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Journal of Aesthetics and Phenomenology Volume 10, 2023 - Issue 1
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Research Article

Seeing Serially: Harman’s Object-Oriented Ontology Encountering Serial Drawing

Joe GrahamDepartment of Art and Design, College of Architecture, Art and Design, American University of Sharjah, United Arab EmiratesCorrespondence[email protected]
ORCID Iconhttps://orcid.org/0000-0001-9811-9808View further author information
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Pages 1-16 | Published online: 11 Oct 2023

Bibliography

  • Chavez, Anya., 2004. Infinite Possibilities: Serial Imagery in 20th-Century Drawings. Wellesley: Davis Museum and Cultural Centre, Wellesley College.
  • de Warren, Nicolas., 2004. “Ad Infinitum: Boredom and the Play of Imagination.” In: Infinite Possibilities: Serial Imagery in 20th-Century Drawings. Wellesley, MA: Davis Museum and Cultural Centre, Wellesley College, pp. 1–24.
  • Graham, Joe., 2021. Serial Drawing: Space, Time and the Art Object. London: Bloomsbury Visual Arts.
  • Harman, Graham., 2005. Guerrilla Metaphysics: Phenomenology and the Carpentry of Things. Chicago: Open Court.
  • Harman, Graham., 2011. The Quadruple Object. Winchester: Zero Books (eBook).
  • Harman, Graham., 2012. The Third Table. Ostfildern: Hatje Cantz Verlag.
  • Harman, Graham., 2014. “Materialism is Not the Solution.” The Nordic Journal of Aesthetics, Issue 47, pp. 94–110.
  • Harman, Graham., 2020. Art and Objects. Cambridge and Malden: Polity.
  • Kant, Immanuel., 1790/1987. Critique of Judgment. Werner S. Pluhar translation ed. Indianapolis/Cambridge: Hackett Publishing Company.
  • Mag Uidhir, Christy., 2013. “How to Frame Serial Art.” The Journal of Aesthetics and Art Criticism, 71(3), pp. 261–265.
  • Morton, Timothy., 2013. Realist Magic: Objects, Ontology, Causality. Ann Arbor: Open Humanities Press.
  • Ortega y Gasset, José., 1975. Phenomenology and Art. New York: W. W. Norton & Company.

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