More than Comrades: queering Slovenian cinema in Yugoslavia

References

• Babuscio, Jack. 1999. “Camp and the Gay Sensibility.” In Camp: Queer Aesthetics and the Performing Subject, edited by Fabio Cleto, 117–135. Edinburgh: Edinburgh University Press.
   Google Scholar
• Bond-Stockton, Kathryn. 2009. The Queer Child, or Growing Sideways in the Twentieth Century. Durham, NC: Duke University Press.
   Google Scholar
• Butler, Judith. 2001. Težave s Spolom: feminizem in Subverzija Identitete. Ljubljana: ŠKUC.
   Google Scholar
• Chaudhuri, Shohini. 2006. Feminist Film Theorists. Oxon: Routledge
   Google Scholar
• Comolli, Jean-Luc, and Paul Narboni. 1971. “Cinema/Ideology/Criticism.” Screen 12 (1): 27–38. doi:10.1093/screen/12.1.27.
   Google Scholar
• Cvetkovich, Ann. 2003. An Archive of Feelings. Durham, NC: Duke University Press.
   Google Scholar
• Doty, Alexander. 1993. “Whose Text is It Anyway?: Queer Cultures, Queer Auteurs, and Queer Authorship.” Quarterly Review of Film and Video 15 (1): 41–54. doi:10.1080/10509209309361423.
   Web of Science ®Google Scholar
• Dyer, Richard. 2002. The Culture of Queers. London: Routledge.
   Google Scholar
• Foucault, Michel. 1984. “Of Other Spaces: Utopias and Heterotopias.” http://web.mit.edu/allanmc/www/foucault1.pdf.
   Google Scholar
• Griffiths, Robin (ed.). 2008. Queer Cinema in Europe. Bristol and Chicago: Intellect.
   Google Scholar
• Grujić, Marija. 2020. “Representations of Queer Lives in Serbian Cinema at the Dawn of the Millennium: Discursive Readings of a Difference in Context.” Paper presented at the annual convention of ASEEES, online, 14–15, November 5–8.
   Google Scholar
• Gržinić, Marina. 1997. Rekonstruirana fikcija: novi mediji, (video) umetnost, postsocializem in retroavantgarda: teorija, politika, estetika: 1997–1985. Ljubljana: Študentska založba.
   Google Scholar
• Gržinić, Marina, (Interviewee), and Tatjana Greif, (Interviewer). 2009. “Obscenost Krščanskega Diskurza je Monstruozna.” Časopis za Kritiko Znanosti, Domišljijo in Novo Antropologijo 37 (237): 143–144.
   Google Scholar
• hooks, bell. 1992. Black Looks: Race and Representation. Boston, MA: South End Press.
   Google Scholar
• Jovanović, Nebojša. 2012. “My Own Private Yugoslavia: František Čap and the Socialist Celluloid Closet.” Studies in Eastern European Cinema 3 (2): 211–229. doi:10.1386/seec.3.2.211_1.
   Google Scholar
• Jovanović, Nebojša. 2016. “Queering Masculinity in Yugoslav Socialist Realist Films.” In The Cinematic Bodies of Eastern Europe and Russia, edited by Ewa Mazierska, Matilda Mroz, and Elżbieta Ostrowska, 132–145. Edinburgh: Edinburgh University Press.
   Google Scholar
• Kuhar, Roman. 2001. Mi Drugi – Oblikovanje in Razkritje Homoseksualne Identitete. Ljubljana: ŠKUC.
   Google Scholar
• Kuhar, Roman, and Judit Takács. 2007. Beyond the Pink Curtain: Everyday Life of LGBT People in Eastern Europe. Ljubljana: Mirovni inštitut.
   Google Scholar
• Kulpa, Robert, and Joanna Mizielińska. 2011. De-Centring Western Sexualities: Central and Eastern European Perspectives. Furnham: Ashgate.
   Google Scholar
• Lazarević Radak, Sanja. 2017. “Non-Aligned Yugoslavia and ‘in-Between’ Subjects.” East European Film Bulletin 78, October. https://eefb.org/retrospectives/filming-homosexuality-in-the-yugoslav-black-wave-1967-1971/.
   Google Scholar
• Leben, Gusti. 1990. “Filmi z razgledom: Slovenskega filma skoraj ni, zato pa je v njemu veliko homoseksualnosti.” Revolver 1: 29–32.
   Google Scholar
• Levi, Pavle. 2007. Disintegration in Frames: Aesthetics and Ideology in the Yugoslav and Post-Yugoslav Cinema. Stanford, CA: Stanford University Press.
   Google Scholar
• Mazierska, Ewa. 2010. Masculinities in Polish, Czech and Slovak Cinema: Black Peters and Men of Marble. New York: Berghahn Books.
   Google Scholar
• Mazierska, Ewa, Matilda Mroz, and Elżbieta Ostrowska. 2016. The Cinematic Bodies of Eastern Europe and Russia. Edinburgh: Edinburgh University Press.
   Google Scholar
• Moss, Kevin. 2007. “Queer as a Metaphor: Representations of LGBT People in Central & East European Film.” In Beyond the Pink Curtain: Everyday Life of LGBT People in Eastern Europe, edited by Roman Kuhar and Judit Takács, 249–267. Ljubljana: Mirovni inštitut.
   Google Scholar
• Moss, Kevin. 2020. “Classical Music Is So Gay!: Music as An Index of Identity in Films from CEE & Russia.” Paper presented at the annual convention of ASEEES, online, 14–15, November 5–8.
   Google Scholar
• Mozetič, Brane. 2009. “Homoseksualnost in slovenski film.” 25. Festival gejevskega in lezbičnega filma (film catalogue), 24–27. Ljubljana: ŠKUC. http://www.ljudmila.org/siqrd/fglf/25/katalog09.pdf.
   Google Scholar
• Mozetič, Brane. 2013. “Voljko Duletič (1924 – 2013): In memoriam.” Narobe, February 10. https://narobe.si/voljko-duletic-1924-2013/.
   Google Scholar
• Mulvey, Laura. 1989. Visual and Other Pleasures. New York: Palgrave.
   Google Scholar
• Muñoz, José. 2009. Cruising Utopia. New York: New York University Press.
   Google Scholar
• Ozmec, Sebastijan. 2004. “Nani in Zdenko se imata rada: Pozabljeni in skoraj izgubljeni prvi slovenski gejevski dolgometražni film.” Mladina 48. https://www.mladina.si/97806/nani-in-zdenko-se-imata-rada.
   Google Scholar
• Ozolins, Janis. 2020. “When Disability Becomes Queer: A Case Study of the Soviet Latvian Film Blow the Wind (Pūt, vējiņi!) by Gunārs Piesis.” Paper presented at the annual convention of ASEEES, online, 14–15, November 5–8.
   Google Scholar
• Ross, Andrew. 1999. “Uses of Camp.” In Camp: Queer Aesthetics and the Performing Subject, edited by Fabio Cleto, 308–329. Edinburgh: Edinburgh University Press.
   Google Scholar
• Sontag, Susan. 1964. “Notes on Camp.” Partisan Review 31 (4): 515–530. https://monoskop.org/images/5/59/Sontag_Susan_1964_Notes_on_Camp.pdf.
   Google Scholar
• Staiger, Janet. 2004. “Authorship Studies and Gus Van Sant.” Film Criticism 29: 1–22. http://www.jstor.org/stable/44019168.
   Web of Science ®Google Scholar
• Stanković, Peter. 2013. Zgodovina Slovenskega Celovečernega Ingranega Filma: Slovenski Klasični Film (1931–1988). Ljubljana: Založba FDV.
   Google Scholar
• Štefančič, Marcel. Jr. 2005. “Zadnji dnevi Františka Čapa: Kako je posnel Vesno - in potem živel s konsekvencami.” Mladina 27. https://www.mladina.si/97885/zadnji-dnevi-frantiska-capa/.
   Google Scholar
• Štefančič, Marcel. Jr. 2013. “Maškarada: Kako je Boštjanu Hladniku uspelo v globokem socializmu posneti najradikalnejši slovenski film vseh časov, ki je bil na tem, da postane mejnik svetovne kinematografije.” Mladina 43. https://www.mladina.si/149891/maskarada/.
   Google Scholar
• Vrdlovec, Zdenko. 2001. “Boštjan Hladnik – Ljubezen je hladnejša od smrti.” In Boštjan Hladnik, edited by Zdenko Vrdlovec and Lilijana Nedič, 9–51. Ljubljana: Slovenska kinoteka.
   Google Scholar
• Vrdlovec, Zdenko, and Lilijana Nedič. 2001. Boštjan Hladnik. Ljubljana: Slovenska kinoteka.
   Google Scholar
• Weiss, Andrea. 2010. Vampirke in Vijolice. Ljubljana: ŠKUC – Vizibilija.
   Google Scholar
• Zimmerman, Bonnie. 1981. “Daughters of Darkness: Lesbian Vampires.” Jump Cut 24–25: 23–24. https://www.ejumpcut.org/archive/onlinessays/JC24-25folder/LesbianVampires.html.
   Google Scholar