Experiences of migration from Turkey to Germany: the female guest worker in contemporary documentaries

References

• Akbulut, Kültigin Kağan. 2021. “Pınar Öğrenci’yle Gurbet Artık Bir Ev filmi üzerine.” Argonotlar, June 2. Accessed August 1, 2022. https://argonotlar.com/pinar-ogrenciyle-gurbet-artik-bir-ev-filmi-uzerine/.
   Google Scholar
• Amos, Valerie, and Pratibha Parmar. 1984. “Challenging Imperial Feminism.” Feminist Review 17: 3–19. https://doi.org/10.1057/fr.1984.18.
   Google Scholar
• Burns, Rob. 1999. “Images of Alterity: Second-Generation Turks in the Federal Republic.” The Modern Language Review 94 (3): 744–757. https://doi.org/10.2307/3736999.
   Google Scholar
• Cengiz, N. Buket. 2021. “The Face of the Female Guestworker Experience: Pınar Öğrenci on Gurbet is a Home Now.” Film International, August 23. Accessed August 1, 2022. http://filmint.nu/pinar-ogrenci-gurbet-is-a-home-now-interview-n-buket-cengiz/.
   Google Scholar
• Doane, Mary Ann, Patricia Mellencamp, and Linda Williams, eds. 1984. Re-Vision: Essays in Feminist Film Criticism. Los Angeles: University Publications of America.
   Google Scholar
• French, Lisa. 2021. The Female Gaze in Documentary Film: An International Perspective. Cham: Palgrave Macmillan.
   Google Scholar
• Horrocks, David, and Eva Kolinsky, eds. 1996. Turkish Culture in German Society Today. New York: Berghahn.
   Google Scholar
• Istanbul Modern Sanat Müzesi. 2021. “Gurbet Artık Bir Ev – Yönetmen Pınar Öğrenci ile Söyleşi.” YouTube, December 13. Accessed August 3, 2022. https://www.youtube.com/watch?v=PPaPvNRReaQ&list=PLviWRFXT6t9jrC51KEx6-Xri-ykIO_cb4&index=8.
   Google Scholar
• Johnston, Claire. 2014. “Women’s Cinema as Counter-Cinema.” In Film Manifestos and Global Cinema Cultures, edited by Scott MacKenzie, 347–355. Berkeley: University of California Press.
   Google Scholar
• Juhasz, Alexandra. 1999. “They Said We Were Trying to Show Reality–All I Want to Show Is My Video: The Politics of Realist Feminist Documentaries.” In Collecting Visible Evidence, edited by Jane M. Gaines, and Michael Renov, 190–215. Minneapolis: University of Minnesota Press.
   Google Scholar
• Kaplan, E. Ann. 1983. Women and Film: Both Sides of the Camera. New York: Methuen.
   Google Scholar
• Lee, Tessa C. 2011. “Tracing the Figure of the Guest Worker in Fatih Akın’s Gegen die Wand.” In Aesthetic Practices and Politics in Media, Music and Art: Performing Migration, edited by Rocío G. Davis, Dorothea Fischer-Hornung, and Johanna C. Kardux, 66–80. New York: Routledge.
   Google Scholar
• Lesage, Julia. 1984. “Feminist Documentary: Aesthetics and Politics.” In Show us Life. Toward a History and Aesthetics of the Committed Documentary, edited by Thomas Waugh, 223–251. London: The Scarecrow Press.
   Google Scholar
• Mariato, Chiara, Kerem Öktem, and Anna Zadrożna. 2021. “Introduction - A State of Diasporas: The Transnationalisation of Turkey and its Communities Abroad.” Diaspora: A Journal of Transnational Studies 21 (2): 105–120. https://doi.org/10.3138/diaspora.21.2.2021.intro.
   Google Scholar
• Martineau, Barbara Halpern. 1984. “Talking About Our Lives and Experiences: Some Thoughts About Feminism, Documentary and ‘Talking Heads’.” In Show us Life: Toward a History and Aesthetics of the Committed Documentary, edited by Thomas Waugh, 252–273. Metuchen: Scarecrow.
   Google Scholar
• Miller, Jennifer A. 2013. “Her Fight is Your Fight: “Guest Worker” Labor Activism in the Early 1970s West Germany.” International Labor and Working-Class History 84: 226–247. https://doi.org/10.1017/S014754791300029X.
   Web of Science ®Google Scholar
• Miller, Jennifer A. 2018. Turkish Guest Workers in Germany: Hidden Lives and Contested Borders, 1960s to 1980s. Toronto: University of Toronto Press.
   Google Scholar
• Mohanty, Chandra Talpade. 1984. “Under Western Eyes: Feminist Scholarship and Colonial Discourses.” boundary 2 12/13 (3,1): 333–358. https://doi.org/10.2307/302821.
   Web of Science ®Google Scholar
• Newton, Judith. 1988. “History as Usual?: Feminism and the ‘New Historicism.’.” Cultural Critique 9: 87–121. https://doi.org/10.2307/1354235.
   Google Scholar
• Nichols, Bill. 1991. Representing Reality. Bloomington: Indiana University Press.
   Google Scholar
• Nocera, Lea. 2013. “The Hard Search for Modernity: Turkish Female Worker Migration in West Germany.” Paper presented at the annual meeting for CGM 2013 - International Conference on Gender and Migration: Critical Issues and Policy Implications, Istanbul, May 11–13.
   Google Scholar
• Nurtsch, Ceyda. 2019. “Turkish Brain Drainers Versus Guest Workers.” Qantara, March 6. https://en.qantara.de/content/new-istanbul-in-berlin-turkish-brain-drainers-versus-guest-workers. Accessed September 20, 2022.
   Google Scholar
• Rendi, Giovannella. 2006. “Kanaka Sprak? German-Turkish Women Filmmakers.” Gfl-Journal 3: 78–93.
   Google Scholar
• Rotha, Paul. 1939. Documentary Film. New York: WW Norton & Company.
   Google Scholar
• Vergès, Françoise. 2021. A Decolonial Feminism. Translated by Ashley J. Bohrer with the Author. London: Pluto Press.
   Google Scholar
• Waldman, Diane, and Janet Walker, eds. 1999. Feminism and Documentary. Minneapolis: University of Minnesota Press.
   Google Scholar
• Waugh, Thomas. 2011. “The Right to Play Oneself.” Jump Cut 10 (11): 93–154. https://doi.org/10.5749/minnesota/9780816645862.003.0005.
   Google Scholar