3,750
Views
0
CrossRef citations to date
0
Altmetric
Articles

Dealing with racism: Colonial history and colonization of the mind in the autoethnographic and Indigenous film Sami Blood

Pages 209-223 | Received 22 Jan 2021, Accepted 22 Nov 2021, Published online: 29 Mar 2022

References

  • Afanasyeva, A. (2019). Boarding School Education of the Sámi People in Soviet Union (1935–1989): Experiences of Three Generations [Doctoral dissertation, UiT]. UiT – The Arctic University of Norway, Faculty of Humanities, Social Sciences and Education. https://munin.uit.no/handle/10037/15101.
  • Ashcroft, B., Griffiths, G., & Tiffin, H. (1998). Key concepts in post-colonial studies. Routledge.
  • Bhabha, H. K. (2008). Foreword to the 1986 edition. In F. Fanon (Ed.), Black skin, white masks (pp. xxi–xxxvii). Pluto Press.
  • Buder, E. (2017, June 12). ‘Sami Blood’: Why Amanda Kernell Broke All 3 Rules for Making a Feature Debut. nofilmschool.com, https://nofilmschool.com/2017/06/sami-blood-amanda-kernell.
  • Christensen, C. (2012). Reclaiming the past: On the history-making significance of the Sámi film the Kautokeino Rebellion. Acta Borealia, 29(1), 56–76. https://doi.org/10.1080/08003831.2012.678720
  • Cocq, C., & Dubois, T. A. (2020). Sijvo. The momentum underway. In C. Cocq, & T. A. DuBois (Eds.), Sámi media and Indigenous agency in the Arctic North (pp. 124–190). University of Washington Press.
  • Collins, F., & Davis, T. (2004). Australian cinema after Mabo. Cambridge University Press.
  • Cottle, S. (1998). Making ethnic minority programmes inside the BBC: Professional pragmatics and cultural containment. Media, Culture & Society, 20(2), 295–317. https://doi.org/10.1177/016344398020002008
  • Dancus, A. M. (2014). Ghosts haunting the Norwegian house: Racialization in Norway and the Kautekeino Rebellion. Framework: The Journal of Cinema and Media, 55(1), 121–139. https://doi.org/10.13110/framework.55.1.0121
  • Danielsen, L. Ø. (2017, March 12). Identitetssøken mot historisk bakteppe: Sameblod. Montages, https://montages.no/2017/03/identitetssoken-mot-historisk-bakteppe-sameblod/.
  • Dankertsen, A. (2014). Sámisk artikulasjon: Melankoli, tap og forsoning i en (nord) norsk hverdag. [Doctoral thesis, Universitetet i Nordland]. Universitetet i Nordland, Fakultet for samfunnsvitenskap.
  • Dankertsen, A. (2016). Fragments of the future. Decolonization in Sami everyday life. Kult, 14, 23–37. http://postkolonial.dk/files/KULT%2014/3%20Astri%20Dankertsen%20final.pdf
  • Dankertsen, A. (2019). I felt so white: Sámi racialization, indigeneity, and shades of whiteness. Native American and Indigenous Studies, 6(2), 110–137. https://doi.org/10.5749/natiindistudj.6.2.0110
  • Eidheim, H. (1969). When ethnic identity is a social stigma. In F. Barth (Ed.), Ethnic groups and boundaries (pp. 281–297). Universitetsforlaget.
  • Fanon, F. (2008). Black skin, white masks. Pluto Press.
  • Geertz, C. (1973). The interpretation of cultures. Fontana Press.
  • Gignac, J. (2016, September 14). Sami Blood addresses the assimilation of indigenous children in Scandinavia. The Globe and Mail, https://www.theglobeandmail.com/arts/awards-and-festivals/tiff/sami-blood-shines-spotlight-on-assimilation-of-indigenous-children-in-scandinavia/article31892290/.
  • Ginsburg, F. (2003). Screen memories and entangled technologies: Resignifying. In E. Shohat, & R. Stam (Eds.), Multiculturalism, postcoloniality, and transnational media (pp. 77–98). Rutgers.
  • Haugan, I. (2017, March 10). Derfor er Sameblod en viktig film. Forskning.no, https://forskning.no/ntnu-partner-film/derfor-er-sameblod-en-viktig-film/360202.
  • Heeney, A. (2017, May 31). Writer-director Amanda Kernell talks Sami Blood. Seventh Row, https://seventh-row.com/2017/05/31/amanda-kernell-sami-blood/.
  • Henriksen, J. E., Hydle, I., & Kramvig, B. (2019). Applying a decolonized understanding in healing processes. In J. E. Henriksen, I. Hydle, & B. Kramvig (Eds.), Recognition, reconciliation and restoration. Applying a decolonized understanding in healing processes (pp. 9–28). Orkana Forlag.
  • Hübinette, T. (2012). ‘Words that wound’: Swedish whiteness and its ability to accommodate minority experiences. In K. Loftsdóttir, & L. Jensen (Eds.), Whiteness and postcolonialism in the Nordic region. Exceptionalism, migrant others and national identities (pp. 43–56). Ashgate.
  • ISFI. (2021). About. ISFI, https://isfi.no/about/.
  • Kjellman, U. (2013). A whiter shade of pale: Visuality and race in the work of the Swedish state institute for race biology. Scandinavian Journal of History, 38(2), 180–201. https://doi.org/10.1080/03468755.2013.769458
  • Kortekangas, O. (2017). Useful citizens, useful citizenship: Cultural contexts of Sámi education in early twentieth-century Norway, Sweden, and Finland. Paedagogica Historica, 53(1-2), 80–92. https://doi.org/10.1080/00309230.2016.1276200
  • Kuokkanen, R. (2000). Towards an “indigenous paradigm” from a Sámi perspective. The Canadian Journal of Native Studies, 20(2), 411–436.
  • Lantto, P., & Mörkenstam, U. (2008). Sámi rights and Sámi challenges: The modernization process and the Swedish Sámi movement, 1886–2006. Scandinavian Journal of History, 33(1), 26–51. https://doi.org/10.1080/03468750701431222
  • Lodge, G. (2016, September 1). Film Review: ‘Sami Blood’. Variety, https://variety.com/2016/film/reviews/Sámi-blood-review-1201849915/.
  • Lundmark, L. (2012). Stulet land: svensk makt på Sámisk mark. Ordfront.
  • Mathisen, S. R. (2004). Hegemonic representations of Sámi culture. From narratives of Noble Savages to discourses on ecological Sámi. In A.-L. Siikala, B. Klein, & S. R. Mathisen (Eds.), Creating diversities: folklore, religion and the politics of heritage (pp. 17–30). Finnish Literature Society.
  • McLeod, J. (2000). From “commonwealth” to “postcolonial. In J. McLeod (Ed.), Beginning postcolonialism (pp. 6–36). Manchester University Press.
  • Mecsei, M. (2018). Sámisk filmbølge baner vei. (Sámiske tall forteller). Kommunal- og moderniseringsdepartementet.
  • Mecsei, M. K. (2015). Cultural stereotypes and negotiations in Sámi cinema. In S. Mackenzie, & A. Stenport (Eds.), Films on Ice: Cinemas of the Arctic (pp. 72–83). Edinburgh University Press.
  • NRK. (2017, March 6). – Ute i verden er de sjokkerte over at dette har skjedd i Sverige. NRK Sápmi, https://www.nrk.no/sapmi/_-ute-i-verden-er-de-sjokkerte-over-at-dette-har-skjedd-i-sverige-1.13411490.
  • Rushton, R., & Bettinson, G. (2010). What is film theory? Open University Press.
  • Sand, S. A. (2021). Indigenous television for the majority: Analyzing NRK Sápmi’s Muitte Mu (remember me). Television & New Media, 22(5), 501–515. https://doi.org/10.1177/1527476419857203
  • Sardar, Z. (2008). Foreword to the 2008 edition. In F. Fanon (Ed.), Black skin, white masks (pp. vi–xx). Pluto Press.
  • Shohat, E., & Stam, R. (2014). Unthinking eurocentrism: Multiculturalism and the media. Routledge.
  • Skarðhamar, A. K. (2008). Changes in film representations of Sámi culture and identity. Nordlit, 12(1), 293–303. https://doi.org/10.7557/13.1346
  • Smith, L. T. (2012). Decolonizing methodologies. Research and Indigenous peoples. Zed Books Ltd.
  • Vik, S. (2017, March 9). Sameblod. NRK P3, https://p3.no/filmpolitiet/2017/03/sameblod/.