The King as Proletarian: Thinking about Elvis Presley as a Worker

Works Cited

• Barker, Hugh, and Yuval Taylor. Faking It: The Quest for Authenticity in Popular Music. W.W. Norton, 2007.
   Google Scholar
• Becker, Howard S. Outsiders: Studies in Deviance. The Free Press, 1963.
   Google Scholar
• Brown, Peter H., and Pat H. Broeske. Down at the End of Lonely Street. Random House, 1997.
   Google Scholar
• Cohn, Nik. Awopbopaloobop Alopbamboom. Paladin, 1970.
   Google Scholar
• Connolly, Ray. Being Elvis: A Lonely Life. Weidenfeld and Nicolson, 2016.
   Google Scholar
• Cottrell, Stephen. Professional Music-Making in London. Routledge, 2004.
   Google Scholar
• Daryl. “Looking for Elvis Presley Recording Session Contracts.” Steve Hoffman Forum, 16 Nov. 2015, https://forums.stevehoffman.tv/threads/looking-for-elvis-presley-recording-session-contracts.479595/. Accessed 5 Oct. 2023.
   Google Scholar
• Dyer, Richard. Stars. British Film Institute, 1979.
   Google Scholar
• Ehrlich, Cyril. The Music Profession in Britain. Clarendon Press, 1985.
   Google Scholar
• Elvis Australia. “Elvis Presley’s Employment History.” 22 June 2005, https://movies.elvispresley.com.au/elvis-employment-history.shtml. Accessed 5 Oct. 2023.
   Google Scholar
• Elvis Australia. “Freddy Bienstock: Music Publishing and Elvis Presley.” 8 Mar. 2016, www.elvis.com.au/presley/freddy-bienstock.shtml. Accessed 5 Oct. 2023.
   Google Scholar
• Finnegan, Ruth. The Hidden Musicians: Music-Making in an English Town. Cambridge UP, 1989.
   Google Scholar
• Fortas, Alan, and Alanna Nash. Elvis: From Memphis to Hollywood. Aurum Press, 2008.
   Google Scholar
• Frith, Simon. Sound Effects. Constable, 1983.
   Google Scholar
• Golding, Rosemary, editor. The Music Profession in Britain, 1780-1920. Routledge, 2018.
   Google Scholar
• Guralnick, Peter. Careless Love: The Unmaking of Elvis Presley. Little, Brown and Co., 1999.
   Google Scholar
• Guralnick, Peter. Last Train to Memphis: The Rise of Elvis Presley. Little, Brown and Co., 1994.
   Google Scholar
• Harker, Dave. One for the Money. Hutchinson, 1980.
   Google Scholar
• Kays, Gary. “Elvis Defends His Low Down Style.” 1956. The Rock History Reader, edited by Theo Cateforis, Routledge, 2007, pp. 19–20.
   Google Scholar
• Kraft, James. From Stage to Studio: Musicians and the Sound Revolution 1890-1950. John Hopkins UP, 1996.
   Google Scholar
• Lockwood, David. “Sources of Variation in Working Class Images of Society.” The Sociological Review, vol. 14, no. 3, 1966, pp. 249–67. doi:10.1111/j.1467-954X.1966.tb01164.x.
   Web of Science ®Google Scholar
• Loft, Abram. Musicians’ Guild and Union: A Consideration of the Evolution of Protective Organization Among Musicians. 1950. Columbia University, PhD dissertation.
   Google Scholar
• Loy, Stephen, Julie Rickwood, and Samantha Bennett, editors. Popular Music, Stars and Stardom. Australian National UP, 2018.
   Google Scholar
• Mäkelä, Janne. Images in the Works: A Cultural History of John Lennon’s Stardom. 2002. U of Turku, PhD dissertation.
   Google Scholar
• Meacham, John. “Elvis in the Heart of America.” Time, 10 Aug. 2017, https://time.com/4894995/elvis-in-the-heart-of-america/.
   Google Scholar
• Miss Cellenia. “Elvis Presley and Politics.” Neatorama, 15 July 2015, www.neatorama.com/2015/07/15/Elvis-Presley-and-Politics/. Accessed 5 Oct. 2023.
   Google Scholar
• Nash, Alanna. The Colonel: The Extraordinary Story of Elvis Presley and Colonel Tom Parker. Simon and Schuster, 2003.
   Google Scholar
• Negus, Keith. Music Genres and Corporate Cultures. Routledge, 1992.
   Google Scholar
• Negus, Keith. Producing Pop. Edward Arnold, 1992.
   Google Scholar
• Nott, James. Music for the People: Popular Music and Dance in Interwar Britain. Oxford UP, 2002.
   Google Scholar
• Osborne, Richard. “Success Ratios, New Music and Sound Recording Copyright.” Popular Music, vol. 36, no. 3, 2017, pp. 393–409. doi:10.1017/S0261143017000319.
   Web of Science ®Google Scholar
• Piepe, Anthony, Robin Prior, and Arthur Box. “The Location of the Proletarian and Deferential Worker.” Sociology, vol. 3, no. 2, 1969, pp. 239–44. doi:10.1177/003803856900300207.
   Google Scholar
• Preston, Kay. Music for Hire: A Study of Professional Musicians in Washington 1877–1900. Pendragon Press, 1992.
   Google Scholar
• Roberts, Michael J. Tell Tchaikovsky the News: Rock ’n’ Roll, the Labor Question, and the Musicians’ Union, 1942–1968. Duke UP, 2014.
   Google Scholar
• Rohr, Deborah. The Careers of British Musicians, 1750-1850. Cambridge UP, 2001.
   Google Scholar
• Simpson, Paul. The Rough Guide to Elvis. Rough Guides, 2004.
   Google Scholar
• Taylor, Timothy. Working Musicians: Labor and Creativity in Film and Television. Duke UP, 2023.
   Google Scholar
• Vellenga, Dirk. Elvis and the Colonel. Grafton, 1990.
   Google Scholar
• Williamson, John, and Martin Cloonan. Players’ Work Time: The British Musicians’ Union, 1893-2013. Manchester UP, 2016.
   Google Scholar
• Williamson, John, and Martin Cloonan. “Rethinking the Music Industry.” Popular Music, vol. 26, no. 2, 2007, pp. 305–22. doi:10.1017/S0261143007001262.
   Web of Science ®Google Scholar
• Working in Music. Hypotheses, https://wim.hypotheses.org. Accessed 5 Oct. 2023.
   Google Scholar