HBO’s the Sleepers: How Spy Genre and Transnational Co-Production Challenged the Memory of Communism in the Czech Republic

References

• Bondebjerg, I. 2016. “Transnational Europe: TV-Drama, Co-Production Networks and Mediated Cultural Encounters.” Palgrave Communications 2 (1): 1–13. doi:10.1057/palcomms.2016.34.
   Google Scholar
• Bondebjerg, I. 2020. Screening Twentieth Century Europe: Television, History, Memory. Cham, Switzerland: Palgrave Macmillan.
   Google Scholar
• Chuchma, J. 2019. Bez vědomí. Z odstupu. Art.ceskatelevize.cz, November 28. https://art.ceskatelevize.cz/360/bez-vedomi-z-odstupu-a1AJS.
   Google Scholar
• Creeber, G. 2015. “Killing Us Softly: Investigating the Aesthetics, Philosophy and Influence of Nordic Noir Television.” The Journal of Popular Television 3 (1): 21–35. doi:10.1386/jptv.3.1.21_1.
   Web of Science ®Google Scholar
• De Groot, J. 2015. Remaking History. London: Routledge. doi:10.4324/9781315693392.
   Google Scholar
• Dhoest, A. 2010. “History in Popular Television Drama.” In Televising History, edited by E. Bell and A. Gray, 179–190. London: Palgrave Macmillan. doi:10.1057/9780230277205_13.
   Google Scholar
• Economou, V. 2021. “Industry Report: Series. HBO Max Aims to Globalise Local Content.” Cineuropa.org. https://cineuropa.org/en/dossiernewsdetail/3379/397230/.
   Google Scholar
• Edgerton, G. R. 2001. “Introduction: Television as Historian: A Different Kind of History Altogether.” In Television Histories: Shaping Collective Memory in the Media Age, edited by G. R. Edgerton and P. C. Rollins, 1–16. Lexington: University Press of Kentucky. http://www.jstor.org/stable/j.ctt130j11k.3.
   Google Scholar
• Enker, D. 2021. “Dark Secrets, Dirty Work: Violent Spy Thriller Has a Touch of John Le Carre.” The Sydney Morning Herald, May 5. https://www.smh.com.au/culture/tv-and-radio/a-spy-thriller-that-evokes-the-murkiness-of-a-john-le-carre-novel-20210503-p57ogh.html.
   Google Scholar
• Erll, A. 2008. “Cultural Memory Studies: An Introduction.” In Cultural Memory Studies: An International and Interdisciplinary Handbook, edited by A. Erll and A. Nünning, 1–18. Berlin, New York: De Gruyter. doi:10.1515/9783110207262.0.1.
   Google Scholar
• Erll, A., and A. Rigney. 2009. “Introduction: Cultural Memory and Its Dynamics.” In Mediation, Remediation, and the Dynamics of Cultural Memory, edited by A. Erll and A. Rigney, 1–14. Berlin, New York: De Gruyter. doi:10.1515/9783110217384.0.1.
   Google Scholar
• Fila, K. 2019. “Bez vědomí zcela vědomě ukazuje agenty tajné policie jako lidi z masa a kostí.” Deník N, November 21. https://denikn.cz/238853/bez-vedomi-zcela-vedome-ukazuje-agenty-tajne-policie-jako-lidi-z-masa-a-kosti/.
   Google Scholar
• Gabriel, O. 2019. “Vliv špionáže a kontrašpionáže opravdu není malý.” Interview for Kinobox, November 18. https://www.kinobox.cz/clanek/17487-hbo-nove-serialy-scenarista-ondrej-gabriel-o-bez-vedomi.
   Google Scholar
• Gambarato, R. R., J. Heuman, and Y. Lindberg. 2022. “Streaming Media and the Dynamics of Remembering and Forgetting: The Chernobyl Case.” Memory Studies 15 (2): 271–286. doi:10.1177/17506980211037287.
   Web of Science ®Google Scholar
• Grainge, P. 2003. Memory and Popular Film. Manchester: Manchester University Press.
   Google Scholar
• Hepburn, A. 2005. Intrigue: Espionage and Culture. New Haven: Yale University Press. doi:10.12987/9780300148480.
   Google Scholar
• Jenner, M. 2018. Netflix and the Re-invention of Television. Cham: Springer International Publishing. doi:10.1007/978-3-319-94316-9.
   Google Scholar
• Kramer, M. 1999. “Ideology and the Cold War.” Review of International Studies 25 (4): 539–576. doi:10.1017/S0260210599005392.
   Web of Science ®Google Scholar
• Landsberg, A. 2015. Engaging the Past: Mass Culture and the Production of Historical Knowledge. Columbia: Columbia University Press.
   Google Scholar
• Mazierska, E. 2011. European Cinema and Intertextuality: History, Memory and Politics. Houndmills. Basingstoke, Hampshire; New York: Palgrave Macmillan.
   Google Scholar
• Pehe, V. 2020. Velvet Retro: Postsocialist Nostalgia and the Politics of Heroism in Czech Popular Culture. New York: Berghahn.
   Google Scholar
• Pickard, M. 2019. “Wake-up Call.” Drama Qarterly, October 25. https://dramaquarterly.com/wake-up-call/.
   Google Scholar
• Pinkas, J. 2020. “Zrození Falešného Západu.” Cinepur 29 (127): 36–37.
   Google Scholar
• Polachová, T., and A. Hudský. 2020. “Série HBO se vymykají standardu očekávání.” Interview for Marketing and Media, January 20. https://mam.cz/media/2020-01/tereza-polachova-tv-serie-hbo-se-vymykaji-standardu-bezneho-ocekavani/.
   Google Scholar
• Ptáček, L. 2020. “Žánrová Metabolizace Dějin.” Film a Doba 66 (1): 54–60.
   Google Scholar
• Rosenstone, R. A. 1995. Visions of the Past: The Challenge of Film to Our Idea of History. Cambridge: Harvard University Press.
   Google Scholar
• Rothberg, M. 2019. The Implicated Subject: Beyond Victims and Perpetrators. Stanford, CA: Stanford University Press.
   Google Scholar
• Scarlata, A., R. Lobato, and S. Cunningham. 2021. “Producing Local Content in International Waters: The Case of Netflix’s Tidelands.” Continuum (Mount Lawley, WA) 35 (1): 137–150. doi:10.1080/10304312.2021.1884654.
   Google Scholar
• Shepherd, R. H. E. 2000. Czechoslovakia: The Velvet Revolution and Beyond. Basingstoke: Palgrave.
   Google Scholar
• Snyder, T. 2018. The Road to Unfreedom. Russia; Europe; America; London: The Bodley Head.
   Google Scholar
• Sorlin, P. 1977. Sociologie du Cinéma. Paris: Aubier Montaigne.
   Google Scholar
• Šrajer, M. 2019. “Bez vědomí si zaslouží pozornost díky deziluzi z listopadu 89, v lecčem však chybuje.” A2Alarm.cz, November 20. https://a2larm.cz/2019/11/bez-vedomi-si-zaslouzi-pozornost-diky-deziluzi-z-listopadu-89-v-leccem-vsak-chybuje/.
   Google Scholar
• Wark, W. K. 1991. “Spy Fiction.” Spy Films and Real Intelligence. London: Routledge. doi:10.4324/9781315035550.
   Google Scholar
• Warner, M. 2014. The Rise and Fall of Intelligence: An International Security History. Washington: Georgetown University Press.
   Google Scholar
• White, H. V. 1973. Metahistory: The Historical Imagination in Nineteenth-Century Europe. Baltimore: Johns Hopkins.
   Google Scholar
• Wohlforth, W. C. 2000. “Ideology and the Cold War.” Review of International Studies 26 (2): 327–331. doi:10.1017/S0260210500003272.
   Web of Science ®Google Scholar
• Zachariáš, I., and L. V. Nejezchlebová. 2019. “Bez vědomí.” Interview for Deník N, July 8. https://denikn.cz/159180/reklamni-mag-zacharias-po-pustine-natocil-bez-vedomi-v-reklame-jsme-se-vyblbli-tady-forma-nesmi-valcovat-obsah/.
   Google Scholar
• Zachariáš, I., and M. Spěváčková. 2019. “Bez vědomí: StB a špioni byli risk, nic není černobílé.” Interview for Seznam.cz, December 1. https://www.seznamzpravy.cz/clanek/spioni-agenti-a-stb-zacharias-serial-bezvedomi-tocil-i-jako-varovani-83652.
   Google Scholar
• Zachariáš, I., and T. Stejskal. 2019. Interview for Aktuálně.cz, July 14. https://magazin.aktualne.cz/kultura/film/bez-vedomi-zacharias-rozhovor/r∼d05ed132a63611e98aa4ac1f6b220ee8/.
   Google Scholar