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Research Article

And their voices were everywhere: Myesha Jenkins and the Pan-African feminist performance strategies of liberation

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Pages 89-104 | Received 26 May 2022, Accepted 03 Feb 2023, Published online: 26 Feb 2023

References

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  • Clarke, C. 2015. After Mecca: Women Poets and the Black Arts Movement. New Brunswick: Rutgers University Press.
  • Combahee River Collective. 1977. “A Black feminist statement.” In Home Girls: A Black Feminist Anthology, edited by S. Barbara, 2000. New Brunswick: Rutgers University Press.
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  • De Villiers, P. Y. 2020. “Myesha Jenkins 1948 – 2020: Poet, Performer, Activist and Extraordinary Human Being.” Daily Maverick. September 8. Accessed 15 December 2020. https://www.dailymaverick.co.za/article/2020-09-11-myesha-jenkins-1948-2020-poet-performer-activist-and-extraordinary-human-being/
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  • Kuljian, C., and M. Xaba. 2020. Remembering Myesha Jenkins, a Revolutionary in Politics, Poetry and Jazz. In Johannesburg Review of Books. October 8. Accessed 2 July 2021. www.johannesburgreviewofbooks.com
  • Lorde, A. 1984. Sister Outsider: Essays and Speeches. Trumansburg, New York: Crossing Press.
  • Mashile, L. 2012. “Interview with Myesha Jenkins.” Poetry in the Air, August 27. SAfm 104–107.
  • Molebatsi, N. 2019. “Affirming Our Memories: Experiences and Realities of Feminist Poets through the Radio.” Agenda: Empowering Women for Gender Equity 33 (2): 84–94. doi:10.1080/10130950.2019.1618638.
  • Xaba, M. 2008. Tongues of Their Mothers. Durban: UKZN press.
  • Xaba, M. 2014. “Interview with Myesha Jenkins.” Poetry in the Air. SAfm, 104–107. August 25.

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