Bibliography
1 Primary Sources
- 1.1 Interviews
- Al-Duwaisan, Rasha (Contributor, Binary States Exhibition), Dubai, 6 March 2017.
- Divecha, Vikram (Contributor, Binary States Exhibition), Skype, 1 April 2017.
- Sabobeh, Farah (Exhibition Coordinator, Cultural Engineering), Dubai, 8 March 2017.
- 1.2 Primary documents
- Cultural Engineering, “Cultural Engineering: Our Purpose”.
- Government of India, “Kerala Religion Census 2011”, Census 2011, www.census2011.co.in/data/religion/state/32-kerala.htm/.
- Kochi-Muziris Biennale Foundation website, https://kochimuzirisbiennale.org/.
- Kochi-Muziris Biennale, “Mission Statement”, https://kochimuzirisbiennale.org/mission-statement/#:~:text=The%20Kochi%2DMuziris%20Biennale%20seeks%20to%20create%20a%20new%20language,crucible%20of%20numerous%20communal%20identities/.
- Kochi-Muziris Biennale Youtube channel, “Raul Zurita’s The Sea of Pain”, www.youtube.com/watch?v=5exqFdUosYI/.
2 Secondary Sources
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- Bose, Sugata, A Hundred Horizons: The Indian Ocean in the Age of Global Empire (Cambridge, MA: Harvard University Press, 2006).
- Bundhun, Rebecca, “Kochi Exhibition Shows Rich History of Migration between the UAE and India”, The National, 21 February 2017.
- Butt, Umer; Rashid Bin Shabib; and Ahmed Bin Shabib (curators), Binary States, India-UAE: An Exhibition Celebrating Overlapping Elements in Emirati-Indian Cultures, 12 December 2016–29 March 2017 (Kochi-Muziris Biennale exhibition catalogue, 2016), https://myartguides.com/collateral-events/kochi/binary-states-india-uae/.
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- Green, Nile, “The Waves of Heterotopia: Towards a Vernacular Intellectual History of the Indian Ocean”, American Historical Review 123.3 (June 2018), pp. 846–874.
- Ithurbide, Christine, Géographie de l’art contemporain: villes, acteurs et territoires: le cas de Bombay (Inde) [Geographies of Contemporary Art: Cities, Stakeholders and Territories. The Case of Bombay (India)], PhD dissertation (Department of Geography, Université Paris Diderot, 2015).
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- Markovits, Claude, The Global World of Indian Merchants, 1750–1947: Traders of Sind from Bukhara to Panama (Cambridge: Cambridge University Press, 2000).
- Mathew, K.S., Imperial Rome, Indian Ocean Regions and Muziris: New Perspectives on Maritime Trade (London: Routledge, 2017).
- Mirgani, Suzi, “Introduction: Art and Cultural Production in the GCC”, Journal of Arabian Studies 7.1 (2017), pp. 1–11.
- Moghadam, Amin, “L’art est mon métier: émergence et professionnalisation du marché de l’art à Dubaï” [Art Is My Job: Development and Professionalization of the Dubai Art Market], Transcontinentales 12–13 (2012), http://journals.openedition.org/transcontinentales/1339.
- Rajan, S. Rajan and K.C. Zachariah, “New Evidences from the Kerala Migration Survey 2018”, Economic and Political Weekly 55.4 (2020).
- Subrahmanyam, Sanjay, Three Ways to Be Alien: Travails and Encounters in the Early Modern World (Lebanon, NH: University Press of New England, 2011).
- Seccombe, Ian J. and Richard I. Lawless, “Foreign Worker Dependence in the Gulf, and the International Oil Companies: 1910–50”, International Migration Review 20.3 (1986), pp. 548–574.
- The Hindu, “Exploring Ties between India, UAE”, 11 December 2016.
- Vora, Neha, Impossible Citizens: Dubai’s Indian Diaspora (Durham: Duke University Press, 2013).
- Wakefield, Sarina, “Contemporary Art and Migrant Identity ‘Construction’ in the UAE and Qatar”, Journal of Arabian Studies 7.1 (2017), pp. 99–111.
- Zachariah, K.C.; E.T. Mathew; and S. Irudaya Rajan, Dynamics of Migration in Kerala: Dimensions, Differentials and Consequences (Hyderabad: Orient Longman, 2003).
- Zachariah, K.C. and S. Irudaya Rajan, Kerala’s Gulf Connection, 1998–2011: Economic and Social Impact of Migration (New Delhi: Orient Longman, 2012).