https://orcid.org/0000-0001-8068-9642
References
- Biancorosso, G. 2016. Situated listening: the sound of absorption in classical cinema. New York: Oxford University Press.
- Bradshaw, P. 2013. “Blue is the warmest colour–review”, at http://www.theguardian.com/film/2013/nov/21/blue-is-the-warmest-colour-review (accessed: 21 November 2013).
- Dargis, M. 2013. Seeing you seeing me: The trouble with ‘blue is the warmest color’ . The New York Times Art Review Secion 1. October: 25. https://www.nytimes.com/2013/10/27/movies/the-trouble-with-blue-is-the-warmest-color.html
- Doane, M.A. 1982. Film and the masquerade: Theorising the female spectator. Screen 23 3–4: 74–88. September – October 1982 10.1093/screen/23.3-4.74
- Doane, M.A. 1991. Femmes Fatales. New York: Routledge.
- Ettinger, B.L. [1995]1999. Matrixial gaze and screen: other than phallic and beyond the late Lacan. In Matrixial Subjectivity, Aesthetics, Ethics:Volume 1990-2000. 1st edited by. G. Pollock., 241–85. London: Palgrave Macmillan Publishing. 2020 (November 18. 2020)
- Flitterman-Lewis, S. 1990. To deisre differently: feminism and French cinema. United States: University of Illinois Press.
- Freud, S. 2001[1966]. Pre-psychoanalytic publications and unpublished drafts. vol. I In The standard edition of the complete psychological works of Sigmund Freud. edited by. J. Strachey, 265. London: Vintage .
- Gorton, K. 2008. Theorising desire: from Freud to feminism to film. 2008th. New York: Palgrave Macmillan Publishing. (March 13, 2018)
- Gunkel, D., and P. Taylor. 2014. Heidegger and the Media. United Kingdom: Polity Press. 1st (July 8, 2014).
- Hegel, G.W.F. 1975. The idea of the beautiful. In Hegel’s aesthetics: lectures on fine art. vol. I edited by. T.M. Knox., 111. Oxford: Clarendon Press.
- Hollinger, K. 2012. Feminist film studies. New York: Routledge.
- Jameson, F. 2013. The antinomies of realism. illustrated. London: Verso Publishing. (October 8, 2013)
- Kaplan, E.A. 1983. The case of the missing mother: maternal issues in Vidor’s Stella Dallas. Heresies 16, no. 1983: 81–85.
- Lacan, J. 1982. Desire and the interpretation of desire in Hamlet’. In literature and psychoanalysis: the question of reading: otherwise, edited by. S. Felman. Baltimore: Johns Hopkins University Press. 11–52.
- Lacan, J. 2006. Écrits: the first complete edition in english, translated by B. Fink. London and New York: W.W. Norton & Co.
- Mulvey, L. 1975. Visual pleasure and narrative cinema. In Screen 16:3 (Autumn 1975):6–18.
- Sweedler, M. 2018. Affect and narrative in Abdellatif Kechiche’s blue is the warmest color. Intertexts 22 1–2: 152–76. Spring-Fall 2018 10.1353/itx.2018.0006
- Tobias, S. 2013. Abdellatif Kechiche on the difficult making of blue is the warmest color. at http://thedissolve.com/features/interview/238–abdellatif-kechiche-on-the-difficult-making-of-blu/ (accessed: 25 October 2013)
- Williams, L. 1989. Hardcore: Power, Pleasure, and the ‘Frenzy of the Visible. Berkeley: University of California Press.
- Williams, L. 2014. Cinema’s sex acts. Film Quarterly 67 4: 9–25. Summer 2014 10.1525/fq.2014.67.4.9
- Willis, L.-P. 2015. The Frenzy of the (In)visible”: La Médiation du désir dans La Vie d’Adèle. Journal of Film Studies 261: 13–30. Fall 2015
- Žižek, S. 1989. The sublime object of ideology. London: Verso.