From Harleen Quinzel to Harley Quinn: science, symmetry and transformation

References

• Batman: White Knight presents Harley Quinn (2020-2021, created by Sean Murphy et al.).
   Google Scholar
• Batman: White Knight series (2017-2018, written and illustrated by Sean Murphy et al.)
   Google Scholar
• Conner, A., et al. 2019. Birds of Prey: Harley Quinn. Burbank: DC.
   Google Scholar
• Coody, E. R. 2020. “Rewriting to Control: How the Origins of Harley Quinn, Wonder Woman, and Mary Magdalene Matter to Women’s Perceived Power.” In Monstrous Women in Comics, edited by S. Langsdale and E. R. Coody, 15–30. Jackson: University Press of Mississippi. https://doi.org/10.14325/mississippi/9781496827623.003.0002.
   Google Scholar
• Cooper, R. 2014. Psychiatry and Philosophy of Science. London: Routledge.
   Google Scholar
• Cruz, J., and L. Stotlzfus-Brown. 2019. “Harley Quinn, Villain, Vixen, Victim: Exploring Her Origins in Batman: The Animated Series.” In The Supervillain Reader, edited by R. M. Peaslee and R. G. Weiner, 203–213. Jackson: University Press of Mississippi. https://doi.org/10.2307/j.ctvx5w9cj.24.
   Google Scholar
• de Leon, J. 2013. “Is Psychiatry Scientific? A Letter to a 21st Century Psychiatry Resident.” Psychiatry Investigation 10 (3): 205–217. https://doi.org/10.4306/pi.2013.10.3.205.
   PubMed Web of Science ®Google Scholar
• Dini, P., et al. 2015a. “Harley Quinn” from “Batman: Harley Quinn” #1 (1999) #14 (2001). In Batman: Harley Quinn, edited by Dini, P., Y. Guci, A. Sowd, 5–54. Burbank: DC Comics.
   Google Scholar
• Dini, P., et al. 2015b. “Dr. Quinn’s Diagnosis” in Legends of the Dark Knight 100-Page Super Spectacular #1 (2014). In Batman: Harley Quinn, Dini, P., Y. Guci, A. Sowd, edited by. 156–177. Burbank: DC Comics.
   Google Scholar
• Dini, P., et al. 2015c. “Harley Lives” in Detective Comics #23.2 (2013). In Batman: Harley Quinn, Dini, P., Y. Guci, A. Sowd, edited by. 177–198. Burbank: DC Comics.
   Google Scholar
• Dini, P., and B. Timm. ““The Batman Adventures: Mad Love” (1994).” In 80 Years of the Clown Prince of Crime. Deluxe ed, edited by J. Lee, S. Williams, and A. Sinclair, 230–295. Burbank: DC Comics.
   Google Scholar
• Garcia, K. 2022. Joker/Harley – Criminal Sanity. Burbank: DC Black Label.
   Google Scholar
• Houser, J. 2021. Harley Quinn and Poison Ivy. Burbank: DC.
   Google Scholar
• Hüppauf, B., and P. Weingart. 2007. “Images in and of Science.” In Science Images and Popular Images of the Sciences, edited by B. Hüppauf and P. Weingart, 3–51. New York: Routledge.
   Google Scholar
• Isaacs, J. 2022. The Representation and Evolution of Abusive Relationships: Harley Quinn and the Joker. Florida Atlantic University.
   Google Scholar
• Jasanoff, S. 2004. “The Idiom of Co-Production.” In States of Knowledge: The Co-Production of Science and Social Order, edited by S. Jasanoff, 1–12. London: Routledge. https://doi.org/10.4324/9780203413845-6.
   Google Scholar
• Jürgens, A.-S., D. Tscharke, and J. Brocks. 2022. “From Caligari to Joker: The Clown Prince of Crime’s Psychopathic Science.” Journal of Graphic Novels & Comics 13 (5): 685–699. https://doi.org/10.1080/21504857.2021.1989005.
   Google Scholar
• Kirby, D. A. 2011. Lab Coats in Hollywood: Science, Scientists, and Cinema. Cambridge, MA: The MIT Press. https://doi.org/10.7551/mitpress/8483.001.0001.
   Google Scholar
• Kirkland, B. 1992. ““Joker’s Favor”.” Batman: The Animated Series. https://en.wikipedia.org/wiki/Batman:_The_Animated_Series.
   Google Scholar
• Klock, G. 2013. “The Revisionary Superhero Narrative.” In The Superhero Reader, edited by C. Hatfield, J. Heer, and K. Worcester, 116–135. Jackson: University Press of Mississippi. https://doi.org/10.14325/mississippi/9781617038068.003.0013.
   Google Scholar
• Loeb, J., E. McGuinness, J. Kelly, D. Mahnke, et al. 2016. Superman: Emperor Joker. Burbank: DC Comics.
   Google Scholar
• McCloud, S. 2000. Reinventing Comics. New York: HarperCollins.
   Google Scholar
• Morrison, G., J. Van Fleet, and A. Kubert. 2014. ““‘The Clown at Midnight’ (Originally Batman #663).” In Batman and Son, edited by G. Morrison and A. Kubert, et al. Burbank: DC Comics
   Google Scholar
• Oliver, J. E. 1991. The Incomplete Guide to the Art of Discovery. New York: Columbia UP. https://doi.org/10.7312/oliv91558.
   Google Scholar
• Pauwels, L., ed. 2006. Visual Cultures of Science: Rethinking Representational Practices in Knowledge Building and Science Communication. Hanover: Dartmouth College Press.
   Google Scholar
• Roddy, K. E. 2011. “Masochist or Machiavel?: Reading Harley Quinn in Canon and Fanon.” Transformative Works & Cultures 8. https://doi.org/10.3983/twc.2011.0259.
   Google Scholar
• Rosen, J. 2008. Symmetry Rules: How Science and Nature are Founded on Symmetry. Berlin: Springer Berlin Heidelberg. https://doi.org/10.1007/978-3-540-75973-7.
   Google Scholar
• Šejić, S. 2020. Harleen. Burbank: DC Comics.
   Google Scholar
• Snyder, S., G. Capullo, D. Miki, FCO. Plascencia, et al. 2015. Batman Volume 7: Endgame, Burbank: DC
   Google Scholar
• Tomasi, P., J. Tynion IV, M. Tamaki, et al. 2021. Batman: Detective Comics 5: The Joker War. Burbank: DC Comics.
   Google Scholar
• Tynion, J., IV, J. Layman, J. Williamson, et al. 2014. Batman Detective Comics: The Wrath. Burbank: DC Comics.
   Google Scholar
• Welsh, T. 2023. “Lost in Adaptation: (Violent) Frames in the Killing Joke.” Journal of Graphic Novels & Comics 1–18. https://doi.org/10.1080/21504857.2022.2163507.
   Google Scholar
• Wolk, D. 2007. Reading Comics: How Graphic Novels Work and What They Mean. New York: Da Capo Press.
   Google Scholar