2,666
Views
3
CrossRef citations to date
0
Altmetric
Articles

Entrepreneurial firm growth in creative industries: fitting in … and standing out!

ORCID Icon &
Pages 383-405 | Received 07 Sep 2021, Accepted 31 Dec 2021, Published online: 12 Jan 2022

References

  • Abbing, H. 2002. Why Are Artists Poor? The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press. 
  • Abecassis-Moedas, C., S. Ben Mahmoud-Jouini, C. Dell’ Era, D. Manceau, and R. Verganti. 2012. “Key Resources and Internationalization Modes of Creative Knowledge-Intensive Business Services: The Case of Design Consultancies.” Creativity and Innovation Management 21 (3): 315–331. doi:10.1111/j.1467-8691.2012.00646.x.
  • Barney, J. B. 2020. “Measuring Firm Performance in a Way that is Consistent with Strategic Management Theory.” Academy of Management Discoveries 6 (1): 5–7. doi:10.5465/amd.2018.0219.
  • Bergamini, M., W. Van de Velde, B. Van Looy, and K. Visscher. 2018. “Organizing Artistic Activities in a Recurrent Manner: (On the Nature of) Entrepreneurship in the Performing Arts.” Creativity and Innovation Management 27 (3): 319–334. doi:10.1111/caim.12240.
  • Blackburn, R., J. Kitching, M. Hart, C. Brush, and D. Ceru. 2008. Growth Challenges for Small and Medium-Sized Enterprises: A UK-US Comparative Study. Report for HM Treasury and BERR. London: Kingston University and Babson College.
  • Bos-de Vos, M., J. H. Wamelink, and L. Volker. 2016. “Trade-Offs in the Value Capture of Architectural Firms: The Significance of Professional Value.” Construction Management and Economics 34 (1): 21–34. doi:10.1080/01446193.2016.1177192.
  • Bourdieu, P. 1986. “The Forms of Capital.” In Handbook of Theory and Research for the Sociology of Education, edited by J. G. Richardson, 241–258. New York: Greenwood Press.
  • Bourdieu, P. 1993. The Field of Cultural Production: Essays on Art and Literature. New York: Columbia University Press.
  • Bourdieu, P., and L. Wacquant. 1992. An Invitation to Reflexive Sociology. Cambridge: Polity Press.
  • Caniëls, M. C., and E. F. Rietzschel. 2015. “Organizing Creativity: Creativity and Innovation under Constraints.” Creativity and Innovation Management 24 (2): 184–196. doi:10.1111/caim.12123.
  • Caves, R. E. 2000. Creative Industries: Contracts between Art and Commerce. Cambridge, MA: Harvard University Press.
  • Chaston, I., and E. Sadler-Smith. 2012. “Entrepreneurial Cognition, Entrepreneurial Orientation and Firm Capability in the Creative Industries.” British Journal of Management 23 (3): 415–432.
  • Cnossen, Boukje, Ellen Loots, and Arjen Witteloostuijn. 2019. “Individual Motivation among Entrepreneurs in the Creative and Cultural Industries: A Self-Determination Perspective.” Creativity and Innovation Management 28 (3): 389–402. doi:10.1111/caim.12315.
  • De Clercq, D., and M. Voronov. 2009. “The Role of Cultural and Symbolic Capital in Entrepreneurs’ Ability to Meet Expectations about Conformity and Innovation.” Journal of Small Business Management 47 (3): 398–420. doi:10.1111/j.1540-627X.2009.00276.x.
  • de Klerk, S., and S. Hodge. 2021. “The Case of the Creative Accelerator.” Creative Industries Journal 14 (2): 169–189. doi:10.1080/17510694.2020.1813480.
  • Delmar, F., and J. Wiklund. 2008. “The Effect of Small Business Managers’ Growth Motivation on Firm Growth: A Longitudinal Study.” Entrepreneurship Theory and Practice 32 (3): 437–457. doi:10.1111/j.1540-6520.2008.00235.x.
  • Eikhof, D. R., and A. Haunschild. 2007. “For Art’s Sake! Artistic and Economic Logics in Creative Production.” Journal of Organizational Behavior 28 (5): 523–538. doi:10.1002/job.462.
  • Eisenhardt, K. M. 1989. “Building Theories from Case Study Research.” The Academy of Management Review 14 (4): 532–550. doi:10.2307/258557.
  • Frank, R. H., and P. J. Cook. 1996. The Winner-Takes-All Society. Why the Few at the Top Get so Much More than the Rest of Us. New York: Penguin books.
  • Garnsey, E., E. Stam, and P. Heffernan. 2006. “New Firm Growth: Exploring Processes and Paths.” Industry & Innovation 13 (1): 1–20. doi:10.1080/13662710500513367.
  • Geddes, B. 1990. “How the Cases You Choose Affect the Answers You Get: Selection Bias in Comparative Politics.” Political Analysis 2: 131–150. doi:10.1093/pan/2.1.131.
  • Gouvea, R., D. Kapelianis, M.-J. Montoya, and G. Vora. 2021. “The Creative Economy, Innovation and Entrepreneurship: An Empirical Examination.” Creative Industries Journal 14 (1): 23–62. doi:10.1080/17510694.2020.1744215.
  • Greiner, L. 1972. “Evolution and Revolution as Organizations Grow.” Harvard Business Review 50 (4): 37–46.
  • Gundolf, K., A. Jaouen, and J. Gast. 2018. “Motives for Strategic Alliances in Cultural and Creative Industries.” Creativity and Innovation Management 27 (2): 148–160. doi:10.1111/caim.12255.
  • Haans, R. F., and A. Van Witteloostuijn. 2018. “Expected Job Creation across the Cultural Industries: A Sectoral Division and Its Implications for Cultural Policy.” International Journal of Cultural Policy 24 (1): 45–67. doi:10.1080/10286632.2015.1128420.
  • Hart, M., N. Prashar, and A. Ri. 2021. “From the Cabinet of Curiosities: The Misdirection of Research and Policy Debates on Small Firm Growth.” International Small Business Journal: Researching Entrepreneurship 39 (1): 3–17. doi:10.1177/0266242620951718.
  • Heidemann Lassen, A., M. McKelvey, and D. Ljungberg. 2018. “Knowledge-Intensive Entrepreneurship in Manufacturing and Creative Industries: Same, Same, but Different.” Creativity and Innovation Management 27 (3): 284–294. doi:10.1111/caim.12292.
  • Immovator. 2019. Monitor Creatieve Industrie. Stichting Media Perspectives. https://mediaperspectives.nl/project/monitor-creatieve-industrie/. Accessed January 2021.
  • Jacobs, S., and B. Cambré. 2020. “Designers’ Road(s) to Success: Balancing Exploration and Exploitation.” Journal of Business Research 115: 241–249. doi:10.1016/j.jbusres.2019.10.073.
  • Joseph, J., and A. J. Wilson. 2018. “The Growth of the Firm: An Attention-Based View.” Strategic Management Journal 39 (6): 1779–1800. doi:10.1002/smj.2715.
  • Kaplan, S. 2020. “Beyond the Business Case for Social Responsibility.” Academy of Management Discoveries 6 (1): 1–4. doi:10.5465/amd.2018.0220.
  • Karpik, L. 2010. The Economics of Singularities. New Jersey: Princeton University Press.
  • Klamer, A. 2011. “Cultural Entrepreneurship.” The Review of Austrian Economics 24 (2): 141–156. doi:10.1007/s11138-011-0144-6.
  • Klamer, A. 2016. “The Value-Based Approach to Cultural Economics.” Journal of Cultural Economics 40 (4): 365–373. doi:10.1007/s10824-016-9283-8.
  • Kohn, K., and S. A. Wewel. 2018. “Skills, Scope and Success: An Empirical Look at the Start-up Process in Creative Industries in Germany.” Creativity and Innovation Management 27 (3): 295–318. doi:10.1111/caim.12279.
  • Konrad, E. D. 2013. “Cultural Entrepreneurship: The Impact of Social Networking on Success.” Creativity and Innovation Management 22 (3): 307–319. doi:10.1111/caim.12032.
  • Lampel, J., T. Lant, and J. Shamsie. 2000. “Balancing Act: Learning from Organizing Practices in Cultural Industries.” Organization Science 11 (3): 263–269. doi:10.1287/orsc.11.3.263.12503.
  • Letter for the Council of the Ministers. 2015. Kabinetsreactie, November 2015. Creatieve industrie in beeld: “Creativiteit is belangrijk, essentieel om een welvarende, duurzame en innovatieve samenleving te realiseren.”
  • Levie, J., and B. B. Lichtenstein. 2010. “A Terminal Assessment of Stages Theory: Introducing a Dynamic States Approach to Entrepreneurship.” Entrepreneurship Theory and Practice 34 (2): 317–350. doi:10.1111/j.1540-6520.2010.00377.x.
  • Lijphart, A. 1971. “Comparative Politics and the Comparative Method.” American Political Science Review 65 (3): 682–693. doi:10.2307/1955513.
  • Lounsbury, M., and M. A. Glynn. 2019. Cultural Entrepreneurship: A New Agenda for the Study of Entrepreneurial Processes and Possibilities. Cambridge: Cambridge University Press.
  • Loots, E., and A. van Witteloostuijn. 2018. “The Growth Puzzle in the Creative Industries.” Revue de L’Entrepreneuriat 17 (1): 39–58. doi:10.3917/entre.171.0039.
  • Loots, E., B. Cnossen, and A. van Witteloostuijn. 2018. “Compete or Cooperate in the Creative Industries? A Quasi-Experimental Study with Dutch Cultural and Creative Entrepreneurs.” International Journal of Arts Management 20 (2): 20–31.
  • Lumpkin, G. T., and G. G. Dess. 1996. “Clarifying the Entrepreneurial Orientation Construct and Linking It to Performance.” The Academy of Management Review 21 (1): 135–172. doi:10.2307/258632.
  • McKelvey, M., and A. H. Lassen. 2018. “Knowledge, Meaning and Identity: Key Characteristics of Entrepreneurship in Cultural and Creative Industries.” Creativity and Innovation Management 27 (3): 281–283. doi:10.1111/caim.12293.
  • McKelvie, A., and J. Wiklund. 2010. “Advancing Firm Growth Research: A Focus on Growth Mode instead of Growth Rate.” Entrepreneurship Theory and Practice 34 (2): 261–288. doi:10.1111/j.1540-6520.2010.00375.x.
  • Ministry of Economic Affairs. 2016. “Report on Business Administration.”
  • Nielsen, R. A. 2016. “Case Selection via Matching.” Sociological Methods & Research 45 (3): 569–597. doi:10.1177/0049124114547054.
  • Nielsen, S. L., B. Norlyk, and P. R. Christensen. 2018. “Salesman? Hell No!’ Identity Struggles of Nascent Design Entrepreneurs.” Creativity and Innovation Management 27 (3): 358–369. doi:10.1111/caim.12275.
  • Paris, T., and S. Ben Mahmoud-Jouini. 2019. “The Process of Creation in Creative Industries.” Creativity and Innovation Management 28 (3): 403–419. doi:10.1111/caim.12332.
  • Penrose, E. T. 1959. The Theory of the Growth of the Firm. Oxford: Blackwell.
  • Potts, J. D., S. D. Cunningham, J. Hartley, and P. Ormerod. 2008. “Social Network Markets: A New Definition of the Creative Industries.” Journal of Cultural Economics 32 (3): 167–185. doi:10.1007/s10824-008-9066-y.
  • Rawhouser, H., M. Cummings, and S. L. Newbert. 2019. “Social Impact Measurement: Current Approaches and Future Directions for Social Entrepreneurship Research.” Entrepreneurship Theory and Practice 43 (1): 82–115. doi:10.1177/1042258717727718.
  • Round, H., and A. Styhre. 2017. “Reality Bites: Managing Identity Ambiguity in an Advertising Agency.” Creativity and Innovation Management 26 (2): 202–213. doi:10.1111/caim.12203.
  • Ruel, H. 2013. Diplomacy Means Business. Zwolle: Windesheim reeks Kennis en Onderzoek.
  • Salder, J. 2021. “The Creative Business: enterprise Development in the Arts-Based Creative Industries.” Creative Industries Journal 14 (1): 63–80. doi:10.1080/17510694.2020.1789414.
  • Schediwy, L., P. V. Bhansing, and E. Loots. 2018. “Young Musicians’ Career Identities: Do Bohemian and Entrepreneurial Career Identities Compete or Cohere?” Creative Industries Journal 11 (2): 174–196. doi:10.1080/17510694.2018.1489197.
  • Scott, M. 2012. “Cultural Entrepreneurs, Cultural Entrepreneurship: Music Producers Mobilising and Converting Bourdieu’s Alternative Capitals.” Poetics 40 (3): 237–255. doi:10.1016/j.poetic.2012.03.002.
  • Sigurdardottir, M. S., and M. Candi. 2019. “Growth Strategies in Creative Industries.” Creativity and Innovation Management 28 (4): 477–485. doi:10.1111/caim.12334.
  • Sternad, D., and G. Mödritscher. 2020. “Entrepreneurial Leaps: Growth Processes in Transition Phases between Dynamic States.” Entrepreneurship Theory and Practice: 104225872092989. doi:10.1177/1042258720929890.
  • Teece, D. J., G. Pisano, and A. Shuen. 1997. “Dynamic Capabilities and Strategic Management.” Strategic Management Journal 18 (7): 509–533. doi:10.1002/(SICI)1097-0266(199708)18:7<509::AID-SMJ882>3.0.CO;2-Z.
  • Teune, H., and A. Przeworski. 1970. The Logic of Comparative Social Inquiry. New York: Wiley-Interscience.
  • Townley, B., and N. Beech, eds. 2009. Managing Creativity. Exploring the Paradox. Cambridge: Cambridge University Press.
  • Throsby, D. 2008. “From Cultural to Creative Industries: The Specific Characteristics of the Creative Industries.” Paper Presented at Troiseme Journees D’Economie de la Culture, Paris.
  • Vanderstraeten, J., E. Loots, A. Hamelin, and A. van Witteloostuijn. 2020. “Micro-Foundations of Small Business Internationalization: Introduction to the Special Section.” Cross Cultural & Strategic Management 27 (3): 265–283. doi:10.1108/CCSM-04-2020-0100.
  • Wijnberg, N. M. 1995. “Selection Processes and Appropriability in Art, Science and Technology.” Journal of Cultural Economics 19 (3): 221–235. doi:10.1007/BF01074051.
  • Wijnberg, N. M. 2004. “Innovation and Organization: Value and Competition in Selection Systems.” Organization Studies 25 (8): 1413–1433. doi:10.1177/0170840604046350.
  • Wiklund, J., P. Davidsson, and F. Delmar. 2003. “What Do They Think and Feel about Growth? An Expectancy–Value Approach to Small Business Managers’ Attitudes toward Growth.” Entrepreneurship Theory and Practice 27 (3): 247–270. doi:10.1111/1540-8520.t01-1-00003.