37
Views
0
CrossRef citations to date
0
Altmetric
Research Articles

Agents of Socialist Realism

Transforming the Future in Hungarian Educational Films

ORCID Icon
Pages 244-262 | Received 25 Oct 2023, Accepted 15 Mar 2024, Published online: 22 Mar 2024

References

  • Acland, Charles R., and Haidee Wasson. 2011. Useful Cinema. Durham, NC: Duke University Press.
  • Andersson, Jenny. 2012. “The Great Future Debate and the Struggle for the World.” The American Historical Review 117 (5): 1411–1430. https://doi.org/10.1093/ahr/117.5.1411.
  • Belügyminisztérium. 1977. “A belügyi oktató- és propagandafilmek gyártásának elvei, feladatai [Principles and Tasks in the Production of Ministry of Interior Educational- and Propagandafilms] IV/I. Csoportfőnökség.” ÁBTL 4.1 A-4333.
  • Česálková, Lucie. 2012. “Cinema outside Cinema: Czech Educational Cinema of the 1930s under the Control of Pedagogues, Scientists and Humanitarian Groups.” Studies in Eastern European Cinema 3 (2): 175–191. https://doi.org/10.1386/seec.3.2.175_1.
  • Česálková, Lucie. 2022. “Fragments of the Body: Woman in Socialist Screen Advertising.” Studies in Eastern European Cinema 15 (1): 3–19. https://doi.org/10.1080/2040350X.2022.2085363.
  • Cronqvist, Marie, and Christoph Hilgert. 2017. “Entangled Media Histories.” Media History 23 (1): 130–141. https://doi.org/10.1080/13688804.2016.1270745.
  • Dobrenko, Evgeny. 2020. Late Stalinism. New Haven, CT: Yale University Press.
  • Epstein, Mikhail. 2010. “The Philosophical Implications of Russian Conceptualism.” Journal of Eurasian Studies 1 (1): 64–71. https://doi.org/10.1016/j.euras.2009.11.008.
  • Fodor, Eva. 2002. “Smiling Women and Fighting Men: The Gender of the Communist Subject in State Socialist Hungary.” Gender & Society 16 (2): 240–263. https://doi.org/10.1177/08912430222104921.
  • Gervai, András. 2011. Fedőneve: “szocializmus” - Művészek, ügynökök, titkosszolgák. Pécs: Jelenkor.
  • Grieveson, Lee. 2018. Cinema and the Wealth of Nations: Media, Capital, and the Liberal World System. Oakland, CA: University of California Press.
  • Groys, Boris. 1992. The Total Art of Stalinism: Avant-Garde, Aesthetic Dictatorship, and beyond. Princeton, NJ: Princeton University Press.
  • Gyarmati, György. 2021. A Rákosi-korszak. Rendszerváltó fordulatok évtizede Magyarországon, 1945-1956. Budapest: Rubicon Intézet.
  • Ispán, Ágota Lídia. 2014. “"Nehéz itt helytállni kérem." Kulturált kereskedelem a szocializmusban. [“It is Hard to Hold Ground.” Civilized Commercialism under Socialism].” In Piacok a társadalomban és a történelemben, edited by Károly Halmos, Kiss Zsuzsanna, and Klement Judit, 392–406. Debrecen: Hajnal István Kör.
  • K. Horváth, Zsolt. 2017. "Szocialista realizmus és az ész intermittenciái." A szem. https://aszem.info/2017/01/szocialista-realizmus-es-az-esz-intermittenciai/.
  • Kabakov, Ilya. 1992. “Zhizn’ mukh.” Das Leben der Fliegen. Life of Flies. Köln: Kölnischer Kunstverein. Edition Cantz.
  • Kalmár, Melinda. 1998. Ennivaló és hozomány. A kora kádárizmus ideológiája. Budapest: Magvető.
  • Kalmár, Melinda. 2014. Történelmi galaxisok vonzásában: Magyarország és a szovjetrendszer, 1945-1990. Budapest: Osiris Kiadó.
  • Kunicki, Mikolaj. 2020. “A Socialist 007: East European Spy Dramas in the Early James Bond Era.” In The Cultural Life of James Bond: Specters of 007, edited by J. Verheul. Amsterdam: Amsterdam University Press.
  • Lefebvre, Henri. 1991. The Production of Space. London: Wiley-Blackwell.
  • Lovejoy, Alice Osborne. 2014. Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. Bloomington, IN: Indiana University Press.
  • Orgeron, Devin, Marsha Orgeron, and Dan Streible. 2011. Learning with the Lights off: Educational Film in the United States. Oxford: Oxford University Press.
  • Papazian, Elizabeth A. 2013. “Literacy or Legibility: The Trace of Subjectivity in Soviet Socialist Realism.” In The Oxford Handbook of Propaganda Studies, edited by Jonathan Auerbach and Russ Castronovo, 67–90. Oxford: Oxford University Press.
  • Petrov, Petre. 2011. “The Industry of Truing: Socialist Realism, Reality, Realization.” Slavic Review 70 (4): 873–892. https://doi.org/10.5612/slavicreview.70.4.0873.
  • Reichert, Gábor. 2018. Megfelelési kényszer. Politikum és esztétikum összefüggései Déry Tibor ötvenes évekbeli művészetében. Budapest: Magyar Irodalomtörténeti Társaság.
  • Romsics, Ignác. 2010. Magyarország története a XX. században. Budapest: Osiris.
  • Sarkisova, Oksana. 2016. Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. London: Bloomsbury Publishing.
  • Scheibner, Tamás. 2014. A magyar irodalomtudomány szovjetizálása: A szocialista realista kritika és intézményei, 1945-1953. Budapest: Ráció Kiadó.
  • Schöpflin, George. Schöpflin. 2016. “From Communism to Democracy in Hungary.” In Post-Communist Transition: Emerging Pluralism in Hungary, edited by András Körösényi, András Bozóki, and George, 96–110. London: Bloomsbury.
  • Skvirsky, Salomé Aguilera. 2020. The Process Genre: Cinema and the Aesthetic of Labor. Durham, NC: Duke University Press.
  • Smith, Murray. 1995. Engaging Characters: Fiction, Emotion, and the Cinema. Oxford: Clarendon Press.
  • Strausz, László. 2020. “From Affect to Instrument: Interpellation and Governmentality in the BM Filmstúdió Collection.” Studies in Eastern European Cinema 11 (2): 157–172. https://doi.org/10.1080/2040350X.2020.1738103.
  • Strausz, László. 2021. “Instrumentalization of the Border Zone. Environment and Ideology in the Educational Films Made between 1955 and 1989 by the Hungarian Ministry of Interior’s Film Studio.” Acta Universitatis Sapientiae, Film and Media Studies 20 (1): 151–164. https://doi.org/10.2478/ausfm-2021-0019.
  • Szilágyi, Gábor. 1994. “Életjel. A magyar játékfilm története 1954-1956 [Life Sign.” The History of Hungarian Cinema 1954-1956]. Budapest: Magyar Filmintézet.
  • Takács, Ádám. 2010. “Totalitarianism as an Atmosphere: Morality and Mentality in Hungary under the Kádár Regime.” Divinatio 31: 113–123.
  • Tamási, Miklós. 2019. Conversation with Miklós Tamási on the BM Films, December 13 and 20, 2019.
  • Turim, Maureen. 2013. Flashbacks in Film: Memory & History. New York, NY: Routledge.
  • Vajda, Boróka. 2021. “Az 1948 és 1953 között készült magyar filmek nőképe [Representation of Women in Hungarian Films Made between 1948 and 1953].” Metropolis 25 (1): 30–51.

Reprints and Corporate Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

To request a reprint or corporate permissions for this article, please click on the relevant link below:

Academic Permissions

Please note: Selecting permissions does not provide access to the full text of the article, please see our help page How do I view content?

Obtain permissions instantly via Rightslink by clicking on the button below:

If you are unable to obtain permissions via Rightslink, please complete and submit this Permissions form. For more information, please visit our Permissions help page.