Bibliography
- Adams, Robert. Listening to the River. New York: Aperture, 1994.
- Andrews, Blake. “Q & A with Gerry Johansson.” Accessed August 8, 2022. http://blakeandrews.blogspot.com/2018/10/q-with-gerry-johansson.html
- Andrews, Blake. “Book of the Week: American Winter.” Photo-eye Blog, November 05, 2018. https://blog.photoeye.com/2018/11/Gerry-Johansson-American-Winter.html?m=1
- Arnheim, Rudolf. Kunst und Sehen: Eine Psychologie des schöpferischen Auges (1954) [Art and Visual Perception: A Psychology of the Creative Eye]. Berlin: De Gruyter, 2000.
- Bair, Nadya. “The Decisive Network: Producing Henri Cartier-Bresson at Mid-Century.” History of Photography 40, no. 2, June (2016): 146–166. doi:10.1080/03087298.2016.1146445.
- Bjornerud, Marcia. Timefulness: How Thinking Like a Geologist Can Help Save the World. Princeton, MA: Princeton University Press, 2018.
- Boehm, Gottfried. “Bild und Zeit [Image and Time].” In Das Phänomen Zeit in Kunst und Wissenschaft, edited by Hannlore Paflik, 1–23. Weinheim: VCH Acta humaniora, 1987.
- Boehm, Gottfried. “Der Grund: Über das ikonische Kontinuum [The Ground: On the iconic Continuum].” In Der Grund: Das Feld des Sichtbaren, edited by Gottfried Boehm and Matteo Burioni, 28–94. München: Fink, 2012. doi:10.30965/9783846750742_003.
- Both, Jorre. “Gerry Johansson: American Winter.” GUP Magazine, January, 2019. https://www.fotografiska.com/stories/american-winter/
- Bragaglia, Anton Giulio. “Fotodinamismo Futurista [1911].” In Manifeste! Eine andere Geschichte der Fotografie, edited by Fotomuseum Winterthur and Museum Folkwang, 130–132. Göttingen: Steidl, 2014.
- Brinkmann, Hanna, Louis Williams, Raphael Rosenberg, and Eugene McSorley. “Does ‘Action Viewing’ Really Exist? Perceived Dynamism and Viewing Behaviour.” Art & Perception 8, no. 1 (2020): 27–48. doi:10.1163/22134913-20191128.
- Cartier-Bresson, Henri. The Decisive Moment. New York: Simon & Schuster, 1952.
- Cockroft, James. “Gerry Johansson: American Winter.” May 17, 2019. https://www.jamescockroft.com/20190517/reviews/gerry-johannson-american-winter/
- Dickel, Hans. “Fotobücher und Künstlerbücher [Photobooks and Artist Books].” Bibliothek und Wissenschaft 52 (2019): 31–38.
- Eggleston, William. The Democratic Forest. New York: Doubleday, 1989.
- Eskildsen, Ute. “Photographs in Books.” In The Open Book: A History of the Photographic Book from 1878 to the Present, edited by Andrew Roth, 11–29. Göteborg: Hasselblad Center, 2004.
- Frecot, Janos, and Inka Graeve, eds. Sprung in die Zeit: Bewegung und Zeit als Gestaltungsprinzipien in der Photographie von den Anfängen bis zur Gegenwart [Leap into Time: Movement and Time as Design Principles in Photography from the Beginnings to the Present Day]. Berlin: Ars Nicolai, 1992.
- Frizot, Michel. “Geschwindigkeit in der Fotografie: Bewegung und Dauer [Speed in Photography: Movement and Duration].” In Neue Geschichte der Fotografie, edited by Michel Frizot, 243–257. Köln: Könemann, 1998.
- Gombrich, Ernst. “Moment and Movement in Art.” Journal of the Warburg and Courtauld Institutes 27, no. 1 (1964): 293–306. doi:10.2307/750521.
- Grave, Johannes. “Der Akt des Bildbetrachtens: Überlegungen zur rezeptionsästhetischen Temporalität des Bildes [The Act of Viewing the Image: Reflections on the Reception-Aesthetic Temporality of the Image].” In Zeit der Darstellung. Ästhetische Eigenzeiten in Kunst, Literatur und Wissenschaft, edited by Michael Gamper and Helmut Hühn, 51–71. Hannover: Wehrhahn Verlag, 2014.
- Hecht, Heiko, and Wolfgang Desnizza. Psychologie als empirische Wissenschaft: Essentielle wissenschaftstheoretische und historische Grundlagen [Psychology as an Empirical Science: Essential Scientific Theoretical and Historical Foundations]. Berlin: Spektrum Akademischer Verlag, 2012. doi:10.1007/978-3-8274-2947-6.
- Husserl, Edmund. “Zur Phänomenologie des inneren Zeitbewusstseins [On the Phenomenology of Internal Time Consciousness].” In Edmund Husserls Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins, edited by Martin Heidegger and Halle an der, 368–490. Saale: Max Niemeyer, 1928.
- Johansson, Gerry. Antarctica. Hägersten: Libraryman, 2015.
- Johansson, Gerry. American Winter. London: MACK, 2018.
- Jokeit, Hennric. “Gesehen Werden: Neurowissenschaftliche Perspektiven einer Bild-Ästhetik. Teil 1 [Being Seen: Neuroscientific Perspectives on an Aesthetics of the Image. Part 1].” ReVue. Magazin für Fotografie und Wahrnehmung, Accessed August 8, 2022. https://www.re-vue.org/beitrag/im-kopf-hennric-jokeit-gesehen-werden
- Koschorke, Albrecht. Wahrheit und Erfindung: Grundzüge einer Allgemeinen Erzähltheorie [Fact and Fiction: Elements of a General Theory of Narrative]. Frankfurt a Main: S. Fischer, 2012.
- Kunze, Franziska. Opake Fotografien: Das Sichtbarmachen fotografischer Materialität als künstlerische Strategie [Opaque Photographs: Making Photographic Materiality Visible as an Artistic Strategy]. Berlin: Reimer, 2019.
- Leroi-Gourhan, André. Hand und Wort: Die Evolution von Technik, Sprache und Kunst [Hand and Word: The Evolution of Technology, Language and Art]. Frankfurt a. Main: Suhrkamp, 1980.
- Lessing, Gotthold Ephraim. “Laokoon oder über die Grenzen der Malerei und Poesie [Laocoon: An Essay on the Limits of Painting and Poetry].” In Gotthold Ephraim Lessing. Werke und Briefe. Bd. 5.2: Werke 1766–1796, edited by Wilfried Barner, 11–206. Frankfurt a. Main: Deutscher Klassiker-Verlag, 1990.
- Lockemann, Bettina. “The Photobook. An Approach Incorporating Aspects of Activity.” In Refresh the Book: On the Hybrid Nature of the Book in the Age of Electronic Publishing, edited by Viola Hildebrand-Schat, Katarzyna Bazarnik, and Christoph Benjamin Schulz, 196–220. Leiden/Boston: Brill, 2021. doi:10.1163/9789004443556_010.
- Marey, Étienne-Jules. “Chronofotografische Kamera [1882].” In Picturing Time: The Work of Étienne-Jules Marey (1830–1904), edited by Marta Braun, 64–66. Chicago: University of Chicago Press, 1994.
- Martinez, Matias, ed. Handbuch Erzählliteratur. Theorie, Analyse, Geschichte [Handbook of Narrative Literature. Theory, Analysis, History]. Berlin: Metzler, 2011.
- Massumi, Brian. Parables for the Virtual: Movement, Affect, Sensation. Durham: Duke University Press, 2002.
- Massumi, Brian. Politics of Affect. Cambridge: Polity Press, 2015.
- McCloud, Scott. Comics richtig lessen: Die unsichtbare Kunst [Understanding Comics: The Invisible Art]. Hamburg: Carlsen, 2001.
- Müller, Günther. Die Bedeutung der Zeit in der Erzählkunst [The Importance of Time in Narrative Art]. Bonn: Universitäts Verlag, 1947.
- Muybridge, Eadweard J. Animal Locomotion: An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Philadelphia: Lippincott Company, 1887.
- Nelson, Andrea Jeannette. “Reading Photobooks: Narrative Montage and the Construction of Modem Visual Literacy.” PhD thesis, University of Minnesota, 2007.
- Neves, José Luís Afonso. “The many Faces of the Photobook: Establishing the Origins of Photobookwork Practice.” PhD thesis, Ulster University, 2017.
- Newhall, Nancy. Exhibition of Action Photography Opens at Museum of Modern Art, Press release, The Museum of Modern Art, New York, Accessed August 13, 1943 https://assets.moma.org/documents/moma_press-release_325410.pdf
- Nikolajeva, Maria, and Carole Scott. How Picturebooks Work. New York: Routledge, 2006.
- Olson, Roberta J. M. The Florentine Tondo. New York: Oxford University Press, 2000.
- Oschmann, Dirk. “Augenblick [Moment].” In Formen der Zeit. Ein Wörterbuch der ästhetischen Eigenzeiten, edited by Michael Gamper, Helmut Hühn, and Steffen Richter, 52–59. Hannover: Wehrhahn Verlag, 2020.
- Parr, Martin. Bad Weather (1982), Books on Book No. 17, edited by Jeffrey Ladd. New York: Errata Edition, 2014.
- Pichler, Wolfram, and Ralph Ubl. Bildtheorie zur Einführung [Image Theory for Introduction]. Hamburg: Junius, 2018.
- Porras, Tamara. “Notes on Grain.” In Running Falling Flying Floating Crawling, edited by Mark Alice Durant, 251–253. Baltimore: Saint Lucy Books, 2020.
- Schönegg, Kathrin. Fotografiegeschichte der Abstraktion [Photographic History of Abstraction]. Köln: Walther Koenig, 2019.
- Scott, Clive. The Spoken Image: Photography and Language. London: Reaktion Books, 1999.
- Shore, Stephen. Das Wesen der Fotografie: Ein Elementarbuch [The Nature of Photographs: A Primer]. Berlin: Phaidon, 2009.
- Smith, Keith A. Structure of the Visual Book. Expanded 4th ed. New York: Keith A. Smith Books, 2010.
- Suler, John, and Richard D. Zaika. Perception and Imaging: Photography as a Way of Seeing. New York: Routledge, 2018. doi:10.4324/9781315450971.
- Tishman, Shari. Slow Looking: The Art and Practice of Learning Through Observation. New York: Routledge, 2017.
- Toister, Yanai. “The Ideosyncrasies of Speed.” Photographies 13, no. 2 (2020): 235–256. doi:10.1080/17540763.2020.1733641.
- Tunbjörk, Lars. Vinter. Göttingen: Steidl, 2007.
- Weski, Thomas. “Even the Queen Gets Wet.” In Martin Parr: Bad Weather (1982), Books on Book No. 17, edited by JeffreyLadd, n.p. New York: Errata Edition, 2014.
- Wolf, Werner. “Das Problem der Narrativität in Literatur, bildender Kunst und Musik: Ein Beitrag zu einer intermedialen Erzähltheorie [The Problem of Narrativity in Literature, Visual Art and Music: A Contribution to an Intermedial Narrative Theory].” In Erzähltheorie transgenerisch, intermedial, interdisziplinär, edited by Ansgar Nünning and Vera Nünning, 23–103. Trier: WVT, 2002.