91
Views
0
CrossRef citations to date
0
Altmetric
Articles

Staging Hillula: Ariel Bension and Avraham Zvi Idelsohn in early twentieth-century Jerusalem

ORCID Icon & ORCID Icon

Bibliography

  • Bartal, Israel. “‘Yishuv yashan’ ve-‘yishuv ḥadash’: Ha-dimui veha-metzi’ut [The ‘Old’ and ‘New’ Yishuv: Image and Reality].” Cathedra 2 (1976): 3–19.
  • Behar, Moshe. “Fusing Arab Nahda, European Haskalah and Euro-Zionism: Eastern Jewish Thought in Late-Ottoman and Post-Ottoman Palestine.” Journal of Modern Jewish Studies 16, no. 2 (2017): 271–274.
  • Behar, Moshe, and Zvi Ben-Dor Benite. Modern Middle Eastern Jewish Thought: Writings on Identity, Politics, and Culture, 1893-1958. Waltham, MA: Brandeis University Press, 2013.
  • Bension, Ariel. “Ha-rabanim ha-Sfaradim ve-ha-‘itonut be-‘eretz Yisrael ba-tkufah ha-‘Ot’manit.” Kesher 37 (2008): 64–70.
  • Bension, Ariel. El Zohar en la España musulmana y cristiana. Madrid: Renacimiento, 1931.
  • Bension, Ariel. El Zohar en la España musulmana y cristiana. Madrid: Nuestra Raza, 1934.
  • Bension, Ariel. El Zohar: revelaciones del Libro del Esplendor. Preface and selections by Agustín López Tobajas. Palma de Mallorca: José J. de Olañeta (2000, reprint. 2006).
  • Bension, Ariel. El Zohar en la España musulmana y cristiana. Seville: Renacimiento, 2009.
  • Bension, Ariel. El Zohar en España y en el mundo sefardí. Madrid: Hebraica, 2009.
  • Bension, Ariel. El Zohar en la España musulmana y cristiana. Trans. Miguel A. Beltrán Munar. Granada: Editorial Universidad de Granada, 2010.
  • Bension, Ariel. “Juifs et Arabes.” Israël 12, no. 9 (Feb. 27, 1931): 2–3.
  • Bension, Ariel. O Zohar: o livro do esplendor. Trans. Rosie Mehoudar and Rita Galvão, with a preface by Miguel de Unamuno. Sao Paolo: Polar, 2006.
  • Bension, Ariel. “Sefarad shel sefer ha-Zohar.” Moznaim 3, no. 8 (1931): 5–7. no. 9: 7-9.
  • Bension, Ariel. The Zohar in Moslem and Christian Spain. London: Routledge and Sons, 1932.
  • Bension, Ariel. Zohar: revelaciones del “Libro del Esplendor”. Edited by Carlos Garrido. Barcelona: Arcana Coelestia, 1981.
  • Bension, Ariel. The Zohar in Moslem and Christian Spain. New York: Hermon Press, 1974.
  • Bension, Ariel. The Zohar in Moslem and Christian Spain. London: Routledge, 2017.
  • Beška, Emanuel. “Responses of Prominent Arabs Towards Zionist Aspirations and Colonization Prior to 1908.” Asian and African Studies 16 (2007): 22–44.
  • Bezalel, Itzhak. Noladetem Tsiyonim: Ha-sefaradim Be-Erets Yisrael Ba-Tsiyonut u -va-Teḥiyah Ha-‘ivrit Ba-Tekufah Ha-ot’manit [You Were Born Zionists: The Sephardim in Eretz Israel in Zionism and the Hebrew Revival During the Ottoman Period]. Jerusalem: Yad Yitzhak Ben-Tsvi, 2007.
  • Bitton, Igal. Ḥovevei-Tziyon me-Moroko [Hovevei-Zion from Morocco]. Kiryat Shmona: self-published, 2019.
  • Cohen, Hillel. “Ḥayyav u-moto shel ha-yehudi ha-aravi [Life and Death of the Arab Jew].” In Moledet ba-gola, edited by Ofer Schiff, 171–200. Iyunim be tqumat yisrael 9. Sde Boqer: Ben Gurion Institute, Ben Gurion University, 1999.
  • Cohen, Mark. Last Century of a Sephardic Community: The Jews of Monastir, 1839 -1943. New York: Foundation for the Advancement of Sephardic Studies and Culture, 2003.
  • Cohen, Judith. “Yiftaḥ: Ḥizayon negini me’et A.Z. Idelsohn [Yiftah: A Musical Play by A.Z. Idelsohn].” Tatslil 15 (1975): 127–131.
  • De Launay, Mark. “The Statute of Music in Hermann Cohen’s Ästhetik.” In Hermann Cohen’s Critical Idealism, edited by Reinier Munk, 307–325. Amsterdam Studies in Jewish Thought. Dordecht: Springer, 2005.
  • “Der XII. Zionisten-Kongres.” Jüdisches Volksblatt 60 (Sep. 23, 1921): 2–7.
  • Dotan, Keren. “Prophets of Secularization: Hebrew Mizrahi Writers in Eretz-Yisrael 1880s-1929.” Ph.D. diss. (New York University, 2016) (In Hebrew).
  • Dotan, Keren. “Ḥazono ha-poeti shel Ariel Benzion [The Poetical Vision of Ariel Bension].” Pe’amim 163-64 (2021): 171–192.
  • Dotan, Keren. Tsurah ʻosah tsurah: sofrim Mizraḥim be-sifrut ha-ʻIvrit be-Erets Yiśra'el be-mifneh ha-meah ha-20 [Form and its Discontents: Hebrew Mizrahi Writers in Eretz-Yisrael/Palestine in the Turn of the 20th Century]. Haifa: Misgav Yerushalayim & Pardes, 2022.
  • Evri, Yuval, and Almog Behar. “Between East and West: Controversies Over the Modernization of Hebrew Culture in the Works of Shaul Abdallah Yosef and Ariel Bension.” Journal of Modern Jewish Studies 16, no. 2 (2017): 295–311.
  • Fishman, Louis. Jews and Palestinians in the Late Ottoman Era, 1908-1914: Claiming the Homeland. Edinburgh: University of Edinburgh Press, 2019.
  • Giller, Pinchas. Shalom Shar’abi and the Kabbalists of Beit El. Oxford: Oxford University Press, 2008.
  • Gribetz, Jonathan Marc. “Arab–Zionist Conversations in Late Ottoman Jerusalem: Sa’id al-Husayni, Ruhi al-Khalidi and Eliezer Ben-Yehuda.” In Ordinary Jerusalem 1840–1940: Opening New Archives, Revisiting a Global City, edited by Angelos Dalachanis, and Vincent Lemire, 306–329. Leiden: Brill, 2018.
  • Idelsohn, Avraham Zvi [Avraham Zvi Ben Yehuda]. “Rikhard Vagner ve-hayehudim [Richard Wagner and the Jews].” Ha-hashkafah 9, no. 47 (Feb. 28, 1908): 2–3. 9, no. 48 (March 4, 1908): 1-2; 9, no. 49 (March 6, 1908): 1-3.
  • Idelsohn, Avraham Zvi [Avraham Zvi Ben Yehuda]. “Shirei ‘am Yisrael [The Songs of the People of Israel].” Ha-olam 2, no. 47 (Dec. 4, 1908): 602–604.
  • Idelsohn, Avraham Zvi. Jiftah; Musical Drama in Five Acts. Jerusalem: the author, 1922.
  • Idelsohn, Avraham Zvi. Gesänge der orientalischen Sefardim. Jerusalem, Berlin, Vienna: Binyamin Herz Verlag, 1923.
  • Idelsohn, Avraham Zvi. Gesänge der Marokkanischen Juden. Jerusalem, Berlin, Vienna: Binyamin Herz Verlag, 1928.
  • Jacobson, Abigail. From Empire to Empire: Jerusalem Between Ottoman and British Rule. Syracuse: Syracuse University Press, 2011.
  • Katan, Yisrael M.. “Bagdad,” Do’ar Hayom (June 8, 1922), 2.
  • Liebes, Yehuda. “Zemirot le-se’udot Shabbat she-yasad Ha-Ari Ha-kadosh [Songs for the Sabbath Meals Created by Ha-Ari Ha-kadosh].” Molad 4 (1972): 540–545.
  • Loeffler, James. “Richard Wagner’s ‘Jewish Music’: Antisemitism and Aesthetics in Modern Jewish Culture.” Jewish Social Studies: History, Culture, Society 15, no. 2 (Winter 2009): 2–36.
  • Loeffler, James. The Most Musical Nation: Jews and Culture in the Late Russian Empire. New Haven: Yale University Press, 2010.
  • Loeffler, James. “Do Zionists Read Music from Right to Left? Abraham Tsvi Idelsohn and the Invention of Israeli Music.” Jewish Quarterly Review 100, no. 3 (Summer 2010): 385–416.
  • Loeffler, James. “When Hermann Cohen Cried: Zionism, Culture, and Emotion.” Jewish Social Studies 28, no. 3 (Fall 2023): 1–20.
  • Meir, Jonathan. Kabbalistic Circles in Jerusalem (1896- 1948). Leiden: Brill, 2016.
  • Reyzen, Zalman. Leksikon fun der yidishe literatur, prese un filologye. Vol. 2. Vilna: B. Kletskin, 1928.
  • Rubin, Abraham. “Zionism, Pan-Asianism, and the Postcolonial Predicament in the Interwar Writings of Eugen Hoeflich.” AJS Review 41, no. 1 (April 2021): 120–142.
  • Seroussi, Edwin. “‘‘Yesod eḥad lahen.’ Gilui ha-mizraḥ ve-aḥdutan shel mesorot ha musikah ha-yehudiot ve-mishnat Avraham Idelsohn, [A Common Basis: The Discovery of the Orient and the Uniformity of Jewish Musical Traditions in the Teaching of Abraham Zvi Idelsohn].” Pe‘Amim 100 (2004): 125–146.
  • Shelleg, Assaf. Jewish Contiguities and the Soundtrack of Israeli History. Oxford: Oxford University Press, 2014.
  • Spinner, Samuel. Jewish Primitivism. Stanford: Stanford University Press, 2021.
  • Tsur, Jacob. Ha-rav Ya’akov Hofman: Ha-ish u-tekufato [Rabbi Dr. Jacob Hoffman: the man and his era (In Hebrew)]. Translated by David Luvish. Ramat Gan: Bar-Ilan University, 1999.
  • Vogt, Stefan. “The Postcolonial Buber: Orientalism, Subalternity, and Identity Politics in Martin Buber’s Political Thought.” Jewish Social Studies 22, no. 1 (Fall 2016): 161–186.
  • Wallach, Yair. “Rethinking the Yishuv: Late-Ottoman Palestine's Jewish Communities Revisited.” Journal of Modern Jewish Studies 16, no. 2 (2017): 275–294. www.theidelsohnproject.org.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.