2020). Becoming human: Matter and meaning in an antiblack world. New York University Press.
- Jackson Zakiyyah, I. (2021). Against criticism: Notes on decipherment and the force of things. No Humans Involved. Delmonico Books/Hammer Museum.
- Joja, A. M. 2014. Critical reflections of Exhibit B. Art South Africa, 13(2), 86–87.
- Klopper, S. (2004). Sacred fragments: Looking Back at the art of Paul Stopforth. African Arts, 37(4), 68–96. https://doi.org/10.1162/afar.2004.37.4.68
- Koloane, D. (1996). Moments in art: A story from South Africa. In J. Havell (Ed.), Seven stories: About modern art in Africa (pp. 9–34). Whitechapel .
- Kristeva, J. (1982). Powers of horror: An essay on abjection. Columbia University Press.
- Kristeva, J. (1989). Black sun: Depression and melancholia. Columbia University Press.
- Magaziner, D. R. (2010). The law and the prophets: Black consciousness in South Africa, 1968–1977. New African Histories Series. Ohio University Press; Jacana.
- Marriott, D. (2000). On Black men. Columbia University Press.
- Marriott, D. (2017). The perfect beauty of Black death. The Philosophical Salon. https://thephilosophicalsalon.com/the-perfect-beauty-of-black-death/
- Mbembe, A. (2004). Aesthetics of superfluity. Public Culture, 16(3), 373–405. https://doi.org/10.1215/08992363-16-3-373
- Mofokeng, S. (2002, November). Trajectory of a street photographer. Chimurenga Magazine, vol 3: Biko in Parliament.
- More, M. (2011). Sex and racism: Psycho-sexual racism and the myth of the Black libido. In A. Mngxitama (Ed.), New frank talk; Critical essays on the Black condition (Vol. 2). Andile Mngxtima. http://newfranktalk.bookslive.co.za/about/.
- More, M. S. (2017). Biko: Philosophy, identity and liberation. HSRC Press.
- Moten, F. (2003). In the break: The aesthetics of the Black radical tradition. Duke University Press.
- Moten, F. (2017). Black and blur. Duke University Press.
- Nsele, Z. (2016). Post-apartheid nostalgia and the sadomasochistic pleasures of archival art. English in Africa, 43(3), 95–116. https://doi.org/10.4314/eia.v43i3.6
- Peffer, J. (2009). Art and the end of apartheid. University of Minnesota Press.
- Sithole, T. (2020). The Black register. Polity Press.
- Smith, K. (2019, May 21). Under the influence of … Paul Stopforth’s Biko painting called ‘Elegy’. The Conversation. https://theconversation.com/under-the-influence-of-paul-stopforths-biko-painting-called-elegy-64031
- Stopforth, P., & Mason, J. (2010). Paul Stopforth. David Krut Pub.
- Terrefe, S. D. (2018). Speaking the hieroglyph. Theory & Event, 21(1), 124–147. https://doi.org/10.1353/tae.2018.0005
- von Veh, K. (2012). The intersection of Christianity and politics in South African art: A comparative analysis of selected images since 1960, with emphasis on the post-apartheid era. De Arte, 47(85), 5–25. https://doi.org/10.1080/00043389.2012.11877159
- Ward, L. (2021). Somebody’s - or nothing: Visual evidence, blackness and the limits of legal seeing. History of Photography, 45(3–4), 363–375. https://doi.org/10.1080/03087298.2022.2138166
- Wilderson, F. B. (2016). Doing time in the psychic commons: Black Insurgency and the unconscious. In A. M. Agathangelou & K. D. Killian (Eds.), Time, temporality and violence in international relations: (De)fatalizing the present, forging radical alternatives. (pp. 87–103). Routledge.
- Woods, D. (1987). Biko (Rev. and updated ed.). H. Holt.